REVIEWS


Reviews

A Rising Countertenor Explores Obscure, Often Charming, Rep

February 14, 2022 | Clive Paget, Musical America
LONDON--When Galuppi and Lotti are among the better-known names on the program, you know you’re in for an evening of musical discoveries. That’s a fairly typical bill of fare where countertenor Jakub Józef Orlinski is … » Read
 

Reviews

In Bajazet, Another Baroque Hit for the ROH

February 10, 2022 | Mark Valencia, Musical America
LONDON--After years of relative neglect, Baroque opera has made a triumphant return to the Royal Opera House with two very different new shows opening within days of each other. Katie Mitchell’s spectacular interpretation of Handel’s … » Read
 

Reviews

At ROH: A Deeply Disturbing Theodora Starring Bullock, DiDonato

February 3, 2022 | Clive Paget, Musical America
LONDON--Ever since Peter Sellars’s ground-breaking 1996 Glyndebourne production of Handel’s Theodora , it has been clear that the 65-year-old composer’s penultimate oratorio is not only a viable stage work but a gift to the … » Read
 

Reviews

Mezzo-soprano Sasha Cooke's Intimate Journey Through the Pandemic

February 2, 2022 | Steven Winn, Musical America
SAN FRANCISCO--When the COVID-19 crisis hit in 2020, musicians, like the rest of us, responded in various, ever-shifting ways. Some holed up in relative silence. Others took to online platforms. Depending on where they were, some ventured out and … » Read
 

Reviews

Jonathan Biss Tackles Brett Dean's New Concerto

February 1, 2022 | Clive Paget, Musical America
LONDON--It’s rare to find more contemporary than traditional repertoire on a mainstream orchestra’s program, but that was the case with this anticipated January 28 BBC Symphony Orchestra concert at London’s Barbican Theater. … » Read
 

Reviews

New Finzi-Continis Sings Well but Misses the Point

January 31, 2022 | Corinna da Fonseca-Wollheim, Musical America
Opera, at its best, can take a simple story and lend it complexity and nuance. But with The Garden of the Finzi-Continis , which premiered on January 27 at the Museum of Jewish Heritage in Lower Manhattan, composer Ricky Ian Gordon and librettist … » Read
 

Reviews

Svadba Morphs from Opera Into Opera Film

January 28, 2022 | Clive Paget, Musical America
Serbian composer Ana Sokolovic wrote Svadba , an opera for six female voices, back in 2011 for Toronto-based Queen of Puddings Music Theater. Two years later, Opera Philadelphia gave it a second staging as part of its cutting-edge Opera in the … » Read
 

Reviews

Massimo Vêpres Updated to Mafia's Reign of Terror in Palermo

January 28, 2022 | James Imam, Musical America
MILAN--Teatro Massimo’s opening night on January 20 kicked off an entire season commemorating the 30th anniversary of a local tragedy: In May 1992, the Sicilian Mafia murdered Paolo Borsellino and Giovanni Falcone, leaders in the recently … » Read
 

Reviews

Opera North's Rigoletto Fails to Meet All Its Advance Goodwill

January 27, 2022 | Mark Valencia, Musical America
LONDON--Thanks to a friendly media buzz there was goodwill aplenty ahead of Opera North’s new Rigoletto , but Femi Elufowoju Jr.’s ill-focused production failed to repay it. For a concept whose selling point is its contemporary … » Read
 

Reviews

New & Newly Discovered Composers on Disc & Digital

January 26, 2022 | Clive Paget, Musical America
While live music making remains perilous, there’s still plenty to sink your teeth into on disc, much of it either newly minted or freshly rediscovered. For those seeking a little originality in artistically straitened times, here are four … » Read
 
 

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