REVIEWS


Reviews

A Seductive Solomon at the Proms

August 23, 2022 | Clive Paget, Musical America
LONDON—Apart from the ever-ubiquitous Messiah , enthusiasm for Handel oratorios seems to have paled next to the passion for restaging his operas. It’s a far cry from the 1740s when the English biblical choral blockbuster replaced … » Read
 

Reviews

Salzburg II: Il Trittico with a 'Shattering' Suor Angelica

August 22, 2022 | George Loomis, Musical America
The Salzburg Festival’s old hostility toward Puccini, long moribund, has been laid to rest. Its last major proponent was Gerard Mortier, whose final year at the festival’s helm was 2001. “Puccini is vulgar and … » Read
 

Reviews

Salzburg I: Kosky's Kát’a Confounds but Satisfies

August 18, 2022 | George Loomis, Musical America
SALZBURG—The operas staged at this year’s festival were an unusual mix for the 102-year-old event. There was only one Mozart offering, Die Zauberflöte , which was also the only pre-1800 opera. The closest thing to a recent one … » Read
 

Reviews

In Innsbruck: Silla, a Rare Opera with an Abundance of Countertenors

August 16, 2022 | George Loomis, Musical America
INNSBRUCK, Austria—Operas of clemency have a reputation for lame drama. Feats of magnanimity, besides being implausible, tend to strike modern audiences as propaganda for reinforcing the status quo. But the other side of the coin is that … » Read
 

Reviews

Tanglewood Festival of Contemporary Music, Part II

August 15, 2022 | Leslie Kandell, Musical America
Tanglewood’s Festival of Contemporary Music (Aug. 4-8) included a silent film night, John Williams’s idea, in the Linde Center. Five TMC composer fellows had been assigned to score about 20 percent each of Charlie Chaplin’s 1921 … » Read
 

Reviews

A New Orfeo at Portland's 'Other' Opera Company

August 16, 2022 | James Bash, Musical America
PORTLAND, OR--Portland’s newest opera company, OrpheusPDX, began its inaugural season on August 4 with Monteverde’s L’Orfeo, a new production by Chas Rader-Shieber deftly tempered with a bit of humor, adding a refreshing breeze … » Read
 

Reviews

A Salome for the Ages

August 16, 2022 | Anthony Brown, Musical America
The role of Salome is a familiar one for Swedish soprano Malin Byström, whose Aug. 14 performance in concert at Edinburgh’s Usher Hall won rapturous praise from Mark Brown, theater critic for The Daily Telegraph . Byström had … » Read
 

Reviews

At Glyndebourne, Laurent Pelly Explores Opposing Theater Masks

August 15, 2022 | Mark Valencia, Musical America
GLYNDEBOURNE—The 2022 crop of English country house operas has been exceptionally good, yet Glyndebourne has saved the best until last. Music Director Robin Ticciati has teamed up with the London Philharmonic Orchestra and director Laurent … » Read
 

Reviews

At Tanglewood, Contemporary Music Takes Center Stage

August 12, 2022 | Leslie Kandell, Musical America
LENOX, Mass. – “Find something in the music that you can shake hands with,” said John Harbison, longtime Tanglewood Music Center (TMC) faculty member, referring to a specific theme or motif. “When it comes around again, … » Read
 

Reviews

Dalia Stasevska Wows the Bowl Crowd, If Not the Critic

August 12, 2022 | Nicholas Beard, Musical America
Done for the summer, Gustavo Dudamel has handed the podium at the Hollywood Bowl off to a parade of guest conductors. First up was the Finnish maestra Dalia Stasevska, who had originally been slated to debut during the 2020 season erased by the … » Read
 
 

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