REVIEWS


Reviews

New Mary Magdalene Oratorio Is a Bit Ho-hum

March 27, 2026 | Clive Paget, Musical America
LONDON—The idea of reimagining the Easter story through the eyes of a woman is a good one (see John Adams’s The Gospel According to the Other Mary ). Commissioned by Scotland’s Dunedin Consort, along with the Barbican Centre and … » Read
 

Reviews

New Music, Made in America

March 26, 2026 | Clive Paget, Musical America
Three new releases highlight the diversity of orchestral and chamber music coming out of the U.S. right now. First up, Sarah Kirkland Snider ’s Forward Into Light , a distinctive and immersive album by one of America’s most individual … » Read
 

Reviews

A Butterfly for the AI Era

March 25, 2026 | Hannah Edgar, Musical America
CHICAGO— Hello, Dolly was right: Sometimes, it only takes a moment. Director Matthew Ozawa’s widely traveled production of Madama Butterfly is far from perfect in its arrival at the Lyric Opera of Chicago, where Ozawa is the chief … » Read
 

Reviews

Cocteau and Philip Glass: Beauty and the Beast

March 24, 2026 | Steven Winn, Musical America
SAN FRANCISCO—In its inspired concept and eerily enchanting realization, Opera Parallèle’s La Belle et la Bête is a triumph of the first order and certainly one of the signal achievements of this resourceful small … » Read
 

Reviews

David Lang's Monumental New Oratorio

March 23, 2026 | Fred Cohn, Musical America
In 2019, the New York Philharmonic presented the premiere of David Lang’s opera prisoner of the state , a Fidelio adaptation that used Beethoven’s scenario to comment on the persistence of political oppression into our own time. The … » Read
 

Reviews

When Music and Staging Click

March 20, 2026 | Clive Paget, Musical America
LONDON—Like his stagings of Das Rheingold and Die Walküre , Barrie Kosky's new Royal Ballet and Opera Siegfried is rooted in the natural world. But this third instalment—seen at its March 17 premiere—was different. A … » Read
 

Reviews

After Anna, Un Ballo at the Bastille

March 19, 2026 | Matthew Gurewitsch, Musical America
With Anna Netrebko on deck as the tormented Amelia, the recent Paris Opera revival of Gilbert Deflo’s decade-old production of Verdi’s  Un Ballo in Maschera  at the Bastille was bound to be a red-hot … » Read
 

Reviews

Is Hercules Still the ''Peak'' of Baroque Music Drama?

March 18, 2026 | George Loomis, Musical America
The much-valued annual presentation of a Handel opera in Carnegie Hall by Harry Bicket and the English Concert on occasion has stretched the genre, but only a touch, by performing an English “dramatic oratorio” as they have come to be … » Read
 

Reviews

Mutis' Macbeth in Turin Sends Shivers

March 17, 2026 | Matthew Gurewitsch, Musical America
If Verdi makes your world go round, Riccardo Muti’s your man. Whether at the opera house or in strict concert form (no semi-staged funny business for this maestro), his investigations into Verdi’s many worlds are touchstone events. … » Read
 

Reviews

Yuval Sharon's Tristan Is a Conundrum

March 13, 2026 | Fred Cohn, Musical America
The new production of Tristan und Isolde is the Met’s hottest ticket of the year, and with good reason. The company has not presented Tristan in a decade––far too long, considering the work’s seminal importance. Isolde is … » Read
 
 

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