NEWS ROUNDUP


Industry News

U.K. Opera Cos Woo the Young, Ignore the Old

April 17, 2019 | Anthony Brown, Musical America
In their desire to attract younger audiences with free or moderately priced tickets, are opera houses turning their backs on older devotees? Dame Esther Rantzen [pictured], a British television personality and founder of The Silver Line charity … » Read
 

People in the News

Ellen Reid Wins the 2019 Pulitzer Prize for Her First Opera

April 15, 2019 | Susan Elliott, Musical America
Ellen Reid has won the 2019 Pulitzer Prize for Music for her opera p r i s m , premiered by the Los Angeles Opera in its "Off Grand" series last year and revisted in New York at the Prototype Festival last January. In his review , Clive Paget … » Read
 

Reviews

George Crumb Celebrates 90 with a World Premiere

April 16, 2019 | Leslie Kandell, Musical America
Bridge Records has pledged to record everything George Crumb ever composed. As Crumb’s 90th birthday year was honored on Sunday with a world premiere, in his presence, it’s apparent that Bridge will be busy for a long time.  A … » Read
 

Reviews

Deutsche Oper Offers 2 Rarities: Der Zwerg and Rienzi

April 16, 2019 | Thomas May, Musical America
BERLIN — Deutsche Oper presented a pair of rarely seen operas in rotation recently: Alexander Zemlinsky’s unfairly neglected Der Zwerg (“The Dwarf”) and Richard Wagner’s grandiose early breakthrough, Rienzi — a … » Read
 

Reviews

A New West Side Story Returns to the Site of its U.K. Premiere

April 16, 2019 | Keith Clarke, Musical America
MANCHESTER—There is no argument that Jerome Robbins’ Tony Award-winning choreography for West Side Story has stood the test of time. His slick moves for the Jets and Sharks have been the full story since he opened the show on Broadway … » Read
 

Industry News

New Leaders, New Venue, New Summer Season for La Jolla

April 15, 2019 | George Loomis, Musical America
SAN DIEGO—For most of its 50-year existence, the La Jolla Music Society (LJMS) has had as its principal performing venue the Sherwood Auditorium, a 492-seat space owned by the Museum of Contemporary Art San Diego. By common consent, the … » Read
 

People in the News

Yo-Yo at the Border: 'A country is not a hotel and it's not full.'

April 14, 2019 | Musical America
Yo-Yo Ma brought his touring Bach Project to Laredo, TX, on Saturday, performing on the US-Mexico border to make the point that music can “reconnect us to our common humanity” and that it was important to "build bridges, not walls." A … » Read
 

Reviews

ACO at Zankel: Du Yun Makes a Timely Statement

April 15, 2019 | Clive Paget, Musical America
Try as it might, the American Composers Orchestra (ACO) couldn’t convince me that there was a coherent theme running through its April 11 concert in Zankel Hall. The drawcard was the New York premiere of a substantial work from Du Yun, one … » Read
 

Industry News

Opera di Roma Tells Forbes: 'The Future Is Bright'

April 15, 2019 | Anthony Brown, Musical America
Five years ago, the Teatro dell’Opera di Roma was tens of thousands of euros in debt, on the verge of bankruptcy, and plagued by frequent labor disputes. Since that low point, the company has undergone a near miraculous turnaround. Between … » Read
 

Industry News

HD vs. Live: Opéra de Montréal to Compare Brain Activity

April 15, 2019 | Sarah Shay, Musical America
Opéra de Montréal and Tech3Lab, an applied research company, are collaborating on a study to determine the differences in audience reactions to experiencing a live opera performance and seeing an HD broadcast of the same opera in a … » Read
 
 

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