REVIEWS


Reviews

A Classic Staging Revived, Stymied by 2 Disappointing Role Debuts

January 19, 2023 | Christopher Corwin, Musical America
As the Metropolitan Opera struggles to redefine itself, the company reached back nearly a half century on Sunday afternoon to John Dexter’s classic production of Poulenc’s Dialogues des Carmélites. Though last revived just four … » Read
 

Reviews

David Lang's New Opera Comes with a Safety Warning

January 17, 2023 | David Patrick Stearns, Musical America
Suicide-prevention warnings are now common in many quarters—even, apparently, opera.  David Lang’s note to a friend premiered at the Prototype Festival, Jan. 12-15 (I attended the final performance) with one: “This … » Read
 

Reviews

Least Like the Other: The Tragedy of Rosemary Kennedy

January 17, 2023 | Clive Paget, Musical America
LONDON--Last year, the Irish National Opera (INO) production of Vivaldi’s Bajazet —the first opera by the Venetian composer to be staged at London’s Royal Opera House—won them multiple awards. This year, the same … » Read
 

Reviews

The 'Long 19th Century' and Its Innovative Amateurs

January 17, 2023 | Anthony Brown, Musical America
In The Beloved Vision: A History of Nineteenth Century Music , Stephen Walsh has written a clear and insightful history of Romanticism in music. The author, an emeritus professor at Cardiff University, frames his study with what historians call … » Read
 

Reviews

Rattle, LSO in a Stunning Katya

January 13, 2023 | Clive Paget, Musical America
LONDON—Simon Rattle is on record as saying that his inspiration to become an opera conductor came from the work of Czech composer Leoš Janácek. It’s not surprising then that this January 11 concert performance of Katya … » Read
 

Reviews

Classy Cast Brings a Frothy L'elisir Back to the Met

January 12, 2023 | John Rockwell, Musical America
Plunked down right in the middle of the Prototype Festival’s usually ultra-serious fare of experimental chamber opera came the first night, on Tuesday, of the latest revival of Donizetti’s frothy charmer L’Elisir d’amore … » Read
 

Reviews

Prototype Unveils an Important New Composer

January 11, 2023 | David Patrick Stearns, Musical America
The Prototype Festival makes reputations more for creators than for performers, the latest being Emma O’Halloran, an emerging Irish composer here shown to be an important new voice. Her double bill, Trade/Mary Motorhead, a coproduction … » Read
 

Reviews

Søndergård Wows Cincinnati

January 10, 2023 | Sarah Shay, Musical America
The combination of Thomas Søndergård, music director designate of the Minnesota Orchestra; the Cincinnati Symphony Orchestra; and Jean Sibelius’ Symphony No. 2 produced an evening of music that drove one critic to superlatives. … » Read
 

Reviews

In Our Daughter's Eyes: A Tour de Force for Nathan Gunn

January 10, 2023 | John Rockwell, Musical America
Du Yun is a Shanghai- and U.S.- trained composer and performer, now based in New York. Her best-known works are the opera Angel’s Bone , first heard in 2016 at the Prototype Festival in New York and winner of the 2017 Pulitzer Prize for … » Read
 

Reviews

Yuja Wang Conquers Lindberg's Massive Third Concerto in NYC

January 9, 2023 | George Loomis, Musical America
One needn’t look far for premieres of new music in the New York Philharmonic’s current season, but few will have the sheer size or impose the interpretive challenges of Finnish composer Magnus Lindberg’s Third Piano Concerto. … » Read
 
 

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