REVIEWS


Reviews

Holst's Chamber Opera Savitri Gets a Rare Hearing

May 6, 2022 | Clive Paget, Musical America
LONDON--The Britten Sinfonia’s May 4 concert at London’s Barbican Centre rather cleverly managed to celebrate the 150 th anniversary of the birth of British composer Ralph Vaughan Williams without recourse to a single note of his … » Read
 

Reviews

Homoki’s New Ring Opens in Zurich

May 4, 2022 | Ronald Blum, Associated Press
ZURICH (AP) — Wotan beckoned the other gods to join him in walking to Valhalla, their new home acquired at a high and painful price. Instead of following, they shot him looks of contempt and allowed him to enter on his own. Andreas … » Read
 

Reviews

A Vaughan Williams Tribute by the Experts: The Hallé

May 3, 2022 | Clive Paget, Musical America
MANCHESTER--The Hallé’s long and distinguished relationship with Ralph Vaughan Williams and his music dates back to 1944 and the first commercial recording of the Fifth Symphony, conducted by its visionary chief, Sir John … » Read
 

Reviews

Notable Voices Emerge at the Met Grand Finals Concert

May 2, 2022 | Susan Elliott, Musical America
Sunday afternoon offered an opportunity to hear ten of the country's finest young voices compete for generous prize monies at the Metropolitan Opera’s Laffont Grand Finals Concert. Chosen from more than 1,100 applicants, 800 of them … » Read
 

Reviews

Someone Has Dared to Revive Funny Girl on B'way

April 29, 2022 | Mark Kennedy, Associated Press
NEW YORK (AP) — When Broadway’s revival of Funny Girl begins, star Beanie Feldstein sits in a Broadway dressing room, getting ready to go on. She wonders nervously to her assistant: “You ever feel like there’s someone … » Read
 

Reviews

Easter at Aix II: Renaud Capuçon, Juan Diego Flórez, and More

April 29, 2022 | Mark Valencia, Musical America
The Aix Easter Festival didn’t need to build its pedigree; it had one from the word go, thanks to a little black book in the back pocket of its artistic director, Renaud Capuçon. Not only does the violin virtuoso know everyone … » Read
 

Reviews

Xian Zhang Leads the LSO in a Program of Mixed Moods and Distant Voices

April 27, 2022 | Clive Paget, Musical America
With major roles in the U.S. and Australia, Chinese-American conductor Xian Zhang is in demand. Now in her sixth season as music director of the New Jersey Symphony Orchestra, she has long-term relationships with both the New York Philharmonic … » Read
 

Reviews

The LA Phil's (Not Really) Gen X Festival Is Underway

April 28, 2022 | Richard S. Ginell, Musical America
LOS ANGELES – The ever-inventive Los Angeles Philharmonic is full of novel ideas this spring, the latest being a festival that goes by the name, “Gen X: Voices of a Generation.” Or so they say. According to a short introductory … » Read
 

Reviews

Anthony Roth Costanzo Is Handel's Amadigi di Gaula

April 26, 2022 | Clive Paget, Musical America
Last year, Boston Baroque announced a five-program, digital-only season for 2021-2022, a bold decision buoyed by its experience of streaming during the pandemic, which saw it picking up viewers and subscribers across five continents. In … » Read
 

Reviews

The Met's New Lucia: Full of Distractions, but Donizetti Wins

April 25, 2022 | Jay Nordlinger, Musical America
On April 23rd, the Metropolitan Opera staged a new production of Lucia di Lammermoor , the Donizetti masterpiece (one of them). Marilyn Horne, the great mezzo-soprano, once complained that reviewers spent most of their reviews on productions, not … » Read
 
 

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