REVIEWS


Reviews

Hwood Bowl Centennial Season Opens
in a Varied, Vibrant, Blowout

June 6, 2022 | Richard S. Ginell, Musical America
HOLLYWOOD – Once upon a time, the programs at Hollywood Bowl were called “Symphonies Under the Stars.” These days, symphonies are still performed under the stars at the 100-year-old, 17,500-seat amphitheater, but they no … » Read
 

Reviews

Siegfried: Festival Opera Among the Cotswolds

June 3, 2022 | Clive Paget, Musical America
LONDON -- Nestling in the heart of the Cotswolds, Longborough Festival Opera was the brainchild of Martin and Lizzie Graham. In 1996, they reconstructed a barn on their Moreton-in-Marsh property to create an intimate 500-seat theater. The … » Read
 

Reviews

Spoleto Fest's 3 Operas: A Mixed Verdict

June 1, 2022 | Anthony Brown, Musical America
After a canceled 2020 season and a substantially reduced program in 2021, the Spoleto Festival has returned this year with a full performance schedule and a new general director. Mena Mark Hanna, the 37-year-old son of Egyptian immigrants, has … » Read
 

Reviews

At ROH: A Dreadfully Staged, Beautifully Sung Samson et Dalila

June 2, 2022 | Mark Valencia, Musical America
LONDON--The Royal Opera’s artistic leaders, Oliver Mears and Antonio Pappano, have trumpeted the most celebrated opera of Saint-Saëns as “an unabashed spectacle that luxuriates in melodic invention and lush orchestration.” … » Read
 

Reviews

At the Joyce: Trisha Brown Dance Turns 50

May 31, 2022 | Chava Pearl Lansky
One dancer drops her weight into a deep squat before ricocheting back to standing. Another sweeps his right leg and arm toward each other, bending the limbs easily at the joints once his knee and elbow make contact. Two more walk from upstage to … » Read
 

Reviews

Zambello's New Staging at LA Opera: 'As Good as Aida Gets.'

June 1, 2022 | Richard S. Ginell, Musical America
LOS ANGELES – For all of the progressive ideas coming out of Los Angeles that grab national attention, there is still a lot to be said for what’s happening here in the mainstream. For example, the new production of Aïda that … » Read
 

Reviews

A Welcome Return of The Rake's Progress at the Met

June 1, 2022 | George Loomis, Musical America
The Rake’s Progress provides an unsettling experience. With music by Stravinsky and words by W. H. Auden (working with Chester Kallman), it is the product of perhaps the most illustrious partnership ever to create an opera after World War … » Read
 

Reviews

Britten's War Requiem by the Royal Phil: The Timing Is Tragically Apt

May 31, 2022 | Clive Paget, Musical America
Benjamin Britten’s War Requiem has always been political, and never more so than now. The Royal Philharmonic Orchestra’s May 26 performance felt especially topical, conducted as it was by Vasily Petrenko, the orchestra’s Russian … » Read
 

Reviews

CSO's MusicNOW Gets a Shot of Adrenalin

May 26, 2022 | Sarah Shay, Musical America
The Chicago Symphony Orchestra’s MusicNOW concert on May 23 ended the 24 th iteration of its new music series on a high note. Curated by  Mead Composer-in-Residence Jessie Montgomery, the season began with a program devoted to … » Read
 

Reviews

Anthony Davis's X: All Is Well, Until Things Get Preachy

May 23, 2022 | John Fleming, Musical America
DETROIT – Why did it take so long for X: The Life and Times of Malcolm X to receive its first major revival? After all, the opera on the iconic Nation of Islam (NOI) civil rights leader, with pulsating music by Anthony Davis and a libretto … » Read
 
 

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