REVIEWS


Reviews

Exemplary Music Criticism Remembered

September 1, 2026 | Taylor Grant, Musical America
The publication of Defending the Music: Michael Steinberg at the Boston Globe, 1964-1976 has prompted John Adams to reminisce about a music critic who delivered “an almost endless chain of exemplary reviews and essays… witty, now and … » Read
 

Reviews

MET Orchestra's Proms Debut Is Imperfect

August 31, 2026 | Clive Paget, Musical America
LONDON—The Met Orchestra is typically encountered shrouded in darkness and tackling operatic repertoire old and (increasingly) new. Its annual concert season is a chance for it to spread its wings and explore what for the average symphony … » Read
 

Reviews

Hasta luego, Gustavo

August 26, 2026 | Richard S. Ginell, Musical America
HOLLYWOOD—Gustavo Dudamel finally arrived at the home stretch of his not-quite-farewell tour as Los Angeles Philharmonic Music and Artistic Director last  weekend, landing at Hollywood Bowl for four wildly-diverse programs. As is … » Read
 

Reviews

In Innsbruck: Cesti’s Il Pomo d’Oro Gets Its Fully Staged Modern Premiere

August 24, 2026 | George Loomis, Musical America
“Come in great numbers to witness such entertainments as no one has ever seen, nor ever shall see again,” touted an admirer of Antonio Cesti’s Il Pomo d’Oro when it was finally premiered in Vienna in 1668. This festa … » Read
 

Reviews

The NSO: A Fish Out of Water at the Hollywood Bowl

August 24, 2026 | Richard Ginell, Musical America
HOLLYWOOD, CA—Up until Tuesday morning August 18, it looked as if the beleaguered National Symphony Orchestra’s debut in the historic Hollywood Bowl that evening would be just a brief respite from the cascade of ominous news looming … » Read
 

Reviews

Bayreuth's AI Ring: A Spectacular Fail

August 21, 2026 | James Paulk, Musical America
This season the Bayreuth Festspiele presented an artificial intelligence generated Ring Cycle as part of the celebration of its 150th anniversary. It was a dud: instead of “AI slop,” it was “sloppy AI.” Stage directors of … » Read
 

Reviews

At the Proms, Berlioz and Pappano Raise the Dead

August 20, 2026 | Clive Paget, Musical America
Few works are so well-suited to London’s Royal Albert Hall as Hector Berlioz’s gargantuan Requiem, so aptly subtitled the Grande Messe des Morts . With its 16 timpani, 10 sets of cymbals, four gongs and four additional brass bands, … » Read
 

Reviews

Three New American Operas Restore Faith in the Artform

August 20, 2026 | Clive Paget, Musical America
Every now and then a new opera comes along that shakes your world, reminding you of the power and emotional depths that can be attained by this most complex of artforms. David T. Little’s What Belongs to You is just such a work, one of … » Read
 

Reviews

Salzburg Part 3: An Annoying Ariadne and Three Cheers for Bartoli

August 19, 2026 | James Paulk, Musical America
Richard Strauss’s Ariadne auf Naxos was the first opera to be performed at the Salzburg Festival, almost exactly 100 years ago. This new production (seen July 31) by Ersan Mondtag, updated the location from the desert island of Naxos to the … » Read
 

Reviews

Salonen Leads Juilliard and Royal Academy at the Proms

August 18, 2026 | Clive Paget, Musical America
LONDON—As conductor laureate of the Philharmonia as well as of the Los Angeles Philharmonic, Esa-Pekka Salonen was an ideal choice for this August 11 BBC Prom of 20th-century classics bringing together student orchestras from both sides of … » Read
 
 

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