REVIEWS


Reviews

At the Met: Gruesome Subject, Masterful Score

April 8, 2026 | George Loomis, Musical America
Innocence by the late Finnish composer Kaija Saariaho has made an impact that few other recent operas can match. Following its premiere at the Festival d’Aix-en-Provence in 2021, Saariaho’s dramatization (with a multilingual libretto … » Read
 

Reviews

The St. Matthew Passion of the Season

April 6, 2026 | Clive Paget, Musical America
LONDON—Premiered on Good Friday 1727, Bach’s St. Matthew Passion followed on from the St. John Passion of 1724. What would have struck the Leipzig congregation immediately, however, was the sheer ambition of the new work, one composed … » Read
 

Reviews

Alsop, Philly Brighten Carnegie Hall

April 6, 2026 | Fred Cohn, Musical America
In her role as principal guest conductor, Marin Alsop led the Philadelphia Orchestra in the local premiere of John Adams’s The Rock You Stand On at Carnegie Hall on March 31, part of the hall’s semiquincentennial series, “United … » Read
 

Reviews

The Labèque Sisters Bring Their Glass Act to Disney Hall

April 3, 2026 | Richard S. Ginell, Musical America
LOS ANGELES—Two reimaginings of portions of Philip Glass’ so-called Cocteau trilogy came to California during the month of March.  Hot on the heels of Opera Parallèle’s innovative multimedia production of the … » Read
 

Reviews

John Dowland, Feted by the Experts

April 3, 2026 | Clive Paget, Musical America
LONDON—The current season marks the 400 th anniversary of the death of John Dowland, the English composer, lutenist, and singer who came to personify the Elizabethan embrace of melancholia. To celebrate, Wigmore Hall invited countertenor … » Read
 

Reviews

Sibelius Academy Grad Wins the Hallé

April 2, 2026 | Keith Clarke, Musical America
MANCHESTER—California-born Finnish-American conductor Aku Sorensen has won the 2026 Siemens Hallé International Conductors Competition. The 29-year-old, who has lived in Finland for the last ten years, clinched the win with a … » Read
 

Reviews

ROH's New Turn of the Screw Is Subtle, Spooky

April 1, 2026 | Clive Paget, Musical America
LONDON—Benjamin Britten’s The Turn of the Screw is a masterpiece, so seamlessly does the composer integrate music and text to create a gripping piece of music drama. It is not, however, indestructible. A successful production needs to … » Read
 

Reviews

Ticciati, LPO Take the Kullervo Plunge

March 31, 2026 | Mark Valencia, Musical America
LONDON—The later compositions of Jean Sibelius are succinct, stripped back as they are to the essentials of musical expression until his final symphony, the Seventh, delivered its profound dialectic in 20 uninterrupted minutes. Yet only 32 … » Read
 

Reviews

A Very Different Salome in LA

March 30, 2026 | Richard S. Ginell, Musical America
LOS ANGELES—Irish composer Gerald Barry’s wonderfully outlandish operas used to arrive at Walt Disney Concert Hall with regularity every five years, starting in 2006 with The Triumph of Beauty and Deceit , followed by The Importance … » Read
 

Reviews

New Mary Magdalene Oratorio Is a Bit Ho-hum

March 27, 2026 | Clive Paget, Musical America
LONDON—The idea of reimagining the Easter story through the eyes of a woman is a good one (see John Adams’s The Gospel According to the Other Mary ). Commissioned by Scotland’s Dunedin Consort, along with the Barbican Centre and … » Read
 
 

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