REVIEWS


Reviews

A Tatiana for the Ages

April 23, 2026 | Fred Cohn, Musical America
Soprano Asmik Grigorian has fashioned a portrayal of Tchaikovsky’s Tatiana that is hers and hers alone. The Lithuanian singer, starring in the Met’s current Eugene Onegin , never falls into routine; her performance brings surprises … » Read
 

Reviews

Conlon Chooses Falstaff for LA Farewell

April 21, 2026 | Richard S. Ginell, Musical America
LOS ANGELES—Approaching the final months of his 20-year tenure as Los Angeles Opera’s music director, James Conlon dearly wanted to conduct Verdi’s Falstaff one more time. His first professional conducting gig was Falstaff , and … » Read
 

Reviews

Aix at Easter, Part II: Argerich, Capuçon, Shani Shine

April 20, 2026 | Mark Valencia, Musical America
The novelty at this year’s Aix-en-Provence Easter Festival has been the first engagement of an orchestra in residence. Such a title may seem a touch grandiose for a three-night gig, particularly since one of these was a chamber recital that … » Read
 

Reviews

A 75th Birthday Bash for Julian Lloyd Webber

April 17, 2026 | Keith Clarke, Musical America
LONDON—It has been 12 years since British cellist Julian Lloyd Webber put his cello back in its case for the last time, a herniated disc in his neck having brought a premature end to a career that had begun in 1972 with the first London … » Read
 

Reviews

The Promise of PIGSPIGSPIGS

April 16, 2026 | Clive Paget, Musical America
LONDON—Bastard Assignments, a collective in the thriving British experimental music scene, has received positive notices in the past (“one of the most exciting forces in contemporary music,” as quoted from the Financial Times in … » Read
 

Reviews

Aix at Easter Part I: Two Wins, One Embarrassment

April 15, 2026 | Mark Valencia, Musical America
AIX-EN-PROVENCE—As fine wines improve with age, so the Aix Easter Festival has matured into one of Europe’s unmissable classical music gatherings. While not a behemoth on the scale of London’s BBC Proms, it is a beacon among … » Read
 

Reviews

CSO Cellist Goes Rogue

April 15, 2026 | Hannah Edgar, Musical America
CHICAGO—During a recent Chicago Symphony Orchestra concert, Katinka Kleijn sidled onto the Orchestra Hall stage, as she has for more than 30 years, to join her colleagues in the cello section for a program of rich, late-romantic … » Read
 

Reviews

In Chicago, a Question of Balance

April 14, 2026 | Hannah Edgar, Musical America
CHICAGO—Jakub Hruša has death on his mind. At least, his recent Chicago Symphony Orchestra program did. On April 9, he anchored his guest appearance with Rachmaninoff’s The Isle of the Dead and the Prelude and Liebestod … » Read
 

Reviews

At the Met: Gruesome Subject, Masterful Score

April 8, 2026 | George Loomis, Musical America
Innocence by the late Finnish composer Kaija Saariaho has made an impact that few other recent operas can match. Following its premiere at the Festival d’Aix-en-Provence in 2021, Saariaho’s dramatization (with a multilingual libretto … » Read
 

Reviews

Alsop, Philly Brighten Carnegie Hall

April 6, 2026 | Fred Cohn, Musical America
In her role as principal guest conductor, Marin Alsop led the Philadelphia Orchestra in the local premiere of John Adams’s The Rock You Stand On at Carnegie Hall on March 31, part of the hall’s semiquincentennial series, “United … » Read
 
 

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