REVIEWS


Reviews

At Long Beach Opera: A Delicious New Opera Experience

May 26, 2023 | Richard S. Ginell, Musical America
COSTA MESA, CA – Over the decades, every Long Beach Opera regime has managed to spin new, often wild variations on what opera is and can be. It’s been that way with this congenitally radical company since the early 1980s as artistic … » Read
 

Reviews

Bodies on the Line: Social Injustice of a Different Era

May 25, 2023 | Steven Winn, Musical America
With its opening volley of concussive orchestral thuds and clanking percussion, Bodies on the Line: The Great Flint Sit-Down Strike delivers the assaultive sound and feel of a 1930s automobile assembly line. In doing so, this ambitious, hour-long … » Read
 

Reviews

At ROH: Wozzeck Is a Horror Show Extraordinaire

May 24, 2023 | Mark Valencia, Musical America
LONDON—Perhaps the bleakest opera of them all, certainly the most harrowing, Alban Berg’s taut, 95-minute Wozzeck is the study of one man’s decline into a terrifying inner darkness. Episodes of degradation and humiliation … » Read
 

Reviews

SFSymphony & Co. Power Through Britten's War Requiem

May 23, 2023 | Steven Winn, Musical America
SAN FRANCISCO—The fusion of mortal pain and divine consolation, macabre marches and murmurous chants, a centuries-old Latin mass text and the World War I-era fury of Wilfred Owen’s verse take hold early in Benjamin Britten’s … » Read
 

Reviews

Met's Flute Fanciful but Lacks Depth

May 22, 2023 | George Loomis, Musical America
A miniature Mozart festival has burst forth in the final weeks of the Metropolitan Opera’s season, with two new productions appearing in as many weeks, each staged by a debuting director from abroad who is better known here for work in … » Read
 

Reviews

Finn Phenom Takes on Schnittke and Mahler in Prague

May 19, 2023 | Clive Paget, Musical America
PRAGUE—Mahler’s First Symphony can be a tricky beast to program. Not quite long enough to stand alone, it’s capable of overshadowing a lightweight concerto, or worse, competing for attention with another showboat work. This May … » Read
 

Reviews

LA Opera's Otello Has All the Right Ingredients Save One

May 17, 2023 | Richard S. Ginell, Musical America
LOS ANGELES—Verdi’s great, penultimate opera Otello will always occupy a special place in the history of Los Angeles Opera. It was the company’s opening production in October 1986, an event that in hindsight shattered the … » Read
 

Reviews

Octogenarian Radicals Shine at Brooklyn's Long Play Fest

May 11, 2023 | David Patrick Stearns, Musical America
The 2023 Long Play Festival, May 5-7, emerged as a major event of the spring season, a 50-plus-performance cross-section of New York’s alt-classical sphere and its pioneers. Produced by Bang on a Can’s Julia Wolfe, David Lang, Michael … » Read
 

Reviews

At the Met: A Searing, Singular Don

May 7, 2023 | John Rockwell, Musical America
Ivo van Hove is controversial. Some love his overall work or individual productions. Others hate him/them. So even with interviews and some advance warning from his new staging of Don Giovanni in 2019 at the Paris Opera, the co-producer with the … » Read
 

Reviews

The World's Wife: Revenge of the Sidelined

May 5, 2023 | Clive Paget, Musical America
LONDON—Raw poetry doesn’t always make a coherent stage work, but Carol Ann Duffy’s The World’s Wife is a bracing exception. Her scabrous, thought-provoking, and frequently witty 1999 collection exploring women sidelined by … » Read
 
 

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