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Reviews
Chicago's Haymarket Opera Is Back, with a Bit of Classical Froth
CHICAGO—Haymarket Opera Company, a small Chicago troupe presenting Baroque opera on period instruments, doesn’t shy away from big challenges. Last year, in the middle of the pandemic, the company celebrated its tenth anniversary with … »
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English National Ballet Giselle at BAM
It’s best not to look too closely at the plots of classical ballets. Rather than try to reason through the unrequited relationships, fairies, and blurred lines between animals and humans, it’s better to just let the stories be what … »
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AMOC Runs Amuck at Ojai: Two Views
For 75 years, the Ojai Music Festival, located in the Ojai Valley north of Los Angeles, has presented a three-day weekend packed full of performances curated by a music director chosen for a one-year term. More often than not, an individual has … »
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Janácek’s Mr. Broucek: An Ugly Duckling Becomes a Witty Swan
LONDON--With its quaint local color and swirling cinematic dramaturgy, The Adventures of Mr. Broucek is the trickiest of Janácek’s operas to pull off. Get it wrong and it comes across as a rambling bit of folkish whimsy, or worse, an … »
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In St. Louis: Awakenings Touches the Soul
Before Awakenings was a new opera by Tobias Picker, premiering at Opera Theater of St. Louis last week, it was a ballet, with a score also by Picker (completely different from the opera), as well as a 1990 film starring Robert DeNiro, and the … »
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In SF: Sellars and Salonen Stage Strange Stravinsky Doubleheader
“Citizens: Listen! Look!” With that arresting command, declaimed from the stage of Davies Symphony Hall by actress Breezy Leigh, a June 11 San Francisco Symphony program devoted to Stravinsky’s Oedipus rex and Symphony of Psalms … »
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Overblown Staging Obscures La Scala's La Gioconda
MILAN--While Amilcare Ponchielli’s La Gioconda was an instant hit when it premiered at La Scala in 1876, the opera is rarely performed today. Casting its six big leading roles is no easy task, and barely credible elements of the story, not … »
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Orfeo at Garsington: Transcendent
LONDON--Garsington Opera launched its six-week summer season with two key repertory operas in productions touched with greatness. The restaging of John Cox’s 2004 Cos ì fan tutte , a modern classic first seen in San Francisco as well … »
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Trifonov Tackles Bates's New Concerto in San Francisco
SAN FRANCISCO--In his new Piano Concerto, Mason Bates doesn’t employ any of the electronica or DJ stylings that earmark a number of the composer’s other works. But when the piece received its first West Coast performances June 2-5, it … »
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Pappano Unearths Italian Rarities with the LSO
LONDON--Anyone wondering how Sir Antonio Pappano’s tenure as chief conductor of the London Symphony Orchestra—beginning September 2024—might differ from that of current incumbent Sir Simon Rattle should consider this dazzling … »
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