REVIEWS


Reviews

Botstein's Latest Discovery Is a Roof-Raiser

July 19, 2022 | David Patrick Stearns, Musical America
If not Leon Botstein, then who?  Nobody but this venerable impresario/conductor—president of Bard College and its annual music festival, music director of the American Symphony Orchestra, author, scholar, etc.—regularly sets out … » Read
 

Reviews

At Aix: A Mass Grave Excavated to the Tune of Mahler; Plus Other, More Appealing Fare

July 18, 2022 | Mark Valencia, Musical America
AIX-EN-PROVENCE— The Aix Opera Festival is thriving under the artistic direction of Pierre Audi, now in his fourth summer at the helm, and the riches on offer in 2022 are copious indeed. That’s not to suggest that everything in the … » Read
 

Reviews

A Real Otello at the Royal Opera

July 15, 2022 | Clive Paget, Musical America
LONDON--Anna Netrebko’s latest  shameful shenanigans aside, blackface in opera seems thankfully to be a thing of the past. Fortunately, such is the depth and power of Verdi’s Otello that in recent years we’ve had ample … » Read
 

Reviews

Weekend I at Tanglewood: A Prayer, a Song, and Yuja

July 13, 2022 | Sarah Shay, Musical America
On July 8 the Boston Symphony launched its first full Tanglewood season since 2019. On the podium was Music Director Andris Nelsons, and on the program were Opening Prayer , a brief work by Leonard Bernstein written for the reopening of Carnegie … » Read
 

Reviews

The Connective Threads of Musical Revolutions

July 13, 2022 | Sara Davis Buechner, Musical America
Tracing the length and breadth of noteworthy changes in music is an assignment for only the most discerning of writers. Stuart Isacoff--pianist/ musicologist/cultural archeologist—proves well up to the task in his remarkable collection of … » Read
 

Reviews

At Glyndebourne: A Stylish, if Rather Busy, Alcina

July 6, 2022 | Clive Paget, Musical America
LONDON--It may not have the most profound of plots, but Alcina contains some of Handel's greatest music. For Glyndebourne’s first staging of the opera, which opened July 2, the company has assembled a cast of exceptional vocal beauty, … » Read
 

Reviews

Opera Rara Brings The Exile Out of Exile

July 1, 2022 | Clive Paget, Musical America
LONDON--Given the high quality and stylistic daring of much of the music in Saverio Mercadante’s Il Proscritto ( The Exile ), it seems remarkable that this June 28 concert performance at London’s Barbican Centre was the opera’s … » Read
 

Reviews

Violet: High Expectations Quashed, with a Glimmer of Promise

June 30, 2022 | Mark Valencia, Musical America
LONDON--The UK’s opera grandees have invested a great deal of faith in Violet . After languishing for two years in Covid limbo, the debut opera by young English composer Tom Coult was unleashed on the UK this summer in a flurry of … » Read
 

Reviews

SFO Gives Red Chamber a Rare Second Chance

June 29, 2022 | Thomas May, Musical America
Like its  new production of Don Giovanni , San Francisco Opera’s other offering this summer—before returning to the customary three in 2023—begins with striking images of a once-great estate that has collapsed. The world … » Read
 

Reviews

CSO Closes Season with Its Matchless Duo: Verdi and Muti

June 28, 2022 | Wynne Delacoma, Musical America
CHICAGO—In June 2011 Riccardo Muti closed his first season as Chicago Symphony Orchestra music director with a riveting concert version of Verdi’s Otello . I still remember cowering in my seat during the opening storm scene, fearful … » Read
 
 

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