REVIEWS


Reviews

The 2022 Bayreuth 'Workshop' Had a Couple of (Mixed) Successes

September 12, 2022 | James L. Paulk, Musical America
It was Nietzsche who suggested that Bayreuth was a werkstatt , or workshop. And in the past few decades, the festival has been transformed into a laboratory for experimental productions featuring highly advanced forms of  Regietheater, where … » Read
 

Reviews

A Grisly Salome Returns to ROH, with a Disappointing Debut in the Pit

September 13, 2022 | Cllive Paget, Musical America
LONDON—The announcement of the death of Queen Elizabeth II caused the Royal Opera House to cancel its September 8 performance of Don Giovanni with the audience already seated. On September 9 it was determined to go ahead with a revival of … » Read
 

Reviews

High-Powered Cast Opens Chicago Lyric with Ernani

September 12, 2022 | Wynne Delacoma, Musical America
CHICAGO—Once the curtain goes up, most opera lovers have little trouble suspending belief. A change of heart by a ruthless king who suddenly decides to pardon a gang of assassins gathered to kill him? Check. After heaping scorn on unwelcome … » Read
 

Reviews

Armory Recital Portends an Exciting Met Idomeneo

September 9, 2022 | George Loomis, Musical America
Last year Michael Spyres appeared in New York with another tenor of notable bel canto accomplishment, Lawrence Brownlee, in a dazzling, even over-the-top display of vocal acrobatics by each. The event had the added attraction of revealing … » Read
 

Reviews

Disaster in Bayreuth, Part II

September 7, 2022 | James L. Paulk, Musical America
BAYREUTH—As described  yesterday in Part I, the first two operas of the Bayreuth Festspiele’s new Ring Cycle unfolded as a mix of a few powerful ideas brought down by silly, outlandish gestures, the entire cycle reimagined as … » Read
 

Reviews

Here's a Strange One: A House of Usher Set in Sunny California

September 8, 2022 | James Bash, Musical America
PORTLAND, OR—Philip Glass’s The Fall of the House of Usher , based on the classic horror story by Edgar Allen Poe, received a fresh interpretation that successfully blurred the lines of repressed sexuality in a new production for … » Read
 

Reviews

Bayreuth's New Ring Is an Epic Disaster. Part I.

September 6, 2022 | James L. Paulk, Musical America
BAYREUTH—Richard Wagner created this festival and designed its festspielehaus, specifically for his Ring cycle. Always been run by the composer’s descendants (currently his great-granddaughter Katarina), the venerable event has … » Read
 

Reviews

MTT at Tanglewood: Poignant Moment, Poignant Rep

August 30, 2022 | Sarah Shay, Musical America
On Aug. 27 Michael Tilson Thomas (MTT) conducted the penultimate concert of the summer season at Tanglewood with a performance one critic characterized as “another milestone in the institution’s rich history.” In March MTT had … » Read
 

Reviews

Salzburg III: The Return of Aida, Muti's Tchaikovsky VI

August 25, 2022 | George Loomis, Musical America
If Salzburg Festival Artistic Director Markus Hinterhäuser was justified in calling the festival’s first-ever performances of Puccini’s Il Trittico “important,” it had little robust competition, as illustrated by the … » Read
 

Reviews

Americana Newly Recorded

August 24, 2022 | Clive Paget, Musical America
New music for orchestra, chamber musicians, and voices this month includes a second volume reflecting the eclectic palette of the late Julius Eastman and an important environmental work from crack choir The Crossing. To start, though, John … » Read
 
 

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