Friday, January 4th, 2013
Consider this scene. Galván hammers an old upright piano apart with his sputtering footwork. In doing so, he destroys the harmonic integrity of the instrument. When he forces the piano apart, we hear its strings shrieking as they stretch. We see Galván in a deep lunge with his muscular arms working to push the battered object to its breaking point. But the piano doesn’t dissemble. Instead its strings, like Galván’s wiry body, produce a shrill, taut dissonance, one that is awe-inspiring in its intensity. At this moment, the image of the persecuted gypsy becomes real: Galván, stripped of his shirt, dances while caught in a barbed wire fence. His angular, contorted gestures and his sharp, hard footwork eviscerate him as they reveal the unique quality of his dancing, which bends the tradition of the Seville school of flamenco beyond recognition.
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Tags: Belén Maya, Bobote, Caracafé, Chicuelo, David Lagos and Tomás de Perrate, Eloísa Cantón, Flamenco, Isabel Bayón, Israel Galván, Jacques Lacan, Leni Riefenstahl, Lo Real/Le Réel/The Real, Pedro G. Romero, Rachel Straus, Roman, Saville, Sinti, Txiki Berraondom, Uchi
Posted in The Torn Tutu | Comments Off on A Masterwork by Israel Galván
Monday, May 28th, 2012
While the New York Times paints Spain as a country on the verge of collapse, the view from the streets of Madrid and Salamanca is quite different. At Madrid’s Plaza de Toros de Las Ventas on May 27, the stadium was packed. Though the bullfights are a far cry from ballet or experimental dance, the posture of the toreadors (bullfighters) are inescapably similar to the stance of flamenco dancers
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Tags: AIDS, Ballet Flamenco de Madrid, Cancanilla de Malaga, carmen, El Huerto Espacio Escénico, Flamenco, George Bizet, José Greco, Juan Antonio Muñoz, Lola Flores, Madrid, Manuel Badás, Obra Social de Caja, Plaza de Toros de Las Ventas, Saint Sebastian, Salamanca, Sara Lezana, Saulo Sanchez G, Sebastián, Sebastián Heredia Santiago, Spain, Strange Fruit, Teatro Nuevo Apolo, Veronica Santos
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Tuesday, March 29th, 2011
By Rachel Straus March 29 – April 9 Eiko & Koma The Japanese avant-garde artists, whose home has been the U.S. since 1976, present the New York premiere of Naked at the Baryshnikov Arts Center. They will be intermittently naked, but what will stand out are their glacially slow movement tableaus that change one’s perception […]
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Tags: Armitage Gone! Dance, Dance Theater Workshop, DanceNOW, Flamenco, Joe's Pub, Kyle Abraham, Museum of Art and Design, New York City Ballet, P.S. 122, Paradigm, St. Mark's Church, The Joyce Theater
Posted in The Torn Tutu | Comments Off on April Dance Happenings: New York City