REVIEWS


Reviews

Human Pianist Wrestles with AI Doppelgänger

September 18, 2025 | Hannah Edgar, Musical America
CHICAGO—Not all that long ago, electronics were a lifeline for Conrad Tao. Feeling creatively stunted during the pandemic, the pianist and composer sought a way to emulate playing with others in isolation. That led him to electronic patches … » Read
 

Reviews

In Salzburg: The End of the World, X2

September 17, 2025 | A. J. Goldmann, Musical America
Opera has never shied away from catastrophe, but two of this summer’s Salzburg production premieres reminded us that Armageddon can unfold not only on battlefields or burning cities but within a single consciousness. One Morning Turns into … » Read
 

Reviews

Pianist Taka Kigawa Meets the Boulez Challenge

September 16, 2025 | Christian Carey, Musical America
As a prominent member of the post-1945 European avant-garde, Pierre Boulez was eager to argue in favor of the new over the old. Even mentor figures such as Olivier Messiaen, or pioneering antecedents like Arnold Schoenberg, had their relevancy … » Read
 

Reviews

The NY Phil Season Opens with a Blast of Fresh Air

September 15, 2025 | Fred Cohn, Musical America
Gustavo Dudamel’s current title at the New York Philharmonic is Music & Artistic Director Designate. But the September 11 opening night of the 2025–2026 season offered a good sense of what to expect in 2026-27, when he takes the … » Read
 

Reviews

Crowns Slip in Two New Salzburg Productions

September 11, 2025 | A.J. Goldmann, Musical America
What better place than Salzburg to watch crowns slip? This summer’s twin portraits of rulers under pressure—Handel’s Giulio Cesare in Egitto and Donizetti’s Maria Stuarda —offered two radically different dramaturgies … » Read
 

Reviews

At the Proms: Petrenko & the Royals

September 9, 2025 | Clive Paget, Musical America
LONDON—Among some fairly scattergun programs at this year’s Proms, this September 7 concert with the Royal Philharmonic Orchestra under Music Director Vasily Petrenko stood out for its cohesion and satisfying musical parallels. The … » Read
 

Reviews

Lady Macbeth Haunts the Proms

September 5, 2025 | Clive Paget, Musical America
LONDON—It’s been a good year for Shostakovich with a series of worldwide celebrations in honor of his death. This September 1 BBC Prom at Royal Albert Hall was one of the more ambitious: a semi-staging of his opera Lady Macbeth of … » Read
 

Reviews

Guitarist Plínio Fernandes: High Expectations, Duly Met

September 3, 2025 | Hannah Edgar, Musical America
HIGHLAND PARK, Ill.—No one collects fast-rising young talent quite like Decca. Among those on the esteemed label’s artist roster are wundermaestro Klaus Mäkelä, violinist Randall Goosby , and, since 2022, Brazilian guitarist … » Read
 

Reviews

A Rare Evening at the Proms: The Delius Mass

August 22, 2025 | Clive Paget, Musical America
LONDON—Frederick Delius’s A Mass of Life is his longest, most ambitious concert work. For many, it is also his magnum opus, exploring over 100 minutes cosmic ideas of humanity, eternity, and the soul. And yet it’s hardly ever … » Read
 

Reviews

BBC NO of Wales Tackles Shostakovich's Babi Yar

August 18, 2025 | Clive Paget, Musical America
LONDON—Ravel’s Piano Concerto was an odd pairing for two works by Soviet composers, but this August 15 Prom at Royal Albert Hall was a corker, even if the two halves went together like the proverbial chalk and cheese. That it managed … » Read
 
 

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