REVIEWS


Reviews

John Dowland, Feted by the Experts

April 3, 2026 | Clive Paget, Musical America
LONDON—The current season marks the 400 th anniversary of the death of John Dowland, the English composer, lutenist, and singer who came to personify the Elizabethan embrace of melancholia. To celebrate, Wigmore Hall invited countertenor … » Read
 

Reviews

The Labèque Sisters Bring Their Glass Act to Disney Hall

April 3, 2026 | Richard S. Ginell, Musical America
LOS ANGELES—Two reimaginings of portions of Philip Glass’ so-called Cocteau trilogy came to California during the month of March.  Hot on the heels of Opera Parallèle’s innovative multimedia production of the … » Read
 

Reviews

Sibelius Academy Grad Wins the Hallé

April 2, 2026 | Keith Clarke, Musical America
MANCHESTER—California-born Finnish-American conductor Aku Sorensen has won the 2026 Siemens Hallé International Conductors Competition. The 29-year-old, who has lived in Finland for the last ten years, clinched the win with a … » Read
 

Reviews

ROH's New Turn of the Screw Is Subtle, Spooky

April 1, 2026 | Clive Paget, Musical America
LONDON—Benjamin Britten’s The Turn of the Screw is a masterpiece, so seamlessly does the composer integrate music and text to create a gripping piece of music drama. It is not, however, indestructible. A successful production needs to … » Read
 

Reviews

Ticciati, LPO Take the Kullervo Plunge

March 31, 2026 | Mark Valencia, Musical America
LONDON—The later compositions of Jean Sibelius are succinct, stripped back as they are to the essentials of musical expression until his final symphony, the Seventh, delivered its profound dialectic in 20 uninterrupted minutes. Yet only 32 … » Read
 

Reviews

A Very Different Salome in LA

March 30, 2026 | Richard S. Ginell, Musical America
LOS ANGELES—Irish composer Gerald Barry’s wonderfully outlandish operas used to arrive at Walt Disney Concert Hall with regularity every five years, starting in 2006 with The Triumph of Beauty and Deceit , followed by The Importance … » Read
 

Reviews

New Mary Magdalene Oratorio Is a Bit Ho-hum

March 27, 2026 | Clive Paget, Musical America
LONDON—The idea of reimagining the Easter story through the eyes of a woman is a good one (see John Adams’s The Gospel According to the Other Mary ). Commissioned by Scotland’s Dunedin Consort, along with the Barbican Centre and … » Read
 

Reviews

New Music, Made in America

March 26, 2026 | Clive Paget, Musical America
Three new releases highlight the diversity of orchestral and chamber music coming out of the U.S. right now. First up, Sarah Kirkland Snider ’s Forward Into Light , a distinctive and immersive album by one of America’s most individual … » Read
 

Reviews

A Butterfly for the AI Era

March 25, 2026 | Hannah Edgar, Musical America
CHICAGO— Hello, Dolly was right: Sometimes, it only takes a moment. Director Matthew Ozawa’s widely traveled production of Madama Butterfly is far from perfect in its arrival at the Lyric Opera of Chicago, where Ozawa is the chief … » Read
 

Reviews

Cocteau and Philip Glass: Beauty and the Beast

March 24, 2026 | Steven Winn, Musical America
SAN FRANCISCO—In its inspired concept and eerily enchanting realization, Opera Parallèle’s La Belle et la Bête is a triumph of the first order and certainly one of the signal achievements of this resourceful small … » Read
 
 

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