REVIEWS


Reviews

Yuval Sharon's Tristan Is a Conundrum

March 13, 2026 | Fred Cohn, Musical America
The new production of Tristan und Isolde is the Met’s hottest ticket of the year, and with good reason. The company has not presented Tristan in a decade––far too long, considering the work’s seminal importance. Isolde is … » Read
 

Reviews

McVicar's Ring Triumph at La Scala, Part II

March 12, 2026 | James Imam, Musical America
MILAN—By the midpoint of the first of La Scala’s two full Ring   cycles (March 1-7 and 10-15), it was clear audiences were witnessing something special. As mentioned in the review of Das Rheingold and Die Walküre , the cast … » Read
 

Reviews

West Edge Opera's Snapshots of New Works

March 12, 2026 | Sarah Shay, Musical America
Each year the Berkeley-based West Edge Opera’s “Snapshot” selects pairs of composers and librettists to workshop new pieces with a team of experienced advisers, a strong cast, and musicians over a two-week period.  This … » Read
 

Reviews

A Fresh Pelléas in Monte Carlo: Old Friends, New Faces

March 11, 2026 | Matthew Gurewitsch, Musical America
Something old, something new. In February, the creative team for a fresh  Pelléas et Mélisande  at Opéra Monte-Carlo reunited, likely for the last time, colleagues who have shared a long history there. For … » Read
 

Reviews

At La Scala: McVicar's Complete Ring Gets Underway

March 9, 2026 | James Imam, Musical America
MILAN—From Vienna to Bayreuth, several of Europe’s leading opera houses are mounting full Ring cycles to mark this year’s 150th anniversary of the tetralogy’s premiere. At La Scala, performances of the four-opera epic are … » Read
 

Reviews

At COT: Kurt Weill's Takedown of Fascism

March 9, 2026 | Hannah Edgar, Musical America
CHICAGO—Every moment ought to be Kurt Weill’s, but especially this one. Whether working in cabaret or opera, the exiled German–Jewish composer was one of music theater’s great truthtellers: a craver of complexity, an ally … » Read
 

Reviews

Yuja Powers Up the LSO

March 5, 2026 | Clive Paget, Musical America
LONDON—With the exception of his Cantus Arcticus , the music of Einojuhani Rautavaara has been unfairly neglected outside of his native Finland in the ten years since his death in 2016. It was rewarding, then, to hear the first of his three … » Read
 

Reviews

Akhnaten Returns to LA, with New Relevance

March 5, 2026 | Richard S. Ginell, Musical America
LOS ANGELES – Los Angeles Opera was among the first opera companies in North America to present all three of Philip Glass’s “portrait operas,”  Einstein on the Beach (2013), Akhnaten (2016), and Satyagraha … » Read
 

Reviews

Houston Symphony's Glorious Tristan

March 5, 2026 | Taylor Grant, Musical America
There is an trend among symphony orchestras toward presenting semi-staged or concert operas. Certainly they cost less than in the opera house, which require the full complement of sets, costumes, lighting, and other stage business. There can also … » Read
 

Reviews

A Night of Influences and Influencers at the NY Phil

March 4, 2026 | Gabrielle E. Ferrari, Musical America
Composers, even those most attuned to music’s future, are constantly in conversation with the past. This past weekend, the New York Philharmonic presented a program bound together by musical allusion, direct and indirect, one composer to … » Read
 
 

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