REVIEWS


Reviews

Teatro Colon, Un Ballo, and Argentine Politics

December 9, 2024 | James L. Paulk, Musical America
As was the case in Santiago , the music season is coming to a close in Buenos Aires, with a new production of Verdi’s Un Ballo in Maschera as the season finale, together with a flurry of concerts representing the breadth of interest in this … » Read
 

Reviews

80 Discs for 80 Years: The MTT Boxed Set

December 6, 2024 | Clive Paget, Musical America
Born in 1944, Michael Tilson Thomas was and is many things: prodigy, pianist, conductor, and composer. Assistant conductor of the Boston Symphony Orchestra by age 25, he earned his stripes early, attracting the attention of various record labels, … » Read
 

Reviews

Maria: An Aficionado Weighs In

December 5, 2024 | Peter Clark, Musical America
Movies about famous musicians aimed at a general public are often risky affairs. The creative forces and intuition that produce great art are not easily dramatized or visualized on the big screen. So I was skeptical and a bit apprehensive about … » Read
 

Reviews

Flying Dutchman Sails Into Santiago After a 20-year Hiatus

December 4, 2024 | James L. Paulk, Musical America
SANTIAGO, Chile—After 20 years, El Holandés Errante ( Der fliegende Holländer ) returned to the stage of Santiago’s venerable Teatro Municipal on November 17. And just as the Dutchman is redeemed by Senta in the opera, … » Read
 

Reviews

Claire Chase, Pauline Oliveros, and Quantum Listening in LA

December 3, 2024 | Thomas May, Musical America
LOS ANGELES—Since her death eight years ago last month, Pauline Oliveros has been proving her relevance from one crisis to the next. Global performances via Zoom of her group-based work The Tuning Meditation , perhaps the best-known of this … » Read
 

Reviews

Die Frau: High Point of the Met's Season So Far

December 2, 2024 | George Loomis, Musical America
There is a widely held (if not often proclaimed) view by those who know his operas well that Die Frau ohne Schatten ( The Woman Without a Shadow ) is Richard Strauss’s greatest opera. Its emphasis on the moral imperative of bringing … » Read
 

Reviews

New Chamber Music, Part II

December 2, 2024 | Clive Paget, Musical America
Violinist Rachel Lee Priday’s Fluid Dynamics is a collection of works—several newly commissioned—intended to complement videos of underwater phenomena created by Ocean scientist Georgy Manucharyan. For the visuals, which are … » Read
 

Reviews

A Distinctive Recital, a Distinctive Artist

November 27, 2024 | George Loomis, Musical America
At a time when pianists scurry to find new repertoire—transcriptions now seem to be especially in vogue—Sir Stephen Hough (knighted in 2022) has long been in the vanguard of offering recital audiences new musical adventures. “An … » Read
 

Reviews

At ENO, a New Elixir That Shouldn't Work but Does. Mostly.

November 26, 2024 | Mark Valencia, Musical America
LONDON—Back in the day, BBC television’s situation comedies used to announce their end credits with the legend ‘’You have been watching….’’ The creative team for ENO’s new staging of The Elixir of … » Read
 

Reviews

LA Phil's New-music Marathon: All in, All at Once

November 25, 2024 | Thomas May, Musical America
LOS ANGELES—In September, the Getty Foundation launched PST ART:  Art & Science Collide , a sweeping collaborative initiative that encompasses exhibitions and performances currently taking place across Southern California and … » Read
 
 

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