REVIEWS


Reviews

CSO Closes Season with Its Matchless Duo: Verdi and Muti

June 28, 2022 | Wynne Delacoma, Musical America
CHICAGO—In June 2011 Riccardo Muti closed his first season as Chicago Symphony Orchestra music director with a riveting concert version of Verdi’s Otello . I still remember cowering in my seat during the opening storm scene, fearful … » Read
 

Reviews

SFO's Don Giovanni: A Convincing Case for a World Beyond Repair

June 24, 2022 | Thomas May, Musical America
SAN FRANCISCO—The flames are already flickering as the overture begins in the new production of Don Giovanni directed by Michael Cavanagh at San Francisco Opera. Set and projection designer Erhard Rom’s accompanying visuals establish … » Read
 

Reviews

Rusalka: Another Winner from Garsington

June 23, 2022 | Mark Valencia, Musical America
LONDON--Ten years have passed since the current boss of Garsington Opera took over and transformed it from a middling country house festival into a plausible pretender to the Glyndebourne throne. During his tenure, the charismatic Scottish … » Read
 

Reviews

The Cliburn Finals—a Critic Weighs In

June 22, 2022 | James Imam, Musical America
Russia’s invasion of Ukraine gave this year’s edition of the Van Cliburn International Piano Competition a distinctively political dimension. After organizers agreed to welcome the 15 (out of 72) Russian-born contenders to the U.S for … » Read
 

Reviews

Peer Gynt, the Original Score, in Context

June 20, 2022 | James Imam, Musical America
Edvard Grieg’s widely popular Peer Gynt is most often performed in one of the composer’s two orchestral suites (written in 1888 and 1893), derived from the incidental music he wrote for Heinrik Ibsen’s 1876 play of the same … » Read
 

Reviews

Chicago's Haymarket Opera Is Back, with a Bit of Classical Froth

June 20, 2022 | Wynne Delacoma, Musical America
CHICAGO—Haymarket Opera Company, a small Chicago troupe presenting Baroque opera on period instruments, doesn’t shy away from big challenges. Last year, in the middle of the pandemic, the company celebrated its tenth anniversary with … » Read
 

Reviews

English National Ballet Giselle at BAM

June 17, 2022 | Chava Pearl Lansky, Musical America
It’s best not to look too closely at the plots of classical ballets. Rather than try to reason through the unrequited relationships, fairies, and blurred lines between animals and humans, it’s better to just let the stories be what … » Read
 

Reviews

AMOC Runs Amuck at Ojai: Two Views

June 15, 2022 | Taylor Grant, Musical America
For 75 years, the Ojai Music Festival, located in the Ojai Valley north of Los Angeles, has presented a three-day weekend packed full of performances curated by a music director chosen for a one-year term. More often than not, an individual has … » Read
 

Reviews

Janácek’s Mr. Broucek: An Ugly Duckling Becomes a Witty Swan

June 15, 2022 | Clive Paget, Musical America
LONDON--With its quaint local color and swirling cinematic dramaturgy, The Adventures of Mr. Broucek is the trickiest of Janácek’s operas to pull off. Get it wrong and it comes across as a rambling bit of folkish whimsy, or worse, an … » Read
 

Reviews

In St. Louis: Awakenings Touches the Soul

June 16, 2022 | Susan Elliott, Musical America
Before Awakenings was a new opera by Tobias Picker, premiering at Opera Theater of St. Louis last week, it was a ballet, with a score also by Picker (completely different from the opera), as well as a 1990 film starring Robert DeNiro, and the … » Read
 
 

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