REVIEWS


Reviews

Conrad (Tao) and Caleb (Teicher), Scratching and Tapping in Boston

February 5, 2020 | Keith Powers, Musical America
BOSTON--Choreographer/dancer Caleb Teicher and pianist/composer Conrad Tao opened a short run of their More Forever, on January 31 in the Plimpton Shattuck Black Box Theater at New England Conservatory. Part of Boston’s Celebrity Series, … » Read
 

Reviews

Aucoin's Eurydice Is Strong on Ideas, but Not Quite a Masterpiece

February 3, 2020 | Richard S. Ginell, Musical America
LOS ANGELES—The legend of Orpheus and Eurydice has been prime fodder for composers for centuries, from Monteverdi to Stravinsky and beyond. Yet for reasons that no one has been able to definitively explain, the fetish for all things … » Read
 

Reviews

City Ballet Opens 2020 with New Ratmansky and Old Friends

February 4, 2020 | Chava Pearl Lansky, Musical America
Alexei Ratmansky is known as a highly musical choreographer, celebrated for his reconstructions of 19th-century classics and explorations of Eastern European folk-inspired styles. So the announcement that his newest work for New York City Ballet … » Read
 

Reviews

A New Concerto, a Conductor's Welcome Return

February 3, 2020 | Clive Paget, Musical America
Since she finished in Hamburg where she headed up the Staatsoper and Philharmonic from 2005 to 2015, Simone Young has become an increasingly sought-after guest on the international circuit. From 2022, the Australian-born conductor will take up … » Read
 

Reviews

Omer Meir Wellber Launches His Regime at Teatro Massimo

January 30, 2020 | James Imam, Musical America
MILAN--Omer Meir Wellber's inaugural production as the new (as of January 1) music director of Palermo's Teatro Massimo could hardly have been more ambitious. Parsifal was completed in Palermo in 1882 but had not been performed at the Massimo for … » Read
 

Reviews

Jörg Widmann Meets ICE in Zankel Hall: "We Fell in Love"

January 30, 2020 | Clive Paget, Musical America
When stars collide, expect fireworks. That was certainly the case January 28 when Carnegie’s Zankel Hall bore witness to the stellar conjunction of pre-eminent German composer Jörg Widmann and ICE, America’s outstanding new music … » Read
 

Reviews

Opera North’s Street Scene Is Brilliant, Save for One Glaring Flaw

January 24, 2020 | Mark Valencia, Musical America
LEEDS—Kurt Weill’s 1949 urban tragedy falls between two generic stools and has been made to suffer for it. Is it opera or musical theater? What kind of voice does it need, classically trained or Broadway belter? Does music drive the … » Read
 

Reviews

Flower Power: Julia Wolfe Explodes the 1960s

January 21, 2020 | Richard S. Ginell, Musical America
LOS ANGELES –-The events, personalities and issues of the 1960s—the riots, the assassinations, the Beatles, drugs, free love, Vietnam, feminism, black power, etc.—have been publicized so much as to nearly lose their power to … » Read
 

Reviews

At Prototype, Rev. 23. Why?

January 20, 2020 | Clive Paget, Musical America
The greatest operas are those in which outstanding music is wed to a powerful, poetic libretto. Contemporary examples include John Adams’s work with Alice Goodman ( Nixon in China , The Death of Klinghoffer ), or George Benjamin’s … » Read
 

Reviews

Prototype: Ellen West Gets Its NY Debut, plus a Collage of Women's Voices

January 16, 2020 | Clive Paget, Musical America
If it’s January it must be Prototype. Now in its eighth year, New York’s laboratory for original opera and music theater works goes from strength to strength, a combination of artistic savvy, raw passion, and a feeling for the … » Read
 
 

»More News

 
 

RENT A PHOTO

Search Musical America's archive of photos from 1900-1992.

 

»BROWSE & SEARCH ARCHIVE