REVIEWS


Reviews

Van Cliburn: A Different Approach

July 16, 2019 | Spencer Myer, Musical America
Film, television, sports, and other mainstream media have historically birthed a long list of celebrities—those of worldwide, grand status—while it remains easy to count on one hand (maybe two) the number of worldwide celebrities in … » Read
 

Reviews

New Mark Morris: Clever to a Fault

July 15, 2019 | Chava Pearl Lansky, Musical America
Mark Morris is known as an unfailingly musical choreographer. So, it’s no surprise that Sport , his newest work for the Mark Morris Dance Group, is a droll and at times sardonic tribute to Erik Satie’s 1914 Sports et divertissements . … » Read
 

Reviews

Aida, at the Baths of Caracalla

July 10, 2019 | Eric Simpson, Musical America
ROME--For its summer stage, the Teatro dell’Opera di Roma uses the Baths of Caracalla, a massive third-century outdoor ruin whose location away from Rome’s crowded center means it sees relatively little traffic. Mounting a production … » Read
 

Reviews

SFOpera Season Closers: A Hyperactive Carmen and Orlando as PTSD Victim

July 8, 2019 | Thomas May, Musical America
SAN FRANCISCO—San Francisco Opera made a bold move when it last presented Carmen only three years ago, at the end of the David Gockley era. It marked the first-ever North American platform for the highly controversial Catalan director … » Read
 

Reviews

A Suitably Ghastly, Ghostly Screw Turns at Garsington

July 5, 2019 | Keith Clarke, Musical America
STOKENCHURCH, UK—Garsington Opera is celebrating its 30th-anniversary season, the ninth since it moved operations to Wormsley, the Getty family estate in the Chiltern Hills, 40 miles northwest of London. And it looks like Mark Getty is as … » Read
 

Reviews

In Verona: Zeffirelli's New Traviata; Netrebko's House Debut

July 3, 2019 | James Imam, Musical America
Franco Zeffirelli's new production of La traviata , which opened at the Verona Arena on June 21, was always going to be a tribute of sorts. Announced in February, the project would draw on his previous productions of the opera, and, as with his … » Read
 

Reviews

San Francisco Opera: Rusalka as a Darkly Beautiful Parable

July 1, 2019 | Thomas May, Musical America
SAN FRANCISCO—After he returned from his sojourn in the New World, Dvorák ceased writing symphonies and turned for inspiration to Czech legend and folklore: first, in a brilliant quartet of symphonic poems (still too infrequently … » Read
 

Reviews

Morlot's Farewell with Seattle Taps an Adventurous Tenure

June 26, 2019 | Thomas May, Musical America
SEATTLE —With the elegiac strains of the “Mondscheinmusik” interlude from Richard Strauss’s Capriccio as an encore, Ludovic Morlot brought his final program as music director of the Seattle Symphony Orchestra to an end … » Read
 

Reviews

Fire Shut Up... Continues OTSL's Run of Premieres

June 25, 2019 | George Loomis, Musical America
For American opera goers, the summer of 2019 could be known as the summer of world premieres. From Saratoga, FL, to Long Beach, CA, just about every opera company/festival active in the summer months has a world premiere on its docket, a … » Read
 

Reviews

The Light in the Piazza Makes Its London Debut

June 20, 2019 | Mark Valencia, Musical America
LONDON—Fifteen years on from its much-fêted Broadway premiere, Adam Guettel’s romantic musical The Light in the Piazza finally reaches the London stage as a short-run showcase for the talents of Renée Fleming and teen … » Read
 
 

»More News

 
 

RENT A PHOTO

Search Musical America's archive of photos from 1900-1992.

 

»BROWSE & SEARCH ARCHIVE