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INDUSTRY EVENTS AND CONFERENCES
Trade shows, seminars, events and conferences about the business of the performing arts
May 19-23, 2025 New Orleans, LA Acoustical Society of America 188th Meeting
May 20-23, 2025 Memphis, TN Opera America
May 22-24, 2025 Warsaw, Poland Audio Engineering Society European Convention
May 22-25, 2025 Waterloo, ON Canadian University Music Society Conference
June 4-7 2025 St. Louis, MO Chorus America Conference
June 10-13 2025 Lugano, Switzerland International Society for the Performing Arts
June 10-14 2025 Indianapolis, IN International Double Reed Society Annual Conference
June 11-13 2025 Salt Lake City, UT League of American Orchestras Annual Conference
June 17-20, 2025 Chicago, IL Dance/USA Annual Conference
June 23-29, 2025 Valencia, Spain International Tuba-Euphonium Conference
June 29 - July 1, 2025 Nashville, TN National Association of Music Merchants NET
July 9-13, 2025 Fort Worth, TX ClarinetFest Conference
July 13-16, 2025 Detroit, MI The Hymn Society Annual Conference
July 14-15, 2025 Virtual American String Teachers Association Virtual String Teachers Summit
July 16-19, 2025 Des Moines, IA Piano Technicians Guild Convention
July 20-23, 2025 Pittsburgh, PA League of Historic American Theaters Annual Conference
July 25-27, 2025 Denver, CO National Council of Acoustical Consultants Conference
July 28-31, 2025 New Orleans, LA International Association of Venue Managers Conference
August 7-10, 2025 Atlanta, GA National Flute Association Conference
August 15-17, 2025 Mexico City, Mexico Audio Engineering Society Latin American Conference
August 17-19, 2025 Costa Mesa, CA Association of California Symphony Orchestras Conference
August 24-27, 2025 São Paulo, Brazil InterNoise Conference
September 2-5, 2025 Los Angeles, CA Western Arts Alliance Conference
October 2-4, 2025 Savannah, GA National Association for Campus Activities Conference
October 13-16, 2025 Beaverton, OR Arts Northwest Annual Conference
October 16-18, 2025 Hartford, CT National Association for Campus Activities Conference
October 23-26, 2025 Long Beach, CA Audio Engineering Society Convention
October 23-26, 2025 Atlanta, GA Society for Ethnomusicology Conference
October 30 - November 1, 2025 Spokane, WA College Music Society National Conference
November 6-9, 2025 Minneapolis, MN American Musicological Society Annual Conference
November 6-9, 2025 Minneapolis, MN Society for Music Theory Annual Meeting
November 20-22, 2025 Riverside, CA National Association for Campus Activities Conference
November 21-25, 2025 Orlando, FL National Association of Schools of Music Annual Meeting
December 1-5, 2025 Ottawa, ON Canadian Arts Presenting Association
January 7-10, 2026 Boston, MA National Opera Association Annual Convention
January 9-13, 2026 New York, NY Arts Presenters Conference
January 13-15, 2026 New York, NY International Society for the Performing Arts
January 16-19, 2026 Dallas, TX International Conductors Guild 50th Anniversary Conference
January 20-24, 2026 New York, NY National Association of Music Merchants Show
January 26-29, 2026 Las Vegas, NV International Ticketing Association Annual Conference
February 25-28, 2026 Providence, RI American Choral Directors Association Eastern Conference
February 25-28, 2026 Milwaukee, WI American Choral Directors Association Midwestern Region Conference
February 25-28, 2026 San Francisco, CA Suzuki Association of the Americas Conference
March 2026 Salt Lake City, UT Music Library Association Annual Meeting
March 4-7, 2026 Tacoma, WA American Choral Directors Association Northwestern Region Conference
March 4-7, 2026 Memphis, TN American Choral Directors Association Southern Region Conference
March 4-7, 2026 Albuquerque, NM American Choral Directors Association Southwestern Region Conference
March 4-7, 2026 San Jose, CA American Choral Directors Association Western Region Conference
March 18-21, 2026 Long Beach, CA US Institute for Theatre Technology Annual Conference
March 21-25, 2026 Chicago, IL Music Teachers National Association National Conference
April 9-11, 2026 Milwaukee, WI National Association for Campus Activities Conference
April 18-22, 2026 Las Vegas, NV National Association of Broadcasters Show
May 19-22, 2026 Singapore International Society for the Performing Arts
July 3-7, 2026 San Antonio, TX National Association of Teachers of Singing Conference
July 6-10, 2026 St. Louis, MO American Guild of Organists
August 20-23, 2026 Chicago, IL Chamber Music America
January 12-14, 2027 New York, NY International Society for the Performing Arts
April 2-6, 2027 St. Louis, MO Music Teachers National Association National Conference

Ask Edna
Edna Landau’s blog
Edna LandauEdna Landau—doyenne of the music business, long-time managing director of IMG Artists and director of career development at the Colburn Conservatory of Music in Los Angeles—writes Ask Edna exclusively for MusicalAmerica.com to provide invaluable advice to music students and young professional artists. Read more about Edna’s impact on the performing arts.

Send your questions to Edna Landau at AskEdna@MusicalAmerica.com and she’ll answer through Ask Edna. Click the links below to read Edna’s recent columns on the critical aspects of launching and managing and professional music career.

Arts Administration

Career Etiquette

Communicating with Your Audience

Finding a Manager

For Chamber Music Ensembles

Listening to Your Inner Voice

Managing Your Own Career

Publicity and Promotion

The Orchestral World

When It Comes to Recording

During Edna’s 23 years as managing director of IMG Artists, she personally looked after the career of violinist, Itzhak Perlman and launched the careers of musicians such as pianists Evgeny Kissin and Lang Lang, violinist Hilary Hahn, and conductors Franz Welser-Mõst and Alan Gilbert.

Edna believes young musicians can grow their own careers, with “hard work, blind faith, passion for the cause, incessant networking and a vision that refuse[s] to be tarnished by naysayers.”

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Press Releases

Samuel Coleridge-Taylor Celebration Features Performances of Sacred Choral Music and Hiawatha’s Wedding Feast

August 10, 2022 | By Lisa Bellamore
Publicist

 

Samuel Coleridge-Taylor Celebration Features Performances of Sacred Choral Music and Hiawatha’s Wedding Feast

 

Led by Artistic Director Dr. Zanaida Robles

 

Friday, August 12, 7 p.m.

"Sacred Choral Music of Coleridge-Taylor and Robles”

Tickets available here

 

Sunday, August 14, 10 a.m.

“Music Sunday! Church Service performance

featuring Hiawatha’s Wedding Feast

Free, no tickets required

 

at Neighborhood Unitarian Universalist Church, Pasadena

 

(Los Angeles, CA) July 12, 2022 – The Samuel Coleridge-Taylor Celebration, held in honor of the composer’s 147th birthday, will feature two special performances showcasing the Black-English composer’s sacred choral music, and his masterpiece Hiawatha’s Wedding Feast. Curated and conducted by Artistic Director Dr. Zanaida Robles, "Sacred Choral Music of Coleridge-Taylor and Robles” will take place Friday, August 12 at 7 p.m.; "Music Sunday! Church Service featuring Hiawatha's Wedding Feast” will take place Sunday, August 14 at 10 a.m. Both events will be held at the Neighborhood Unitarian Universalist Church in Pasadena.

The "Sacred Choral Music of Coleridge-Taylor and Robles” program features a cross section of sacred works, including two settings of Magnificat and Nunc Dimittis by Colerdige-Taylor and Robles, and Robles’ Ecstatic Expectancy with percussionist Dave Tull, which blends classical choral music with rock improvisation.

"Music Sunday! Church Service featuring Hiawatha's Wedding Feast” includes music by Native American composers set alongside Coleridge-Taylor’s multi-cultural fusion of Native American legend, classic American poetry, and English late-Romantic music. The text for Hiawatha’s Wedding Feast comes from Henry Wadsworth Longfellow’s 1885 poem, The Song of Hiawatha. While there is much to criticize about his blatant appropriation and flagrant alteration of several aspects of Native American culture, Longfellow made what he believed was a genuine attempt to honor indigenous heritage by writing his epic poem based on Henry Schoolcraft’s transcription of the orally transmitted stories told by Schoolcraft’s Ojibway wife, Jane. Despite its inaccuracies and problematic nature, Longfellow’s alluring yet misguided work helped to dramatically increase national awareness and preservation of Native American culture. The history of the Hiawatha legend and its storytellers is complex, and performing Coleridge-Taylor’s musical setting of a small portion of this story is an opportunity to clarify and correct the narrative by centering the stories, artistry, and experiences of indigenous Americans.

“Researching the life and work of Coleridge-Taylor has been an eye-opening experience ever since I first discovered his music as an undergraduate student in vocal performance,” said Robles. “It is a privilege and joy to present this celebration, which is part of a larger commitment to expand the choral canon and uplift underrepresented voices, including Indigienous artists and composers.”

The Samuel Coleridge-Taylor Celebration is the first of several stops on the road to Carnegie Hall, where the Harvard-Westlake Choirs and Orchestra from Southern California will perform Hiawatha's Wedding Feast, conducted by Robles, and presented by National Concerts. The work was last performed at Carnegie Hall in 1915 as part of a "Concert of Negro Music" conducted by renowned conductor/composer J. Rosamund Johnson (the same who composed "Lift Ev'ry Voice and Sing”). 

Coleridge-Taylor's most celebrated work, Hiawatha’s Wedding Feast is a shining example of his command of musical form, texture, harmony, and orchestration, which resulted in overnight fame and respect among colleagues that few men of color could have hoped to enjoy in the early twentieth century. Because of his incredible success in a field dominated by white males at a time when racism in America was peaking, Coleridge-Taylor’s influence on Black artists and intellectuals was powerful and far-reaching. It is regrettable that such a monumental work declined into virtual obscurity after Coleridge-Taylor's death at the young age of 37 in 1912. But these performances shine light on this important work by a composer who still inspires the American musical community, just as he did a century ago.

AT A GLANCE:

Samuel Coleridge-Taylor Celebration

Neighborhood Unitarian Universalist Church

301 N Orange Grove Blvd, Pasadena, CA 91103

 

Friday, August 12, 7 p.m.

"Sacred Choral Music of Coleridge-Taylor and Robles”

Coleridge-Taylor Singers

Zanaida Robles, conductor

James Walker, organ

Wells Leng, piano

Dave Tull, percussion

Tickets available here ($20)

 

Sunday, August 14, 10 a.m.

“Music Sunday! Church Service performance featuring Hiawatha’s Wedding Feast

Coleridge-Taylor Celebration Chorus

Zanaida Robles, conductor

Kathryn Eames, piano

FREE, no tickets required

Dr. Zanaida Stewart Robles is an award-winning American composer, conductor, vocalist, and teacher. She is a fierce advocate for diversity and inclusion in music education and performance. Authentic interpersonal connection and relationship-building are core principles of her teaching and performance methods. She is in demand as a composer, vocalist, clinician and adjudicator for competitions, festivals, and conferences related to choral and solo vocal music. Zanaida’s original music has been performed by professional ensembles, community choirs, educational institutions, churches, and individuals world wide. Her works are published by Stewart Robles Music, Music Spoke, E.B. Marks Music, Pavane Publishing, and Stainer and Bell. Her compositional style can be described as energized, soulful, contrapuntal, harmonically colorful, rhythmically driven, heavily modal, occasionally with African elements and touches of progressive rock. Zanaida holds a Doctor of Musical Arts degree from the USC Thornton School of Music, a Master of Music degree from CSU Northridge, a Bachelor of Music degree from CSU Long Beach, and she is a graduate of the Los Angeles County High School for the Arts. Zanaida was born, raised, and educated in Southern California on the occupied lands of the Gabrielino Tongva people.

A nationally-recognized conductor and concert organist, James Walker entertains and enlightens audiences throughout the United States, and his solo recitals are broadcast on National Public Radio. Winner of the prestigious Ruth and Clarence Mader National Organ-Playing Competition in 1986, he is a featured soloist at Bach festivals and regional and national music conventions. In addition to solo and chamber music recitals as pianist and organist, James maintains an active teaching schedule as well as guest conductor and collaborative artist appearances for special events, and interim organist and/or interim choirmaster and consulting for churches. Mr. Walker was Artistic Director of the 2014 Los Angeles Bach Festival and was College Organist and Instructor of Organ at Occidental College in Los Angeles from 1981 to 2004. James holds both undergraduate and Master of Music degrees from the University of Southern California School of Music. He studied organ with Marcia Hannah Farmer, Ladd Thomas and Cherry Rhodes. His conducting coaches have been Thomas Somerville, Leo Nestor, James Vail, William Schaefer, and with Helmuth Rilling as a masterclass conductor at Oregon Bach Festival.

Wells Leng is a performer/composer/improviser based in Los Angeles. Having graduated from USC with a BM in Composition and a BA in Piano Performance and CalArts with an MFA in the Performer-Composer program, they have studied composition with Donald Crockett, Brian Head, Andrew Norman, Frank Ticheli, Andrew McIntosh, and Nicholas Deyoe; piano with Antoinette Perry and Vicki Ray; cello with Erika Duke-Kirkpatrick. As both a performer and composer, Wells has collaborated with many other artists all over the world. An active member of the LA taiko community, they have worked closely with prominent artists such as San Jose Taiko, Kris Bergstrom, Isaku Kageyama, Shoji Kameda, as well as other musicians specializing in Japanese music; Kozue Matsumoto and Rachel Rudich. Wells is part of House on Fire Trio, stickytack, and Quartet Friends. Aside from playing taiko, cello, and piano, they are also an amateur player of several other instruments. Wells is currently the collaborative keyboardist at Neighborhood Unitarian Universalist Church.

Dave Tull has long been known as one of the world’s finest jazz drummers and has also built a reputation as a premiere jazz singer and songwriter. Dave Tull’s latest release, “Texting and Driving” was the #2 most requested new album of 2018 on SiriusXM Real Jazz, and was featured by NPR’s Susan Stamberg on Weekend Edition. Singing from the drums, Dave brings to the stage a rare combination of joyous songwriting, world-class jazz singing and drumming. Think “Frishberg meets Gershwin”. Dave’s songs have been called both “laugh out loud funny” and inspiring of “soul searching and introspection”, propelling “Texting and Driving” to #5 on the Billboard Jazz Chart, and #3 on the Billboard Comedy Chart in the same week, and 23 weeks on the JazzWeek chart! Dave’s celebrated first CD, “I Just Want To Get Paid”, continues to get regular airplay many years after its release.

Dr. Kathryn Eames earned her DMA in Piano Performance at the University of Southern California, studying with Bernadene Blaha. She enjoys an active performing career as a soloist, collaborative pianist, and orchestral keyboardist. Dr. Eames is a devoted advocate of new music, and is a member of the contemporary ensemble Helix Collective. The group’s  2018 album L.A, Stories commissioned works involving spoken word about various aspects of life in Los Angeles. Kathryn is also the principal pianist of the Fresno Philharmonic. Other collaborations include pop-up concerts with New Opera West and working as a Teaching Artist for the LA Opera school outreach program. Her recordings have been featured on KUSC 91.5’s Thornton Center Stage. Dr. Eames is on the faculty of the Pasadena Conservatory of Music, where she teaches piano and music theory.

MEDIA CONTACT:

Lisa Bellamore

Crescent Communications

lbellamore@gmail.com | 323-500-3071

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