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Reviews
LA Opera's Otello Has All the Right Ingredients Save One
LOS ANGELES—Verdi’s great, penultimate opera Otello will always occupy a special place in the history of Los Angeles Opera. It was the company’s opening production in October 1986, an event that in hindsight shattered the … »
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Octogenarian Radicals Shine at Brooklyn's Long Play Fest
The 2023 Long Play Festival, May 5-7, emerged as a major event of the spring season, a 50-plus-performance cross-section of New York’s alt-classical sphere and its pioneers. Produced by Bang on a Can’s Julia Wolfe, David Lang, Michael … »
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At the Met: A Searing, Singular Don
Ivo van Hove is controversial. Some love his overall work or individual productions. Others hate him/them. So even with interviews and some advance warning from his new staging of Don Giovanni in 2019 at the Paris Opera, the co-producer with the … »
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The World's Wife: Revenge of the Sidelined
LONDON—Raw poetry doesn’t always make a coherent stage work, but Carol Ann Duffy’s The World’s Wife is a bracing exception. Her scabrous, thought-provoking, and frequently witty 1999 collection exploring women sidelined by … »
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Albert Herring, an Opera Ahead of Its Time
Until recently, gay characters in plays, motion pictures, novels, and even operas generally did not fare well. They were often the first to perish or to suffer unrequited love in more serious works—e.g., the plays of Tennessee Williams. … »
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At ENO: Górecki’s Sorrowful Songs, Beautifully Staged
LONDON—English National Opera’s conceptualization of Górecki’s Symphony No. 3 was dreamily beautiful to behold. In a work that deals in pain and anguish, that may not necessarily have been a good thing. And yet… … »
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Bohème Backwards: The Gimmick Doesn't Always Work
Puccini’s La bohème is a staple of the opera world, and it takes a very bold director to tinker around with it. Enter Yuval Sharon, a 2017 MacArthur Genius Grant awardee and current artistic director of the Detroit Opera who in … »
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Wild Up Meets Julius Eastman in a True "Radical Adornment"
If Julius Eastman’s music seems to re-invent itself with every hearing, it’s partly because the late composer encouraged performers to make his music their own, sometimes in highly interventionist ways. At the three-concert event … »
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Van der Aa’s Blank Out: The Medium Befuddles the Message
Michael van der Aa’s 70-minute chamber opera Blank Out is a case study in form trumping content. Presented by Cal Performances in its West Coast premiere April 28-29 at Berkeley’s Zellerbach Hall, the Dutch auteur’s work employs … »
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Gardner, London Phil Sample Brett Dean's New Opera
LONDON—For a program steeped in executions and funeral marches, the London Philharmonic Orchestra’s April 26 concert at Southbank Centre was surprisingly colorful. It was also full of drama, opening with a 30-minute tryout of a new … »
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