NEWS ROUNDUP


Industry News

For the Secret to Opera Australia's Success, Look to the Classic Musicals

November 5, 2019 | Anthony Brown, Musical America
Lyndon Terracini, Opera Australia's artistic director for the past ten years—and just renewed for another three —has proven to be something of a miracle worker. During his tenure, attendance has tripled, from 200,000 tickets sold his … » Read
 

Industry News

Taking Music Out of the Concert Hall and Into the Shelter

November 5, 2019 | Sarah Shay, Musical America
An idea hatched on the West Coast has found its way to Cleveland. Founded by Chester and Rachel Englander, “Access Music” is modeled after “Street Symphony,” created in Los Angeles by violinist Vijay Gupta . Both programs … » Read
 

Reviews

In Chicago: A Devastating, Yet Exhilarating, Night at the Opera

November 4, 2019 | Wynne Delacoma, Musical America
CHICAGO—Sometimes it’s hard to know exactly why a night at the opera is so riveting, especially when it’s a contemporary opera, like Jake Heggie’s Dead Man Walking , which had its Lyric Opera of Chicago premiere Saturday. … » Read
 

People in the News

New Musicians in Texas, Indiana, LA, Germany

November 4, 2019 | Nicholas Beard, Musical America
The Fort Worth Symphony has three new principals. Colburn alumna Anna Kolotylina [pictured], originally from the Ukraine and formerly with the Oregon Symphony, is the new principal viola, succeeding Laura Bruton, who passed away in March. Also … » Read
 

Industry News

Rare Violin Returned in Clandestine Rendez-vous

November 4, 2019 | Nicholas Beard, Musical America
After ten days and a secret negotiation, violinist Stephen Morris was able to reclaim his 310-year-old instrument. Morris accidentally left his violin on a train on his way home following a long day of rehearsals on Oct. 22. The violin, made by … » Read
 

Industry News

Symposia in Dallas Support Women Conductors/Composers/Executives

November 4, 2019 | Taylor Grant, Musical America
The Dallas Symphony Orchestra (DSO) and the Dallas Opera have embraced twin initiatives to address the under-representation of women on podiums and in the repertoire. “It’s not an issue of talent,” Dallas Opera General Director … » Read
 

Industry News

Listening to the Listeners of New Sounds

November 4, 2019 | Taylor Grant, Musical America
The recent announcement by WNYC that it was dropping New Sounds , which introduced a variety of new music to listeners for over 37 years, drew immediate condemnation from many in the artistic community. Julia Wolfe, Pulitzer Prize-winning … » Read
 

Reviews

At Massimo, a Strong Case for Schumann's Peri

November 1, 2019 | James Imam, Musical America
MILAN--How to approach a piece like Schumann's Das Paradies und die Peri ? Written in 1843, Schumann described it as "well-nigh a new genre for the concert hall," but could not decide whether it was an opera or secular oratorio. Most critically, … » Read
 

People in the News

Baltimore Symphony Players Co-Chair Goes to the Other Side

November 1, 2019 | Susan Elliott, Musical America
Yesterday, two press releases arrived simultaneously: One from the League of American Orchestras announcing the 12 participants in its annual, eight-month Emerging Leaders Program, which trains budding orchestra administrators to move up the … » Read
 

People in the News

New Artist of the Month: Conductor Michele Gamba

November 1, 2019 | James Imam, Musical America
MILAN — When I meet conductor Michele Gamba in October, his latest musical marathon is drawing to a close. He has recently concluded a run of L'elisir d'amore at La Scala featuring baritone Ambrogio Maestri, rising soprano Rosa Feola, … » Read
 
 

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