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Reviews

In Berlin: La forza del regie

September 20, 2019 | Thomas May, Musical America
BERLIN — Booing can be a badge of honor in Germany’s theaters, particularly when it comes to canonical works. That’s at least one way of regarding the vehement reactions that have greeted Frank Castorf’s new staging of La … »Read
 

Reviews

Philadelphia's O19 Gets Underway with the Brilliant Denis & Katya

September 20, 2019 | Clive Paget, Musical America
If you caught Philip Venables’s opera of Sarah Kane’s 4:48 Psychosis at last season’s NYC Prototype Festival, you’ll know he doesn’t fight shy of harrowing subject matter. Yet although Denis & Katya , which … »Read
 

Reviews

History Lesson with Benefits: The Constitution

September 19, 2019 | Clive Paget, Musical America
The idea of a choral setting of the U.S. Constitution sounds like a pretty dry couple of hours. But not only is Benjamin Yarmolinsky’s self-styled “secular oratorio” a cornucopia of catchy themes and variations, in the committed … »Read
 

Reviews

Salzburg's New Oedipe: 'Dream' Staging Needs More Reality

August 26, 2019 | George Loomis, Musical America
With George Enescu’s Oedipe on August 17, my Salzburg opera going of the summer came to an end. Unusually, it was possible to see all of the festival’s new productions—six this year—within the space of a week, and I … »Read
 

Reviews

Offenbach Finally Bows in Salzburg

August 23, 2019 | George Loomis, Musical America
Offerings at the Salzburg Festival are so wide ranging that a uniform theme is often impossible to discern, but this summer its seems to be classical mythology. And what better diversion from the travails of Medea and Oedipus than an Offenbach … »Read
 

Reviews

Salzburg Médée Is a Little Too Hip

August 22, 2019 | George Loomis, Musical America
SALZBURG--The Grosses Festpielhaus was the venue for Simon Stone’s new production of Cherubini’s Médée ( Medea ), a less successful exercise in updating (seen on August 16) than the previous evening’s Simon … »Read
 
 

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