Yuval Sharon, who over the past dozen years has played a major role in reshaping the opera scene in Los Angeles and elsewhere, is stepping down as artistic director of the Industry. The announcement on Dec. 5 that Sharon will assume the title of … » Read

Klaus Mäkelä’s first hire as music director designate of the Chicago Symphony Orchestra also marks the first time the orchestra has hired one of its own fellows; CSO Fellowship is a program that former Music Director Riccardo Muti … » Read

The effort to reintroduce long-ignored composers received a shot in the arm with the announcement that the previously unpublished music of Julia Perry will become available via an agreement between Videmus, Inc. and Boosey & Hawkes, a leading … » Read

Houston Symphony principal trombone Nick Platoff is to succeed Allen Barnill, onetime principal trombone of the same orchestra, as chair of brass and associate professor at the Shepherd School of Music at Rice University. Platoff—who … » Read

Dickon Stainer, chairman of Universal Music Group’s Global Classics & Jazz (GCJ) division, has announced two major personnel moves. Clemens Trautmann [pictured], president of Deutsche Grammophon for the past nine years, will immediately … » Read

Andrea Battistoni is to be the new music director of the Teatro Regio di Torino, beginning January 1, 2025 for a term of two years. The 37-year-old native of Verona will be responsible for conducting two operas and several orchestra concerts each … » Read

Adam Gatehouse has announced his plans to step down as artistic director of The Leeds International Piano Competition in Spring 2025. During his tenure of nearly a decade, he has enhanced The Leeds global standing and reach, ensuring its … » Read

In a much-anticipated move, the New York Philharmonic has announced Matías Tarnopolsky as its next president and CEO as of January 1, 2025. Tarnopolsky, 54, currently holds the same position with the Philadelphia Orchestra and Ensemble … » Read

When Maria Callas died in Paris in 1977, she was only 53 and had not appeared in a fully staged opera for a dozen years. But her performances had earned her the sobriquet “La Divina,” and her reputation has only grown over the past … » Read

The voice seems to emanate from the venue itself. We are in the crypt underneath New York’s Cathedral of St. John the Divine; in the program’s first selection, Madeline Apple Healey sings Hildegarde von Bingen’s “O Vis … » Read