PROFESSIONAL GROWTH
Click on the tabs below to advance your career by searching Contests & Awards, Schools, Festivals, Camps, Service Organizations, and our list of Services and Products, Scholarships and Grants and Events and Conferences.
And be sure to browse the excellent career advice offered by legendary Artist Manager Edna Landau in her Ask Edna blog and the entertainment law experts in their Law and Disorder blog.
US/Canada Arts Administration Degree Programs
Music Schools & Departments
Summer Music Camps & Special Programs
Services & Professional Music Orgs (non-profit)
Performing Arts Industry Events and Conferences
AskEdna: Career Advice blog
Scholarships and Grants
Send your questions to Edna Landau at AskEdna@MusicalAmerica.com and she’ll answer through Ask Edna. Click the links below to read Edna’s recent columns on the critical aspects of launching and managing and professional music career.
Communicating with Your Audience
During Edna’s 23 years as managing director of IMG Artists, she personally looked after the career of violinist, Itzhak Perlman and launched the careers of musicians such as pianists Evgeny Kissin and Lang Lang, violinist Hilary Hahn, and conductors Franz Welser-Mõst and Alan Gilbert.
Edna believes young musicians can grow their own careers, with “hard work, blind faith, passion for the cause, incessant networking and a vision that refuse[s] to be tarnished by naysayers.”
Special Reports
MA Top 30 Professional of the Year: Terell Johnson
Executive Director
Chicago Philharmonic
One day after his appointment as executive director of the Chicago Philharmonic on July 1, Terell Johnson attended a recording session by his new band in its home venue, the Harris Theater. Coming on the heels of the double pandemic of the last year-and-a-half—COVID-19 and a heightened awareness, with cause, of social injustice—the relevance of the repertoire was stunning. Recorded for streaming from the Harris Theater website, Redemption, as it is titled, is a collection of spirituals and gospel songs by singer/ composer Adrian Dunn in memory of George Floyd and other Black men killed by police.
Also featuring an arrangement of “Lift Every Voice and Sing” by Dunn and the Adrian Dunn Singers, and the 2019 violin concerto Glory, by Marcus Norris, the performance epitomized for Johnson the projects he had in mind for the orchestra’s future. “It was a remarkable experience and a testament to the Philharmonic’s ambition to transform the classical music landscape into an everexpanding inclusive space,” Johnson said, noting that the concert was the first he’d seen in which all participants “looked like me.”
Not that Johnson is new to pushing for change in classical music. Before his appointment, he chaired the equity, diversity, inclusion, and belonging committee at Miami’s New World Symphony (NWS), also serving as director of business development and community engagement. Last April, he moderated “Being Black in America,” a panel discussion with pianist Awadagin Pratt and Human Rights Watch U.S. Executive Director Nicole Austin-Hillery, joined by NWS fellows.
Now Johnson leads a group that stands apart in a different way: The Chicago Philharmonic, with origins that date to 1979, is a self-governed orchestra that operates without a union contract and holds no formal auditions. Instead, Artistic Director and Principal Conductor Scott Speck maintains a group of some 200 professionals to contact as needed. Johnson called this unique governance model, along with the group’s eclectic musical vision, “our super power…it’s what inspired me to join the team.”
Life during the pandemic got even more interesting for Johnson when he was accepted into the LEAD fellowship, a twoyear program grooming leaders of color offered by the Sphinx Organization. Said Donna Milanovich, who preceded Johnson as the Chicago Philharmonic’s executive director, “I can think of no better leader,” for the orchestra. “His business acumen and love of the transformative power of music is sure to take [it] to new heights.”