REVIEWS


Reviews

Albert Herring, an Opera Ahead of Its Time

May 4, 2023 | Taylor Grant, Musical America
Until recently, gay characters in plays, motion pictures, novels, and even operas generally did not fare well. They were often the first to perish or to suffer unrequited love in more serious works—e.g., the plays of Tennessee Williams. … » Read
 

Reviews

At ENO: Górecki’s Sorrowful Songs, Beautifully Staged

May 3, 2023 | Mark Valencia, Musical America
LONDON—English National Opera’s conceptualization of Górecki’s Symphony No. 3 was dreamily beautiful to behold. In a work that deals in pain and anguish, that may not necessarily have been a good thing. And yet… … » Read
 

Reviews

Bohème Backwards: The Gimmick Doesn't Always Work

May 2, 2023 | Sarah Shay, Musical America
Puccini’s La bohème is a staple of the opera world, and it takes a very bold director to tinker around with it. Enter Yuval Sharon, a 2017 MacArthur Genius Grant awardee and current artistic director of the Detroit Opera who in  … » Read
 

Reviews

Wild Up Meets Julius Eastman in a True "Radical Adornment"

May 1, 2023 | David Patrick Stearns, Musical America
If Julius Eastman’s music seems to re-invent itself with every hearing, it’s partly because the late composer encouraged performers to make his music their own, sometimes in highly interventionist ways. At the three-concert event … » Read
 

Reviews

Van der Aa’s Blank Out: The Medium Befuddles the Message

May 2, 2023 | Steven Winn, Musical America
Michael van der Aa’s 70-minute chamber opera Blank Out is a case study in form trumping content. Presented by Cal Performances in its West Coast premiere April 28-29 at Berkeley’s Zellerbach Hall, the Dutch auteur’s work employs … » Read
 

Reviews

Gardner, London Phil Sample Brett Dean's New Opera

April 28, 2023 | Clive Paget, Musical America
LONDON—For a program steeped in executions and funeral marches, the London Philharmonic Orchestra’s April 26 concert at Southbank Centre was surprisingly colorful. It was also full of drama, opening with a 30-minute tryout of a new … » Read
 

Reviews

Taiwan Phil in Geffen Hall: A 'Soft-power' Mission

April 27, 2023 | Ken Smith, Musical America
At home, this group performs as the National Symphony Orchestra. Abroad, it tours as the Taiwan Philharmonic—mostly because the words “Taiwan” and “National” appearing in the same sentence is guaranteed to drive … » Read
 

Reviews

So Percussion, Caroline Shaw Cultivate Their Nutrient-rich Soil

April 26, 2023 | Steven Winn, Musical America
SAN FRANCISCO—Ambling onstage in jeans and work shirts, the four members of So Percussion resembled a pick-up crew headed to a construction site. Indeed some of the equipment pressed into endlessly resourceful service by the group on April … » Read
 

Reviews

Aix Easter Fest Part II: Poignant Bach, Wagner Lite and Loud

April 26, 2023 | Mark Valencia, Musical America
AIX-EN-PROVENCE—Like Easter itself, the Festival de Pâques is a moveable feast. Every year its two-and-a-half week program of events is timed to straddle Holy Week, with one of Bach’s Passions given during Easter weekend as the … » Read
 

Reviews

Beatrice Rana Comes of Age with the Hammerklavier Sonata

April 25, 2023 | George Loomis, Musical America
Italian pianist Beatrice Rana turned 30 in January and is honoring the occasion with a string of concerts in Europe and the U.S. that have included Beethoven’s Sonata in B flat, Op. 106, Hammerklavier, a coming-of-age piece if there ever … » Read
 
 

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