REVIEWS


Reviews

A Butterfly for the AI Era

March 25, 2026 | Hannah Edgar, Musical America
CHICAGO— Hello, Dolly was right: Sometimes, it only takes a moment. Director Matthew Ozawa’s widely traveled production of Madama Butterfly is far from perfect in its arrival at the Lyric Opera of Chicago, where Ozawa is the chief … » Read
 

Reviews

Cocteau and Philip Glass: Beauty and the Beast

March 24, 2026 | Steven Winn, Musical America
SAN FRANCISCO—In its inspired concept and eerily enchanting realization, Opera Parallèle’s La Belle et la Bête is a triumph of the first order and certainly one of the signal achievements of this resourceful small … » Read
 

Reviews

David Lang's Monumental New Oratorio

March 23, 2026 | Fred Cohn, Musical America
In 2019, the New York Philharmonic presented the premiere of David Lang’s opera prisoner of the state , a Fidelio adaptation that used Beethoven’s scenario to comment on the persistence of political oppression into our own time. The … » Read
 

Reviews

When Music and Staging Click

March 20, 2026 | Clive Paget, Musical America
LONDON—Like his stagings of Das Rheingold and Die Walküre , Barrie Kosky's new Royal Ballet and Opera Siegfried is rooted in the natural world. But this third instalment—seen at its March 17 premiere—was different. A … » Read
 

Reviews

After Anna, Un Ballo at the Bastille

March 19, 2026 | Matthew Gurewitsch, Musical America
With Anna Netrebko on deck as the tormented Amelia, the recent Paris Opera revival of Gilbert Deflo’s decade-old production of Verdi’s  Un Ballo in Maschera  at the Bastille was bound to be a red-hot … » Read
 

Reviews

Is Hercules Still the ''Peak'' of Baroque Music Drama?

March 18, 2026 | George Loomis, Musical America
The much-valued annual presentation of a Handel opera in Carnegie Hall by Harry Bicket and the English Concert on occasion has stretched the genre, but only a touch, by performing an English “dramatic oratorio” as they have come to be … » Read
 

Reviews

Mutis' Macbeth in Turin Sends Shivers

March 17, 2026 | Matthew Gurewitsch, Musical America
If Verdi makes your world go round, Riccardo Muti’s your man. Whether at the opera house or in strict concert form (no semi-staged funny business for this maestro), his investigations into Verdi’s many worlds are touchstone events. … » Read
 

Reviews

Yuval Sharon's Tristan Is a Conundrum

March 13, 2026 | Fred Cohn, Musical America
The new production of Tristan und Isolde is the Met’s hottest ticket of the year, and with good reason. The company has not presented Tristan in a decade––far too long, considering the work’s seminal importance. Isolde is … » Read
 

Reviews

McVicar's Ring Triumph at La Scala, Part II

March 12, 2026 | James Imam, Musical America
MILAN—By the midpoint of the first of La Scala’s two full Ring   cycles (March 1-7 and 10-15), it was clear audiences were witnessing something special. As mentioned in the review of Das Rheingold and Die Walküre , the cast … » Read
 

Reviews

West Edge Opera's Snapshots of New Works

March 12, 2026 | Sarah Shay, Musical America
Each year the Berkeley-based West Edge Opera’s “Snapshot” selects pairs of composers and librettists to workshop new pieces with a team of experienced advisers, a strong cast, and musicians over a two-week period.  This … » Read
 
 

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