REVIEWS


Reviews

Colorless I Vespri Booed at La Scala

February 3, 2023 | James Imam, Musical America
MILAN—Opera companies have been updating Verdi's I vespri siciliani almost since its conception. Set to the backdrop of the French occupation of 13th-century Sicily, the work premiered in French at the Paris Opera in 1885. It was translated … » Read
 

Reviews

Saint-Saëns Justly Illuminated by the OAE and Steven Isserlis

February 1, 2023 | Mark Valencia, Musical America
LONDON—Camille Saint-Saëns has been unfairly pigeon-holed, not least by his contemporaries such as Debussy and Berlioz, as a conservative composer of little depth or originality. (The latter famously slighted the younger composer with … » Read
 

Reviews

John Adams Conducts His Latest Girls

January 31, 2023 | John Rockwell, Musical America
LOS ANGELES--John Adams calls Girls of the Golden West “my most personal of all stage creations.” But it’s also the one that’s given him the most trouble. Premiered by the San Francisco Opera in 2017, it was revised for … » Read
 

Reviews

Yuja Dazzles as She Makes History

January 30, 2023 | David Patrick Stearns, Musical America
How does she do it? The 35-year-old pianist Yuja Wang showed strategy, passion, and poise but little strain when playing all five Rachmaninoff piano and orchestra works in a single concert Saturday afternoon at Carnegie Hall. The … » Read
 

Reviews

Gardner & the LPO Tackle Elgar and Neglected Tippett

January 30, 2023 | Clive Paget, Musical America
LONDON--The London Philharmonic Orchestra has an enviable track record when it comes to Elgar’s First Symphony. In the 1960s and 70s, LPO recorded it twice under Principal Conductor Sir Adrian Boult, and in 1975 did so again under his … » Read
 

Reviews

Emersons Say Bye to Boston

January 25, 2023 | Taylor Grant, Musical America
The current season marks the final one for the Emerson String Quartet . Founded in 1976 by two Juilliard graduates—violinists Philip Setzer and Eugene Drucker—the foursome, which also includes Lawrence Dutton (a member from 1977) and … » Read
 

Reviews

A Sorry Podium Debut in San Francisco

January 24, 2023 | Sarah Shay, Musical America
Any orchestral concert depends for its success on the equal collaboration among musicians, conductor, and, especially for new works, the composer. Absent such a partnership, writes Joshua Kosman in the San Francisco Chronicle , “sorrowful … » Read
 

Reviews

Chamber Music Society's Winter Festival & the 'Magic' of Schubert

January 25, 2023 | George Loomis, Musical America
It seems odd to speak of a composer’s “late style” when the composer, Franz Schubert, died at 31. But the Chamber Music Society of Lincoln Center (CMS) made the case convincingly at the opening of its “Winter Festival: The … » Read
 

Reviews

Focus Amiss at Dallas Symphony

January 23, 2023 | Taylor Grant, Musical America
A Jan. 19 concert by the Dallas Symphony Orchestra, with violinist Pinchas Zukerman as both conductor and soloist, left critic Scott Cantrell feeling that the ensemble “lacked its usual focus and cohesiveness.” Zukerman is well-known … » Read
 

Reviews

Cleveland O Blends Two Viennese Schools at Carnegie Hall

January 23, 2023 | David Patrick Stearns, Musical America
Alban Berg as Franz Schubert's musical grandson? That idea of a kinship between two Viennese composers who lived a century apart—proposed in a program note by Cleveland Orchestra Music Director Franz Welser-Möst—began to make … » Read
 
 

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