LOS ANGELES – Los Angeles Opera was among the first opera companies in North America to present all three of Philip Glass’s “portrait operas,”  Einstein on the Beach (2013), Akhnaten (2016), and Satyagraha … » Read

LONDON—With the exception of his Cantus Arcticus , the music of Einojuhani Rautavaara has been unfairly neglected outside of his native Finland in the ten years since his death in 2016. It was rewarding, then, to hear the first of his three … » Read

There is an trend among symphony orchestras toward presenting semi-staged or concert operas. Certainly they cost less than in the opera house, which require the full complement of sets, costumes, lighting, and other stage business. There can also … » Read

Composers, even those most attuned to music’s future, are constantly in conversation with the past. This past weekend, the New York Philharmonic presented a program bound together by musical allusion, direct and indirect, one composer to … » Read

The Vienna Philharmonic and Andris Nelsons capped off their February 27 program––the first of three in a weekend-long Carnegie Hall visit––with a marvelous rendition of Mahler’s First Symphony. But the opening … » Read

LONDON—The February 25 Philharmonia concert at London’s Festival Hall saw the welcome return of Finnish conductor Esa-Pekka Salonen, the orchestra’s conductor laureate, alongside pianist Víkingur Ólafsson. They … » Read

Gustavo Dudamel conducted Beethoven’s Missa solemnis with the Los Angeles Philharmonic last weekend in Disney Hall, his maiden voyage with the composer’s most demanding work, and arguably the summit of his farewell season. When Klaus … » Read

LONDON—Budget cuts and an involuntary relocation by Arts Council England may have pulled the rug out from under the English National Opera, but forced to make something out of not a great deal, it seems to be enjoying an unexpected golden … » Read

LONDON—It’s hard to imagine a more quintessentially British outfit than the BBC Symphony Orchestra, nor a conductor more Italian than Daniele Rustioni; yet when on February 13 these European musicians brought a 1950s urban New York to … » Read

CHICAGO—Upon entering Orchestra Hall on February 10, audience members were handed something in addition to the evening’s program: a pencil. That was the first hint that Emily — No Prisoner Be wasn’t going to be “your … » Read