REVIEWS


Reviews

SFSymphony Nods to the Lunar New Year with New Works by (Mostly) Asian Composers

February 15, 2022 | Steven Winn, Musical America
SAN FRANCISCO--In an eventful program of high contrasts timed to help mark the Lunar New Year, the San Francisco Symphony presented works by Korean-born Texu Kim and Younghi Pagh-Paan, China native Zhou Long, and Takashi Yoshimatsu, who hails … » Read
 

Reviews

A Happy Ending Denied in Black Lives Matter Fidelio

February 14, 2022 | Corinna da Fonseca-Wollheim, Musical America
To a director keen to make a statement, Fidelio can seem like a gift. Beethoven’s only opera, about the wife of a political prisoner who assumes a false identity to take on a job as an assistant warden and save her husband from … » Read
 

Reviews

A Rising Countertenor Explores Obscure, Often Charming, Rep

February 14, 2022 | Clive Paget, Musical America
LONDON--When Galuppi and Lotti are among the better-known names on the program, you know you’re in for an evening of musical discoveries. That’s a fairly typical bill of fare where countertenor Jakub Józef Orlinski is … » Read
 

Reviews

In Bajazet, Another Baroque Hit for the ROH

February 10, 2022 | Mark Valencia, Musical America
LONDON--After years of relative neglect, Baroque opera has made a triumphant return to the Royal Opera House with two very different new shows opening within days of each other. Katie Mitchell’s spectacular interpretation of Handel’s … » Read
 

Reviews

At ROH: A Deeply Disturbing Theodora Starring Bullock, DiDonato

February 3, 2022 | Clive Paget, Musical America
LONDON--Ever since Peter Sellars’s ground-breaking 1996 Glyndebourne production of Handel’s Theodora , it has been clear that the 65-year-old composer’s penultimate oratorio is not only a viable stage work but a gift to the … » Read
 

Reviews

Mezzo-soprano Sasha Cooke's Intimate Journey Through the Pandemic

February 2, 2022 | Steven Winn, Musical America
SAN FRANCISCO--When the COVID-19 crisis hit in 2020, musicians, like the rest of us, responded in various, ever-shifting ways. Some holed up in relative silence. Others took to online platforms. Depending on where they were, some ventured out and … » Read
 

Reviews

Jonathan Biss Tackles Brett Dean's New Concerto

February 1, 2022 | Clive Paget, Musical America
LONDON--It’s rare to find more contemporary than traditional repertoire on a mainstream orchestra’s program, but that was the case with this anticipated January 28 BBC Symphony Orchestra concert at London’s Barbican Theater. … » Read
 

Reviews

New Finzi-Continis Sings Well but Misses the Point

January 31, 2022 | Corinna da Fonseca-Wollheim, Musical America
Opera, at its best, can take a simple story and lend it complexity and nuance. But with The Garden of the Finzi-Continis , which premiered on January 27 at the Museum of Jewish Heritage in Lower Manhattan, composer Ricky Ian Gordon and librettist … » Read
 

Reviews

Svadba Morphs from Opera Into Opera Film

January 28, 2022 | Clive Paget, Musical America
Serbian composer Ana Sokolovic wrote Svadba , an opera for six female voices, back in 2011 for Toronto-based Queen of Puddings Music Theater. Two years later, Opera Philadelphia gave it a second staging as part of its cutting-edge Opera in the … » Read
 

Reviews

Massimo Vêpres Updated to Mafia's Reign of Terror in Palermo

January 28, 2022 | James Imam, Musical America
MILAN--Teatro Massimo’s opening night on January 20 kicked off an entire season commemorating the 30th anniversary of a local tragedy: In May 1992, the Sicilian Mafia murdered Paolo Borsellino and Giovanni Falcone, leaders in the recently … » Read
 
 

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