David Afkham [pictured], principal conductor of the National Orchestra of Spain (ONE) since 2015, has been named chief conductor and artistic director of the orchestra and choir (OCNE), moving up from eight weeks of availability per season to 15. … » Read

London’s cup is suddenly running over with major new music venues. The plans for the Center for Music in the City of London, located at the Barbican Center, were no sooner  unveiled than Anthony Wilkinson, founder and director of the … » Read

In his first season as music director designate, Fabio Luisi [pictured] will lead the Dallas Symphony Orchestra in five weeks of concerts, the highlights of which include Salome in concert, the Dallas premiere of composer-in-residence Julia … » Read

The success story behind the phenomenon known as Romina Arena is a classic against-all-odds tale of courage and determination. Romina, as she is known, is a singer, a songwriter, a book author, screenwriter, and executive producer of film and TV … » Read

Dmitri Shostakovich’s winning streak at the Grammy awards continues. Sunday in Los Angeles, at the pre-telecast award ceremony, the Boston Symphony Orchestra won for Best Orchestral Album with Andris Nelsons conducting the composers Fourth … » Read

SEATTLE—As Ludovic Morlot’s final season at the helm of the Seattle Symphony gets closer to the final stretch, his legacy of nurturing new music is coming into sharper relief. The SSO’s last two programs in … » Read

UCLA’s Herb Alpert School of Music—launched in 2007 and established by UC Regents in 2016 as the 12 th professional school at UCLA—has named its inaugural dean. She is Eileen Strempel, voice professor and senior VP for academic … » Read

Despite intense criticism from family members that it is rife with inaccuracies, the five-time Oscar nominated film Green Book has introduced the remarkable Don Shirley to a broad public. Born to Jamaican immigrants in Pensacola, FL, on Jan. 29, … » Read

The components of the Balanchine-Stravinsky Greek-themed trilogy Apollo (1928), Orpheus (1948) and Agon (1957) are infrequently seen together, perhaps because the middle ballet is not an outright crowd pleaser. But the sum of the whole is greater … » Read

Critic Anne Midgette recently published a piece about film music . Evidently, as a “serious classical music lover,” she had been told to disdain film music, but now, with special thanks to John Williams, she realizes that was wrong. … » Read