REVIEWS


Reviews

Barbara Hannigan Makes a Rare Misstep

March 2, 2022 | Mark Valencia, Musical America
LONDON--Alarm bells rather than telephones rang when Barbara Hannigan declared in a video—on the London Symphony Orchestra website--that La Voix humaine (“The human voice”) “seems to be” the last conversation of a … » Read
 

Reviews

Salonen Leads a Playfully Realized Prometheus

March 2, 2022 | Steven Winn, Musical America
SAN FRANCISCO—In a charmingly entertaining evening devoted to Beethoven’s The Creatures of Prometheus , the San Francisco Symphony under its Music Director Esa-Pekka Salonen offered a buoyant performance of the 1801 ballet score, … » Read
 

Reviews

Sophia's Forest, a Chamber Score That Deserves a Substantial Libretto

March 1, 2022 | Steven Winn, Musical America
SAN FRANCISCO--To produce his hauntingly layered score for the chamber opera Sophia’s Forest , Lembit Beecher mingled a string quartet, percussion, and his own sound sculptures made of rotating wine glasses, a bicycle wheel, and other found … » Read
 

Reviews

London Phil: Conductor Jumps in at 11th Hour for Premiere

February 25, 2022 | Clive Paget, Musical America
LONDON--There were plenty of draws for this February 23 concert at Festival Hall, not least of which was Jimmy López Bellido’s new Piano Concerto, a London Philharmonic Orchestra commission here receiving its world premiere with … » Read
 

Reviews

A Denatured Cunning Little Vixen Bows at ENO

February 22, 2022 | Clive Paget, Musical America
Premiered in 1924, Leos Janácek’s The Cunning Little Vixen is the sweetest fruit of the Czech composer’s late harvest of operatic masterpieces. “A merry thing with a sad end,” was how the 70-year-old composer … » Read
 

Reviews

The Shorter-Spalding ...Iphigenia Is ...Paved with Good Intentions

February 18, 2022 | Steven Winn, Musical America
SAN FRANCISCO--In these cramped times of diminished expectations, high ambition is a cause for gratitude and anticipation. Everything about the opera …(Iphigenia) , from its curiously punctuated title to the mixed musical forces and … » Read
 

Reviews

Semyon Bychkov Powers Through Pictures and New Rep with BBCSO

February 16, 2022 | Clive Paget, Musical America
LONDON--Ever since he burst onto the classical music scene in 2009 with Aheym , a commission for the Kronos Quartet, Cincinnati-born composer and guitarist Bryce Dessner has been earning respectful plaudits for his intricate yet approachable … » Read
 

Reviews

21st-century LA Phil Tackles Salonen, Smith, and Strauss

February 15, 2022 | Richard S. Ginell, Musical America
LOS ANGELES – Late one night two decades ago, Esa-Pekka Salonen, architect Frank O. Gehry, and LA Philharmonic concertmaster Martin Chalifour donned hard hats and ventured downtown to an unfinished shell of a building that was soon to … » Read
 

Reviews

SFSymphony Nods to the Lunar New Year with New Works by (Mostly) Asian Composers

February 15, 2022 | Steven Winn, Musical America
SAN FRANCISCO--In an eventful program of high contrasts timed to help mark the Lunar New Year, the San Francisco Symphony presented works by Korean-born Texu Kim and Younghi Pagh-Paan, China native Zhou Long, and Takashi Yoshimatsu, who hails … » Read
 

Reviews

A Happy Ending Denied in Black Lives Matter Fidelio

February 14, 2022 | Corinna da Fonseca-Wollheim, Musical America
To a director keen to make a statement, Fidelio can seem like a gift. Beethoven’s only opera, about the wife of a political prisoner who assumes a false identity to take on a job as an assistant warden and save her husband from … » Read
 
 

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