Thursday, February 6th, 2014
By Brian Taylor Goldstein, Esq. Dear Law and Disorder: A composer has been commissioned to write an ‘original’ work for a particular soloist or specific chamber ensemble. The commission agreement stipulates that the performing artist is granted exclusivity, giving the artist a certain period of time in which he/she has the sole right to perform […]
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Tags: artist, Brian Taylor, commissions, composer, contract, contractual terms, exclusivity, Goldstein, music, orchestra, orchestrations, permission, Variations
Posted in Agents, Artist Management, Arts Management, Contracts, Copyrights, Law and Disorder: Performing Arts Division, Licensing, Music Rights, Publishing, Recordings | Comments Off on Gosh, That Sounds Familiar!
Thursday, May 26th, 2011
by Edna Landau To ask a question, please write Ask Edna. This column was prepared with the assistance of Neale Perl, President of the Washington Performing Arts Society, and Ruth Felt, President of San Francisco Performances. Both are valued longtime colleagues, to whom I am very grateful. Dear Edna: I am a pianist and have […]
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Tags: Alkan, Armstrong, Benabdallah, Benabdeljalil, career, carnegie, Clementi, concerto, conservatory, edna, Fantaisie, fantasy, Fugue, Gabetta, Impromptus, Kreeger, Landau, Liszt, Mendelssohn, musicalamerica, performer, presenter, programming, Rachmaninoff, repertoire, Schmidt, Schubert, Servais, solo, Sonata, Sorgen, Variations, Weill, Zankel
Posted in Ask Edna, Listening to Your Inner Voice | Comments Off on To Thine Own Self Be True