REVIEWS


Reviews

Aix at Easter Part I: Two Wins, One Embarrassment

April 15, 2026 | Mark Valencia, Musical America
AIX-EN-PROVENCE—As fine wines improve with age, so the Aix Easter Festival has matured into one of Europe’s unmissable classical music gatherings. While not a behemoth on the scale of London’s BBC Proms, it is a beacon among … » Read
 

Reviews

CSO Cellist Goes Rogue

April 15, 2026 | Hannah Edgar, Musical America
CHICAGO—During a recent Chicago Symphony Orchestra concert, Katinka Kleijn sidled onto the Orchestra Hall stage, as she has for more than 30 years, to join her colleagues in the cello section for a program of rich, late-romantic … » Read
 

Reviews

In Chicago, a Question of Balance

April 14, 2026 | Hannah Edgar, Musical America
CHICAGO—Jakub Hruša has death on his mind. At least, his recent Chicago Symphony Orchestra program did. On April 9, he anchored his guest appearance with Rachmaninoff’s The Isle of the Dead and the Prelude and Liebestod … » Read
 

Reviews

At the Met: Gruesome Subject, Masterful Score

April 8, 2026 | George Loomis, Musical America
Innocence by the late Finnish composer Kaija Saariaho has made an impact that few other recent operas can match. Following its premiere at the Festival d’Aix-en-Provence in 2021, Saariaho’s dramatization (with a multilingual libretto … » Read
 

Reviews

Alsop, Philly Brighten Carnegie Hall

April 6, 2026 | Fred Cohn, Musical America
In her role as principal guest conductor, Marin Alsop led the Philadelphia Orchestra in the local premiere of John Adams’s The Rock You Stand On at Carnegie Hall on March 31, part of the hall’s semiquincentennial series, “United … » Read
 

Reviews

The St. Matthew Passion of the Season

April 6, 2026 | Clive Paget, Musical America
LONDON—Premiered on Good Friday 1727, Bach’s St. Matthew Passion followed on from the St. John Passion of 1724. What would have struck the Leipzig congregation immediately, however, was the sheer ambition of the new work, one composed … » Read
 

Reviews

John Dowland, Feted by the Experts

April 3, 2026 | Clive Paget, Musical America
LONDON—The current season marks the 400 th anniversary of the death of John Dowland, the English composer, lutenist, and singer who came to personify the Elizabethan embrace of melancholia. To celebrate, Wigmore Hall invited countertenor … » Read
 

Reviews

The Labèque Sisters Bring Their Glass Act to Disney Hall

April 3, 2026 | Richard S. Ginell, Musical America
LOS ANGELES—Two reimaginings of portions of Philip Glass’ so-called Cocteau trilogy came to California during the month of March.  Hot on the heels of Opera Parallèle’s innovative multimedia production of the … » Read
 

Reviews

Sibelius Academy Grad Wins the Hallé

April 2, 2026 | Keith Clarke, Musical America
MANCHESTER—California-born Finnish-American conductor Aku Sorensen has won the 2026 Siemens Hallé International Conductors Competition. The 29-year-old, who has lived in Finland for the last ten years, clinched the win with a … » Read
 

Reviews

ROH's New Turn of the Screw Is Subtle, Spooky

April 1, 2026 | Clive Paget, Musical America
LONDON—Benjamin Britten’s The Turn of the Screw is a masterpiece, so seamlessly does the composer integrate music and text to create a gripping piece of music drama. It is not, however, indestructible. A successful production needs to … » Read
 
 

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