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Reviews
Met Orfeo Returns with a Star in His Role Debut
If admirers of choreographer Mark Morris helped to ensure the warm reception accorded his production of Gluck’s Orfeo ed Euridice upon its return to the Metropolitan Opera May 16, fans of Anthony Roth Costanzo were similarly celebratory as … »
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Langrée & Co. Say Goodbye
CINCINNATI – What happens to your fond farewells when your guest of honor is late to the party? The Cincinnati Symphony Orchestra had earmarked the end of the current season with a two-week tribute to outgoing Music Director Louis … »
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Opera Lafayette Offers a Mix and Match Esther
The depth of New York City’s cultural offerings can be astounding. In addition to the flagship musical organizations, a plethora of smaller companies regularly present adventurous programs ranging from newly commissioned pieces to works … »
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Kathleen Battle Returns to a Storied Stage
Not seen on its stage since 2016, then following a 22-year career hiatus, Kathleen Battle returned to the Metropolitan Opera on May 12, in a concert produced by AMP Worldwide, presenter of Disney-in-concert films and the like. Now age 75, she … »
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Chicago Symphony Plays Over and Under Par with Szeps-Znaider
CHICAGO—If someone is to do double duty on a Chicago Symphony concert, it’s probably going to be Nikolaj Szeps-Znaider. The Danish conductor and violinist, 48, has built a career from wielding both bow and baton in the same … »
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Three Days of New Music's Bold and Brightest
One of the biggest, coolest, most important new music events in New York, the three-day Long Play Festival is a 21st-century universe, the complicated elements of which perhaps can't be fully appreciated until something goes wrong. On the final … »
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An Uneven Podium Debut, a Rarely Heard Organ Concerto
CHICAGO—The first and last time the Chicago Symphony played Samuel Barber’s Toccata Festiva —commissioned to break in a new organ at Philadelphia’s Academy of Music, in 1960—was in 2003, more than 20 years ago. With … »
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Rattle and the Bavarians Conquer Carnegie
When Simon Rattle became music director of the London Symphony Orchestra in 2017 after 16 years leading the Berlin Philharmonic, the London press welcomed back the U.K.’s foremost conductor with open arms. Yet his tenure at the LSO lasted … »
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The BSO Returns to Roméo et Juliette, for Better and Worse
BOSTON—Did any composer ever love Shakespeare more than Berlioz—even Verdi, with his three major operas based on the master's work? Berlioz even went so far as to become infatuated with an actress playing Juliet, and one masterpiece … »
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The LPO Completes Jurowski's Ring, Finally
LONDON—There was a time it looked like the London Philharmonic Orchestra’s Ring Cycle would never be completed. Chief Conductor Vladimir Jurowski polished off Das Rheingold and Die Walküre in 2018 and 2019. Siegfried sneaked in a … »
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