REVIEWS


Reviews

In Chicago: A Devastating, Yet Exhilarating, Night at the Opera

November 4, 2019 | Wynne Delacoma, Musical America
CHICAGO—Sometimes it’s hard to know exactly why a night at the opera is so riveting, especially when it’s a contemporary opera, like Jake Heggie’s Dead Man Walking , which had its Lyric Opera of Chicago premiere Saturday. … » Read
 

Reviews

At Massimo, a Strong Case for Schumann's Peri

November 1, 2019 | James Imam, Musical America
MILAN--How to approach a piece like Schumann's Das Paradies und die Peri ? Written in 1843, Schumann described it as "well-nigh a new genre for the concert hall," but could not decide whether it was an opera or secular oratorio. Most critically, … » Read
 

Reviews

Maya Beiser, Wendy Wheelan Stage David Lang's The Day

October 31, 2019 | Chava Pearl Lansky, Musical America
While recording composer David Lang’s The Day and World to Come for a 2018 album, cellist Maya Beiser kept imagining a dancer emerging from the notes that she played. Last week, New York audiences got to see that dream come to fruition. The … » Read
 

Reviews

The Miró Quartet Turns 25 and Looks to Its Ancestors

October 29, 2019 | Susan Elliott, Musical America
For its 25 th -anniversary season, the Miró Quartet has come up with an intriguing idea. Rather than simply looking back at its own, albeit luminous, quarter century, the group is honoring its entire lineage, dating back to the first … » Read
 

Reviews

Director Gives The Turn of the Screw a Twist Too Many

October 28, 2019 | Clive Paget, Musical America
On paper, The Turn of the Screw staged in and around an atmospheric country mansion sounds a compelling idea. Benjamin Britten’s masterly 1954 chamber opera after Henry James’s haunting 1898 ghost story of the same name is genuinely … » Read
 

Reviews

Crypt Session Puts the JACK Together with John Luther Adams

October 25, 2019 | Clive Paget, Musical America
The JACK Quartet is nothing if not eclectic. With a repertoire that ranges from Julia Wolfe and Helmut Lachenmann to Caroline Shaw and John Zorn, the group has a reputation for diverse, stimulating, and fearless programming that saw it named … » Read
 

Reviews

Birtwistle’s Magnum Opus Falls Victim to Director's Whimsy

October 24, 2019 | Mark Valencia, Musical America
LONDON—Anticipation skyrocketed at the prospect of Harrison Birtwistle’s magnum opus finally returning to the London Coliseum where David Freeman’s original production for ENO, by all accounts clear and austere, served it so … » Read
 

Reviews

Key Female Choreographers Launch ABT's Fall Season

October 23, 2019 | Chava Pearl Lansky, Musical America
American Ballet Theatre's fall season at Lincoln Center’s Koch Theater offers a chance to see the company in mixed-repertoire programs—a pleasant alternative to the story ballets it brings to the Met Opera in spring. October 16 marked … » Read
 

Reviews

The Elegant Eloquence of Iestyn Davies and Fretwork

October 23, 2019 | Clive Paget, Musical America
For those who think of countertenor Iestyn Davies as the flamboyant castrato of Broadway’s recent Farinelli and the King , or as the high-pitched hypochondriac party guest in last year’s Met staging of Thomas Adès’s The … » Read
 

Reviews

Esa-Pekka Takes His Alma Mater on a Wild Ride

October 22, 2019 | Richard S. Ginell, Musical America
LOS ANGELES – While Esa-Pekka Salonen is going to the San Francisco Symphony next fall, he remains the conductor laureate of his longtime orchestra to the south, the Los Angeles Philharmonic. Indeed, whenever Salonen revisits the band … » Read
 
 

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