REVIEWS


Reviews

Music Critics Start to Eye Maestro

December 8, 2023 | Sarah Shay, Musical America
Far more classical music lovers will see Bradley Cooper’s Maestro once its available on Netflix in late December than during its current limited release in movie theaters. Those seeking a “soup to nuts” chronicle of the protean … » Read
 

Reviews

Dissecting Callas, a Daylong Extravaganza

December 8, 2023 | David Patrick Stearns, Musical America
Maria Callas’s 100th birthday on Dec. 2 became such an inescapable event in the opera world that she might as well have risen from the dead. Looking like Medea in disguise as Audrey Hepburn, Callas stared out of magazine covers, Facebook … » Read
 

Reviews

Dido's Ghost, a Spooky Sequel to Purcell's Original

December 7, 2023 | Steven Winn, Musical America
SAN FRANCISCO—It’s all about Dido at the end of Henry Purcell’s Dido and Aeneas , the Carthaginian queen’s grief expressed in her death-scene lament that implores us to “Remember me, but ah! Forget my fate.” … » Read
 

Reviews

The Callas Box: An Expert Assessment. [Part II of II]

December 6, 2023 | Peter Clark, Musical America
Following continues Peter Clark’s review of La Divina: Maria Callas in All Her Roles, a 135-disc collection of all of her commercial recordings and many of her live performances. Part I was posted yesterday. Verdi's La Traviata , one of her … » Read
 

Reviews

The Callas Box: An Expert Assessment. [Part I of II]

December 5, 2023 | Peter Clark, Musical America
I once heard Leonard Bernstein ask a woodwind player to play a solo passage as a singer would phrase it. “Did you ever hear Callas sing?,” he said. Bernstein knew whereof he spoke, having conducted the great Greek-American diva in her … » Read
 

Reviews

In the U.K.: Anthony McGill as 'One of America's Finest'

December 5, 2023 | Clive Paget, Musical America
LONDON—A stone’s throw from the Barbican Centre, Milton Court is a home for the Guildhall School of Music and Drama and a place where the Barbican can present chamber works as part of its far-sighted Milton Court Artist-in-Residence … » Read
 

Reviews

Schenk's Tannhäuser Returns to the Met, Amid Chaos

December 4, 2023 | George Loomis, Musical America
In a season where the Metropolitan Opera is devoting inordinate attention to “new” operas, prominent composers from the bread-and-butter years before World War II—Puccini being the main exception—tend to be represented by … » Read
 

Reviews

Opera di Roma's Very White Mefistofele Is Very Dark

December 1, 2023 | James Imam, Musical America
MILAN—In recent years, Rome's Teatro dell'Opera has established itself as an artistically adventurous alternative to La Scala, its more traditional competitor in Milan. Having hosted the debut stagings of artist Ai Weiwei ( Turandot , 2022 … » Read
 

Reviews

Low-profile Instrument Moves to Solo Status

November 30, 2023 | Sarah Shay, Musical America
The San Francisco Symphony’s Nov. 24 premiere of Odisea ( Odyssey ), a new concerto for the cuatro by Venezuelan composer Gonzalo Grau, proved to be a special occasion for the San Francisco Chronicle’s chief classical music critic. It … » Read
 

Reviews

New Simon Boccanegra Signals Japan's Return to the International Opera Scene

November 29, 2023 | Ken Smith, Musical America
TOKYO—Right from its opening in 1997, the New National Theatre, Tokyo has specialized in lavish international productions—Franco Zeffirelli’s Aida and Wolfgang Wagner’s Lohengrin set the tone in its inaugural … » Read
 
 

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