REVIEWS


Reviews

Wozzeck: A Night at the Opera Not Soon Forgotten

December 30, 2019 | Clive Paget, Musical America
For opera to retain its relevance today it needs to be either timely or timeless. Alban Berg’s Wozzeck (1925), based on Georg Büchner’s Woyzeck , one of the most ahead-of-its-time plays ever written, happens to be both. An … » Read
 

Reviews

Christmas at the Cloisters with the Crossing

December 26, 2019 | Clive Paget, Musical America
For those tired of the seasonal same old, same old, The Crossing’s Christmas offering might not have looked that festive on paper, but it certainly gave pause for thought. For its December 21 concert in the atmospheric surrounds of the … » Read
 

Reviews

New Opera Gives Voice to Ill-treated Domestics in Asia

December 18, 2019 | Georgia Rowe, Musical America
SAN FRANCISCO--Much like those of past eras, today’s opera composers often concern themselves with themes of injustice and the abuse of power. Mila , a new chamber opera by composer Eli Marshall and librettist Candace Chong, depicts the … » Read
 

Reviews

Rosenkavalier Returns, with Luster Both on Stage and in the Pit

December 17, 2019 | George Loomis, Musical America
Der Rosenkavalier  returned to the Metropolitan Opera on Friday evening (Dec. 13) bringing with it two World War I-vintage cannons implausibly positioned in the reception hall of a Viennese townhouse. It was producer Robert Carsen’s … » Read
 

Reviews

The 14-year-old Composer with a 19th-century Voice

December 16, 2019 | Clive Paget, Musical America
Mozart was five when he started composing and for a decade his works were firmly in the style of contemporaries like Johann Christian Bach. At the other end of the spectrum is Erich Wolfgang Korngold whose compositional fingerprints were pretty … » Read
 

Reviews

In Their NY Debut, Sheku and His Sister Prove Their Bonafides

December 13, 2019 | Clive Paget, Musical America
Anyone skeptical of overnight celebrity should bear in mind that before he was catapulted to fame and fortune in 2018 as “The Royal Wedding Cellist,” Sheku Kanneh-Mason had already become the first black artist to win the 2016 BBC … » Read
 

Reviews

Chicago Opera Theater Launches Its Season with Everest

December 12, 2019 | Wynne Delacoma, Musical America
CHICAGO—Two years ago, when conductor Lidiya Yankovskaya signed on as music director for Chicago Opera Theater, she made her plans for the company very clear. A major goal was introducing audiences to new contemporary operas and neglected … » Read
 

Reviews

Review: Milan's Engaging but Muddled Tosca

December 9, 2019 | Paul du Quenoy, Musical America
MILAN—St. Ambrose’s Day stands solidly on Europe’s cultural, social, and political calendar, marking the feast day of Milan’s patron saint, and the annual opening the city’s venerated opera house. Historically, the … » Read
 

Reviews

Heartbeat's High Energy Der Freischütz Mostly Succeeds

December 9, 2019 | George Loomis, Musical America
Now in its sixth season, Heartbeat Opera has gained a reputation for radical adaptations and rearrangements that have sometimes boiled down standard works to around 90 minutes, in an effort to get closer to the essence of what they are about. To … » Read
 

Reviews

Ballet Hispánico and 'The Power of the Latina Voice'

December 4, 2019 | Chava Pearl Lansky, Musical America
A film director, dressed in jeans, a hoody, and a blazer, paces the stage. The wings are exposed. Freestanding lights frame the dancers, posed in a tableau. The director circles the group, opening and closing a clapperboard. With each click, a … » Read
 
 

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