REVIEWS


Reviews

Saint Louis SO Is on the Move

January 16, 2025 | Hannah Edgar, Musical America
ST. LOUIS—Exciting things are afoot at the St. Louis Symphony. Next fall, the orchestra will unveil its $150 million renovation of Powell Hall, turning 100 this year . The construction has chased the St. Louisans to different local halls, … » Read
 

Reviews

Rattle Returns to the LSO for a Triple B Birthday Bash

January 14, 2025 | Clive Paget, Musical America
LONDON—For the London Symphony Orchestra, 2025 is a double red-letter year. Not only is it Antonio Pappano’s first season as chief conductor—and already looking like a match made in heaven—but it’s the year Simon … » Read
 

Reviews

Eat the Document: Prototype Gets Underway

January 13, 2025 | Fred Cohn, Musical America
In the digital program for the new opera Eat the Document , the creative team—librettist, composer, stage director, musical director––offers a piece of advice: “If you haven’t already read the book, we highly … » Read
 

Reviews

Met's Ill-conceived Aida Has but One Shining Star

January 3, 2025 | Fred Cohn, Musical America
The Met’s new production of Aida , seen at its New Year’s Eve premiere, registered as an admission of defeat in the face of Verdi’s dramatic conventions. If director Michael Mayer had had any insights into the workings of the … » Read
 

Reviews

Lahav Shani Enlivens a Weary CSO

December 24, 2024 | Hannah Edgar, Musical America
A conductor, pianist, and bassist, Rotterdam and Israel Philharmonic Music Director Lahav Shani has many talents. Enlivening a weary Chicago Symphony appears to be one of them. In June, Shani powerfully closed out the CSO subscription season, a … » Read
 

Reviews

Pappano & LSO Shine New Light on the Old (Brit) Faves

December 20, 2024 | Clive Paget, Musical America
LONDON—As the new chief conductor of the London Symphony Orchestra, Sir Antonio Pappano has made British music a key component of his opening season. This December 15 concert at the Barbican Centre—a program of major works by Vaughan … » Read
 

Reviews

Two Conductors: One for the Orchestra, One for the Audience

December 18, 2024 | Taylor Grant, Musical America
Recent New York appearances by the Berlin Philharmonic and the Royal Concertgebouw Orchestra offered Alex Ross, The New Yorker’s classical music critic, an opportunity to compare and contrast the two ensembles and their lustrous conductors. … » Read
 

Reviews

Barbara Hannigan's Sumptuous Feast of a Recital

December 18, 2024 | Fred Cohn, Musical America
Barbara Hannigan and Bertrand Chamayou’s December 12 recital, at the Park Avenue Armory’s Veterans Room, lasted just 75 intermission-less minutes but was so thoroughly satisfying that it felt like the most sumptuous of feasts. The … » Read
 

Reviews

A Stunning Gerontius That Would Have Made Sir Andrew Proud

December 17, 2024 | Clive Paget, Musical America
LONDON—The late Sir Andrew Davis (1944-2024) achieved household name status as an avuncular figurehead for the Last Nights of the Proms over several decades. Known for his wit as well as his craft, from 1989 to 2000 he was chief conductor … » Read
 

Reviews

Last Year's Star Met Debutante Returns in Recital

December 19, 2024 | George Loomis, Musical America
Asmik Grigorian, the Lithuanian soprano who made a stunning debut at the Metropolitan Opera last spring as Madama Butterfly , returned to New York on Dec. 12 with an all-Russian program of songs by Tchaikovsky and Rachmaninoff in Zankel Hall, … » Read
 
 

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