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Reviews
Salonen and Wang Conquer the Audience by Storm
SAN FRANCISCO—What do you do when your audience can’t get enough of Yuja Wang? Feature her twice, on a single program. Marathon performances like the one on Feb. 16 at Davies Symphony Hall are nothing new for Wang. But her … »
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Prototype's Adoration Goes to REDCAT
LOS ANGELES—For Armenian-American composer Mary Kouyoumdjian, the prospect of transforming Atom Egoyan’s 2008 film Adoration into an opera—her first—must have seemed predestined. How could she resist? One of the main … »
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Götterdämmerung in a Boxing Ring
LONDON—In recent years the U.K. has seen a steady rise in micro- Rings , pared back versions of Wagner’s epic four-parter delivered by increasingly smaller orchestral forces. Graham Vick and Jonathan Dove's boiled down ten-hour cycle … »
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Barbican Americana a Mixed Success
LONDON—Copland’s Third Symphony and Barber’s Violin Concerto may get regular outings in the U.S. but over here they count as rarities. This February 13 BBC Symphony Orchestra concert at London’s Barbican Centre was a … »
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In Chicago: Hometown Girl Tries a 'Crazy Experiment'
CHICAGO— Love was on Sondra Radvanovsky’s mind during a Valentine’s Day Eve recital— and not just because it was an all-Puccini program. It was more personal than that, she told a well-sold Lyric Opera house. Originally … »
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A Disappointing Night in Orchestra Hall: Schoenberg and Sibelius
CHICAGO—Somewhere, Pierre Boulez is turning in his grave. The Chicago Symphony enjoyed a long association with the conductor–composer, culminating in an appointment as conductor emeritus from 2006 to 2010. But in what would have … »
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Turnage's Festen Is a Triumph
LONDON—Where to begin with Festen , the explosive new opera by Mark-Anthony Turnage? At the end, perhaps, when a dazed first-night audience staggered to its collective feet to applaud a tour de force? Or the moment in the 100-minute evening … »
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Thea Musgrave's Mary, Queen of Scots Gets Its Belated London Premiere
LONDON—First staged in 1977, just four years after Death in Venice , Thea Musgrave’s Mary, Queen of Scots has had to wait 48 years for its London premiere. A commission from Scottish Opera, the original Edinburgh production was … »
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A Somewhat Collaborative Double Bill at RB&O
LONDON—With the country’s premiere opera company officially changing its name to the Royal Ballet and Opera, a cross-artform collaboration seems apposite. This double bill, dubbed Phaedra + Minotaur and seen February 7 in their … »
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Heartbeat's Salome Traffics in Obfuscation (and Clarinets)
At the curtain call for Heartbeat Opera’s February 6 Salome , Executive Director Christian De Gré Cardénas made a pitch for donations while assuring that the company continued to be in good financial health. In the context of … »
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