REVIEWS


Reviews

Opera North's Rigoletto Fails to Meet All Its Advance Goodwill

January 27, 2022 | Mark Valencia, Musical America
LONDON--Thanks to a friendly media buzz there was goodwill aplenty ahead of Opera North’s new Rigoletto , but Femi Elufowoju Jr.’s ill-focused production failed to repay it. For a concept whose selling point is its contemporary … » Read
 

Reviews

New & Newly Discovered Composers on Disc & Digital

January 26, 2022 | Clive Paget, Musical America
While live music making remains perilous, there’s still plenty to sink your teeth into on disc, much of it either newly minted or freshly rediscovered. For those seeking a little originality in artistically straitened times, here are four … » Read
 

Reviews

All-star Cast Attempts to Enliven Previn's Penelope

January 25, 2022 | David Patrick Stearns, Musical America
Nobody was expecting a swan-song masterpiece at the January 23 rd New York premiere of Penelope , the quasi-opera by the late composer André Previn (he died on February 28, 2019) and playwright Tom Stoppard. Unlike their 1977 … » Read
 

Reviews

The Knights Mix It Up at the 92nd St Y

January 24, 2022 | Corinna da Fonseca-Wollheim, Musical America
An arrangement, in music, adapts a particular piece for a specific set of performers. It’s often driven by expediency, retrofitting a musical vision to the forces at hand. In the social arena, an arrangement is an informal agreement between … » Read
 

Reviews

Igor Levit at Carnegie Hall: Two Critics' Views

January 17, 2022 | Taylor Grant, Musical America
On Jan. 13, pianist Igor Levit made himself at home in Carnegie Hall’s Stern Auditorium. His recital, which included works by Beethoven, Fred Hersh, Wagner, and Liszt, was, wrote Zachary Woolfe in the New York Times , “judiciously … » Read
 

Reviews

Netrebko Chickens Out of ROH Nabucco, but All Is Not Lost

January 17, 2022 | Clive Paget, Musical America
LONDON--The HD cameras were ready to roll, Daniele Abbado’s 2013 production had been spruced up, but alas, the diva had cancelled. Anna Netrebko, scheduled to make her role debut as Abigaille in Verdi’s Nabucco , pulled out from this … » Read
 

Reviews

NY Phil Returns to Carnegie Hall as Susanna Mälkki Makes Her House Debut

January 11, 2022 | Susan Elliott, Musical America
In his program note for the Saxophone Concerto, John Adams writes that his preference for the soloist is the “looser, grittier, ‘jazz style’” of playing, rather than the “French style” generally associated with … » Read
 

Reviews

Rattle, the LSO, and a New Violin Concerto in Covid-Careless London

January 7, 2022 | Clive Paget, Musical America
LONDON--A new year brings new challenges as COVID continues its determined tussle with the arts here in the U.K. However, despite case numbers in London being off the charts, it seemed nothing was going to stop music lovers packing the Barbican … » Read
 

Reviews

The Met Opens the New Year with a New Rigoletto

January 2, 2022 | George Loomis, Musical America
General Manager Peter Gelb greeted the audience at the premiere of the new  Rigoletto  on New Year’s Eve at the Metropolitan Opera. Among other things, he said announcements would no longer be made that singers would perform … » Read
 

Reviews

The Met Opera's Family Offerings in Review

December 25, 2021 | Susan Elliott, Musical America
The Metropolitan Opera has designated two operas as holiday presentations this year, both abridged and sung in English, designed to be “family friendly.” Mozart’s The Magic Flute opened on December 10, a 90-minute, … » Read
 
 

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