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Reviews
An Immersive, Illuminating Night
LONDON—The inaugural Southbank Centre Multitudes festival turned out to be one of London’s 2025 cultural highlights. The idea of pairing each of the venue’s resident orchestras with practitioners from other disciplines threw up … »
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A Tatiana for the Ages
Soprano Asmik Grigorian has fashioned a portrayal of Tchaikovsky’s Tatiana that is hers and hers alone. The Lithuanian singer, starring in the Met’s current Eugene Onegin , never falls into routine; her performance brings surprises … »
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Reviews
Conlon Chooses Falstaff for LA Farewell
LOS ANGELES—Approaching the final months of his 20-year tenure as Los Angeles Opera’s music director, James Conlon dearly wanted to conduct Verdi’s Falstaff one more time. His first professional conducting gig was Falstaff , and … »
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Aix at Easter, Part II: Argerich, Capuçon, Shani Shine
The novelty at this year’s Aix-en-Provence Easter Festival has been the first engagement of an orchestra in residence. Such a title may seem a touch grandiose for a three-night gig, particularly since one of these was a chamber recital that … »
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A 75th Birthday Bash for Julian Lloyd Webber
LONDON—It has been 12 years since British cellist Julian Lloyd Webber put his cello back in its case for the last time, a herniated disc in his neck having brought a premature end to a career that had begun in 1972 with the first London … »
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The Promise of PIGSPIGSPIGS
LONDON—Bastard Assignments, a collective in the thriving British experimental music scene, has received positive notices in the past (“one of the most exciting forces in contemporary music,” as quoted from the Financial Times in … »
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Aix at Easter Part I: Two Wins, One Embarrassment
AIX-EN-PROVENCE—As fine wines improve with age, so the Aix Easter Festival has matured into one of Europe’s unmissable classical music gatherings. While not a behemoth on the scale of London’s BBC Proms, it is a beacon among … »
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CSO Cellist Goes Rogue
CHICAGO—During a recent Chicago Symphony Orchestra concert, Katinka Kleijn sidled onto the Orchestra Hall stage, as she has for more than 30 years, to join her colleagues in the cello section for a program of rich, late-romantic … »
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In Chicago, a Question of Balance
CHICAGO—Jakub Hruša has death on his mind. At least, his recent Chicago Symphony Orchestra program did. On April 9, he anchored his guest appearance with Rachmaninoff’s The Isle of the Dead and the Prelude and Liebestod … »
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At the Met: Gruesome Subject, Masterful Score
Innocence by the late Finnish composer Kaija Saariaho has made an impact that few other recent operas can match. Following its premiere at the Festival d’Aix-en-Provence in 2021, Saariaho’s dramatization (with a multilingual libretto … »
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