REVIEWS


Reviews

Ólafsson, Salonen, in U.K. Premiere of Adams Concerto

February 27, 2026 | Clive Paget, Musical America
LONDON—The February 25 Philharmonia concert at London’s Festival Hall saw the welcome return of Finnish conductor Esa-Pekka Salonen, the orchestra’s conductor laureate, alongside pianist Víkingur Ólafsson. They … » Read
 

Reviews

Dudamel's First Missa Solemnis

February 26, 2026 | Laurence Vittes, Musical America
Gustavo Dudamel conducted Beethoven’s Missa solemnis with the Los Angeles Philharmonic last weekend in Disney Hall, his maiden voyage with the composer’s most demanding work, and arguably the summit of his farewell season. When Klaus … » Read
 

Reviews

The Perfect Time for a Scathing Satire

February 20, 2026 | Clive Paget, Musical America
LONDON—Budget cuts and an involuntary relocation by Arts Council England may have pulled the rug out from under the English National Opera, but forced to make something out of not a great deal, it seems to be enjoying an unexpected golden … » Read
 

Reviews

BBC Symphony Mixes Tines with Rachmaninoff

February 19, 2026 | Mark Valencia, Musical America
LONDON—It’s hard to imagine a more quintessentially British outfit than the BBC Symphony Orchestra, nor a conductor more Italian than Daniele Rustioni; yet when on February 13 these European musicians brought a 1950s urban New York to … » Read
 

Reviews

Puts+Dickenson+Donato+TF3=Emily

February 17, 2026 | Hannah Edgar, Musical America
CHICAGO—Upon entering Orchestra Hall on February 10, audience members were handed something in addition to the evening’s program: a pencil. That was the first hint that Emily — No Prisoner Be wasn’t going to be “your … » Read
 

Reviews

A Pretty Opera with Resolution but No Conflict

February 17, 2026 | Taylor Grant, Musical America
The Great Wave , an opera by composer Dai Fujikura and librettist Harry Ross, presents a series of vignettes from the life and death of the artist Katsushika Hokusai, best known for the iconic print that gives the composition its name. Premiered … » Read
 

Reviews

A Multisensory Soundbox in San Francisco

February 16, 2026 | Steven Winn, Musical America
SAN FRANCISCO—As the San Francisco Symphony soldiers on in search of a new music director, a revitalized identity, and a proposed renovation of Davies Symphony Hall, one of the organization’s programs is thriving. SoundBox concerts, … » Read
 

Reviews

Opéra Comique's Werther Has All the Right Ingredients

February 13, 2026 | George Loomis, Musical America
PARIS—The superb production of Werther at the Opéra Comique last month was a veritable team effort headed by conductor Raphaël Pichon, who has brought his orchestra Pygmalion to the forefront of the period-instrument movement. … » Read
 

Reviews

Golda Schultz, SFSymphony Address DaPonte's Women

February 12, 2026 | Steven Winn, Musical America
SAN FRANCISCO—It’s not often that clothes match the style and mood of a concert. But such was the case on Thursday, February 5, in a splendid all-Mozart bill performed by the San Francisco Symphony. Conductor Harry Bicket made the … » Read
 

Reviews

A Night of Singing with the Budapest Festival Orchestra

February 11, 2026 | Fred Cohn, Musical America
Iván Fischer, leading his Budapest Festival Orchestra on February 6 in the first of two Carnegie Hall concerts, began the evening with a droll surprise. The billed program-opener was Summa by Arvo Pärt, current holder of … » Read
 
 

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