REVIEWS


Reviews

A Countertenor at the Top of His Game

May 20, 2019 | Clive Paget, Musical America
It’s a brave Brit who labels his program “England’s Orpheus” with all the attendant expectations, but fortunately Iestyn Davies has the musical chops to back it up. The British countertenor’s May 16 recital in the … » Read
 

Reviews

Henze's ...Slave Concludes MetLiveArts Season

May 13, 2019 | Clive Paget, Musical America
Frequently feted during his lifetime but even more frequently misunderstood, left-wing German composer Hans Werner Henze’s “Cuban years” are perhaps the least appreciated period in a long and multi-stylistic musical career. … » Read
 

Reviews

A Valiant Attempt to Do Right by Britten's Owen Wingrave

May 14, 2019 | Christian B. Carey, Musical America
NEW YORK - Owen Wingrave was originally composed for television and telecast by the BBC in 1971. Later it was staged at Covent Garden and brought to Santa Fe Opera in 1974. Wingrave is the second of Benjamin Britten’s operas to be based on … » Read
 

Reviews

Jamie Barton Proves Her Mettle as a Recitalist

May 9, 2019 | Simon Chin, Musical America
WASHINGTON, D.C.--When opera singers turn to the rarified domain of the song recital, the results too often prove disappointing. The perceived need to prove one's bona fides across a range of repertory—German lieder, French chansons, … » Read
 

Reviews

NYC Ballet Gala Wraps New Works Around a Classic

May 10, 2019 | Chava Pearl Lansky, Musical America
New York City Ballet’s May 2 Spring Gala program book included the line, “Tonight we celebrate the Company’s rich history and bright future.” Placed directly beneath the names of its newly appointed artistic directors, … » Read
 

Reviews

Domingo Takes on His 151st Role, a Convincing ''Wildcat'' Indeed

May 8, 2019 | Timothy Mangan,Musical America
Thrill seekers looking to witness Plácido Domingo etch yet another notch in his record-setting belt should get themselves to the Dorothy Chandler Pavilion in Los Angeles by May 19, when El Gato Mont é s closes. The title character … » Read
 

Reviews

Freudian Fuzz Muddles Brussels' New Tristan

May 7, 2019 | Mark Valencia, Musical America
BRUSSELS—There is plenty of visual business to divert the eye in La Monnaie’s abstract new staging of Tristan und Isolde , most of it slow-moving and much of it puzzling. While a touch of mystery is no bad thing—scenic realism … » Read
 

Reviews

The CSO Is Back with a Bang, with Muti and DiDonato

May 6, 2019 | Wynne Delacoma, Musical America
CHICAGO--All may not be right with the world, but a little bit of heaven prevailed Saturday night at the Chicago Symphony Orchestra’s concert downtown in Symphony Center. It was the orchestra’s first weekend of subscription … » Read
 

Reviews

Tulsa's Trans Don Delivers, and How

May 6, 2019 | Clive Paget, Musical America
TULSA, Oklahoma--If ever proof was needed that opera can still surprise, provoke and even have something to say, the Act One Finale of Opera Tulsa’s Don Giovanni is it. Updated to America (ish) and sometime in the 1950s (ish)—neither … » Read
 

Reviews

LA Phil Premieres a Kinder, Gentler Andriessen

May 6, 2019 | Richard S. Ginell, Musical America
LOS ANGELES—Louis Andriessen has been a frequent presence at the Los Angeles Philharmonic ever since his hammering, at times grating signature textures for winds, brass, or keyboards blasted through Walt Disney Concert Hall during … » Read
 
 

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