PROFESSIONAL GROWTH
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Send your questions to Edna Landau at AskEdna@MusicalAmerica.com and she’ll answer through Ask Edna. Click the links below to read Edna’s recent columns on the critical aspects of launching and managing and professional music career.
Communicating with Your Audience
During Edna’s 23 years as managing director of IMG Artists, she personally looked after the career of violinist, Itzhak Perlman and launched the careers of musicians such as pianists Evgeny Kissin and Lang Lang, violinist Hilary Hahn, and conductors Franz Welser-Mõst and Alan Gilbert.
Edna believes young musicians can grow their own careers, with “hard work, blind faith, passion for the cause, incessant networking and a vision that refuse[s] to be tarnished by naysayers.”
Special Reports
MA Top 30 Professional of the Year: Linden Christ
Director of Education
Chicago Opera Theater
Soprano Linden Christ was still a graduate student at the Chicago College of Performing Arts at Roosevelt University in 2006, when she became a teaching artist for Chicago Opera Theater (COT), the city’s smaller alternative to the Lyric Opera of Chicago. Within two years of working with the local public schools, she became COT’s head of education, first as manager, now under her current title.
At first, Christ was one of three instructors who taught about 200 students in eight classes drawn from five schools. Today, the program enlists two full-time and nine part-time teaching artists to reach some 1200 students in 42 classes from eight elementary schools and four high schools.
The centerpiece of COT’s education program, and Christ’s main focus, is Opera for All, for grades three through six. Teaching artists spend 60 minutes per week over 30 weeks, instructing a class in singing and acting techniques, and guiding them in creating, producing, and performing their own mini opera. Students write
the script, compose a class song, and create sets, costumes, and choreography. Each spring the class performs its opera at school for parents and fellow students. Some classes are chosen for a public performance at the historic Studebaker Theater, COT’s mainstage. Last year, Opera for All was one of six finalists in the education division of the International Opera Awards.
Christ also oversees the company’s Young Artist program, a partnership with Roosevelt University that offers pre-professional artists a full scholarship and a stipend for two years of study. Participants perform in the public school programs, take small roles in COT productions, and emerge with a professional diploma in opera. Also under Christ is COT Teens, administered in tandem with the Chicago Public Schools; students audition for admission, and, after spending a semester with COT teaching artists, produce a showcase, musical, or operetta, often for communities around the city
These programs cost money, and Christ, who continues to teach and perform publicly, is a tireless and persuasive fundraiser; in her 12 years running the program donations have grown from $73 thousand to $317 thousand. Her passionate conviction of the value of arts education is palpable in OFA’s video—it would be very hard to say no to this woman.