REVIEWS


Reviews

Vocal Composers in the Spotlight

December 17, 2025 | Clive Paget, Musical America
LONDON—The new year looks set to open with a slew of original vocal albums. Take Brooklyn Serenade , an eclectic collection of songs from Zachary Wilder. Most people will know the silken-voiced tenor as an accomplished baroque music … » Read
 

Reviews

Detroit Opera: Stunning Exit, Winning Double Bill

December 17, 2025 | Hannah Edgar, Musical America
DETROIT—On Dec. 13, Detroit Opera Artistic Director Yuval Sharon joined two company staffers and guest musicologist Naomi André for a pre-show talk. Between the discussion points, Sharon’s interlocutors showered him with … » Read
 

Reviews

Morricone's Partenope Gets Bizarre Staging

December 16, 2025 | James Imam, Musical America
MILAN—By the time of his death five years ago, at age 91, Ennio Morricone had achieved unrivalled recognition in the world of film music, winning a long list of prizes for soundtracks including Cinema Paradiso, The Mission, and a series of … » Read
 

Reviews

'The Finest 10 Minutes of Opera London Has Seen This Fall'

December 15, 2025 | Mark Valencia, Musical America
LONDON—Aside from the orchestral forces, the new Royal Opera House Ariodante  retains two key elements from its 2020 concert performances during the pandemic. First, tenor Ed Lyon returns as Lurcanio, our hero’s brother; second, … » Read
 

Reviews

La Rondine, as Puccini Wanted It

December 12, 2025 | Clive Paget, Musical America
LONDON—It’s not uncommon for opera companies to investigate a composer’s first thoughts, early versions of works supplanted by what most would consider musical or dramatic improvements. Curiously, in the case of La Rondine , … » Read
 

Reviews

Falstaff at COT: Salieri Was No Second-rate Composer

December 11, 2025 | Wynne Delacoma, Musical America
CHICAGO—Antonio Salieri may be the most famous classical composer whose music you’ve never heard. Chicago Opera Theater (COT) remedied that situation last week with the local premiere of Falstaff , Salieri’s lithe 1799 opera … » Read
 

Reviews

Faggots and Friends at the Armory

December 9, 2025 | Fred Cohn, Musical America
The 1977 book The Faggots and their Friends Between Revolutions , a product of the early post-Stonewall years of gay liberation, offers a fey parable about gender roles and sexuality. Larry Mitchell’s text and Ned Asta’s … » Read
 

Reviews

A Sterling Survey of the “Elizabethan Virginalist School”

December 5, 2025 | Clive Paget, Musical America
LONDON—The reign of Elizabeth I was as fertile a time for composers as it was for other artists in England. After all, as Mahan Esfahani points out, it was the same age and creative milieu—political, philosophical, and … » Read
 

Reviews

The Biggest Bell in the Band

December 2, 2025 | Wynne Delacoma, Musical America
CHICAGO-- The Perfect Tuba , the latest book by veteran journalist Sam Quinones, is the perfect book for those days when the weight of the world makes it hard to get out of bed. A few years ago, Quinones was feeling that weight. As a reporter for … » Read
 

Reviews

Met's Andrea Chénier: Fine Singing in Want of Stage Direction

December 1, 2025 | George Loomis, Musical America
The success of Fedora at the Metropolitan Opera two years ago with Sonya Yoncheva and Piotr Beczala made the prospect of another opera by Umberto Giordano with the same pairing a tempting one, and not just because of their star power. Fedora , … » Read
 
 

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