REVIEWS


Reviews

Easter 2022 at Aix: Program Changes, Missed Opportunities, Pleasant Surprises

April 25, 2022 | Mark Valencia, Musical America
Replacements, in these fragile times, are a fact of festival life. Artistic directors need a Plan B in case illness strikes—and so it was this month in Aix-en-Provence, France. The Easter Festival 2022, April 8-24, welcomed back a live … » Read
 

Reviews

A Potential Successor to Antonio Papano Emerges in ROH Lohengrin

April 21, 2022 | Clive Paget, Musical America
LONDON—With its mixture of medieval history and fairytale magic, Lohengrin inhabits that awkward territory between the fabled pageantry of Wagner’s early works and the philosophic mysticism of Tristan und Isolde . Musically there is … » Read
 

Reviews

Fidelio: Deaf West Theater Collaborates with the LA Phil

April 18, 2022 | Richard S. Ginell, Musical America
LOS ANGELES – The ever-innovative Los Angeles Philharmonic reaches out everywhere, this time to a new and perhaps unlikely audience – the Deaf. And its aim was true, for members of that community turned out in considerable … » Read
 

Reviews

¡Viva Maestro!: Two Reviews and a Correction

April 18, 2022 | Sarah Shay, Musical America
Theodore Braun’s new film ¡Viva Maestro! documents the conductor Gustavo Dudamel as he prepares Venezuela’s Simón Bolívar Symphony Orchestra for a 2017 international tour through to 2018, when he conducts … » Read
 

Reviews

Beethoven in Beijing: The Philly O's Historic Tour Revisited

April 14, 2022 | Anthony Brown, Musical America
As the United States relationship with China grows increasingly strained, it is important to be reminded of a time 50 years ago when Beethoven helped break down cultural barriers between the two nations. As Beethoven in Beijing , a 90-minute … » Read
 

Reviews

London Phil, Mitsuko Uchida, and (Mostly) Standard Rep

April 13, 2022 | Clive Paget, Musical America
LONDON--Two weeks ago the London Philharmonic was pushing the envelope under its new Principal Conductor Edward Gardner in a program of exclusively new music , all four items being U.K. premieres. For this April 9 concert at London’s Royal … » Read
 

Reviews

Corigliano's Triathlon for Sax Premieres in San Francisco

April 12, 2022 | Steven Winnn, Musical America
In his pre-performance remarks, John Corigliano reminded San Francisco Symphony audience members to read their programs closely. His Triathlon , receiving its world premiere at Davies Hall on Friday, April 8, is not subtitled Concerto for … » Read
 

Reviews

Ai Weiwei's Rome Turnandot:
His First (and Last) Opera

April 11, 2022 | James Imam, Musical America
MILAN—Back in 2020, Ai Weiwei's production of Turandot for the Rome Opera was one of the most eagerly anticipated events on Italy's cultural calendar. The Chinese artist and activist is famed for championing protestors and refugees around … » Read
 

Reviews

The Handmaid's Tale Is an 'Unqualified Triumph' for ENO

April 11, 2022 | Clive Paget, Musical America
LONDON—English National Opera has had it rough of late, what with the premature departure of former Artistic Director Daniel Kramer after just a year followed swiftly by the global pandemic. Reviews of Kramer’s residual program have … » Read
 

Reviews

Chamber Music Society Gets Its Mojo Back (and Lives to Tell the Tale)

April 8, 2022 | Susan Elliott, Musical America
If the pandemic and shutdown wrought devastation, re-emergence has posed its own challenges. Tonight, “Setting the Stage” on PBS documents how the Chamber Music Society of Lincoln Center—its musicians, staff, technicians, and … » Read
 
 

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