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Reviews

A New Year's Eve of A Cappella Contemplation, Russian Style

January 4, 2018 | Leslie Kandell, Musical America
When it comes to New Year celebrations, New York City’s events range from solemn to madcap. On the former end of that spectrum was an unusual concert on Dec. 31 (repeated Jan. 1) of Russian liturgical music, featuring the U.S. premiere of a … »Read
 

Reviews

Orchestras in New York, Fall 2017. Part II

December 22, 2017 | Sedgwick Clark, Musical America
On October 20 in Carnegie Hall, New York audiences were treated to a prime example of the genuine European sound, provided by the Orchestra dell’Accademia Nazionale di Santa Cecilia of Rome under Antonio Pappano. From the first piece, … »Read
 

Reviews

Four Works in Three Nights Showcase Göteborg’s Magnificent “O”

December 15, 2017
GOTHENBURG—Lyric theater and dance dominate the vast stage of the ‘O,’ as the city of Gothenburg (Göteborg), Sweden, nicknames its imposing modern house. The resident opera company’s profile follows the European model … »Read
 

Reviews

Opening Night at La Scala: Netrebko Triumphs Again, This Time with Husband in Tow

December 14, 2017 | Paul du Quenoy, Musical America
MILAN--Two years after her dazzling performance in the title role of Verdi's rarely performed early opera Giovanna d'Arco , the opera world's reigning superstar returned to this city for her second opening night at the venerable La Scala. This … »Read
 

Reviews

Adams-Sellars Golden West: A Victim of High Expectations

December 12, 2017 | John Rockwell, Musical America
SAN FRANCISCO--Reviewing the final performance of a long operatic run has its advantages and disadvantages. The performance is presumably polished. If you’ve paid attention to previous reviews, you can react to the opinions of others as … »Read
 

Reviews

Juilliard’s AXIOM Ensemble Takes on Berio’s Challenges

December 7, 2017 | Bruce Hodges, Musical America
A superb glimpse of the output of Luciano Berio (1925-2003) was provided last Friday by Juilliard’s AXIOM ensemble and conductor Jeffrey Milarsky. Founded in 2006, AXIOM’s stock-in-trade is contemporary chamber repertoire, delivered … »Read
 
 

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