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Reviews
At Ravinia: The Soloists Nearly Steal the Show
![](https://www.musicalamerica.com/mablogs/wp-content/uploads/2024/07/Azmeh-and-Wijerante.jpg)
HIGHLAND PARK, Ill.— A public service announcement is in order. Yes, the Ravinia Festival might be most famous as the summer home of the Chicago Symphony Orchestra, or as the site of the Steans Music Institute, the prestigious training … »
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Opera Holland Park Attempts Puccini's Edgar
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LONDON—If you’ve ever wondered what Puccini was up to between the success of Le Villi in 1884 and Manon Lescaut in 1893, the answer is… struggling. Edgar , his second opera, flopped in 1889. Revised, it fared better in 1888 and … »
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Making the Case for Opera-in-Concert: Orlando at the Barbican
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LONDON —Orlando is one of Handel’s finest Italian operas, full of good tunes and with a refreshingly simple plot offering excellent opportunities for five-star singers. Written in 1733 for the King's Theatre in London, a venue in … »
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(Real) Murder and Mayhem at the Opera
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On June 27 reality tragically intruded on an evening devoted to fantasy—the Cincinnati Opera’s opening performance of Verdi’s La Traviata . As patrons were arriving 15 minutes before the curtain was to go up, a standoff between … »
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Alsop and NOI's Beethoven Nine, Enveloped by the Cathedral
![](https://www.musicalamerica.com/mablogs/wp-content/uploads/2024/07/National-Orchestral-Institute.jpg)
On June 30 Marin Alsop, director of the National Orchestral Institute + Festival Philharmonic, combined her assemblage of musicians just beginning their careers with the Heritage Signature Chorale for a sold-out performance at the Washington … »
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Salonen Circles Back to Mahler 3 to Close SFS Season
![](https://www.musicalamerica.com/mablogs/wp-content/uploads/2024/03/Salonen2024-1-scaled.jpg)
SAN FRANCISCO—With the symphony’s season clouded by Music Director Esa-Pekka Salonen’s startling decision to depart in the middle of next year, at the conclusion of his five-year contract, this June 28 concert at Davies Hall … »
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Summer at SF Opera, Con't: Splendid Partenope, Uneven Flute
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Innocence is not only the standout of San Francisco Opera’s summer season [see Monday's review] but one of the most significant achievements of the company in recent years—and a highlight of this past season overall. Were it not for … »
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The Pain and Insight of Innocence
SAN FRANCISCO—A year after Kaija Saariaho’s death at the age of 70, her final opera, Innocence , received its much-anticipated American debut this month at San Francisco Opera. The work’s reputation as a harrowing and innovative … »
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At Grange Park: A Suitably Edgy Katya
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LONDON—Grange Park Opera is one of the more accessible and idyllic venues on the U.K.’s country house opera circuit. Comprising a purpose-built brick auditorium with excellent acoustics, surrounded by gorgeous formal gardens, and … »
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A Clever Coupling: George Lewis with Claudio Monteverdi
![](https://www.musicalamerica.com/mablogs/wp-content/uploads/2024/06/The-Comet.jpg)
The world premiere of The Comet / Poppea on June 21 at the Geffen Contemporary at MOCA in Los Angeles demonstrated once again that Yuval Sharon is one of opera’s most imaginative directors. The 80-minute production melded a new score by … »
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