REVIEWS


Reviews

Davóne Tines Asks, 'What is your hand in this?'

February 5, 2026 | Fred Cohn, Musical America
Davóne Tines has built much of his career around social engagement. The American bass-baritone has fostered projects like The Black Clown , a cabaret-like theatricalization of Langston Hughes’s poem, and VIGIL , a pandemic-era video … » Read
 

Reviews

Paris Opera: The Main Event

February 5, 2026 | George Loomis, Musical America
The hottest opera ticket in Paris is  Eugene Onegin at the Opéra Garnier. Long planned with Semyon Bychkov at the helm, the arrival of a new production fortuitously coincided with the conductor’s appointment last month as music … » Read
 

Reviews

Julia Bullock & Co. Deliver Not So 'Ordinary Things'

February 3, 2026 | Gabrielle E. Ferrari, Musical America
Andre Previn’s 1994 setting of Toni Morrison’s “Shelter” contains the phrase “Under your wings/I will find shelter/from ordinary things.” Together with cellist Seth Parker Woods and pianist Conor Hanick, Julia … » Read
 

Reviews

So Percussion 'Flows' Through Zankel

February 3, 2026 | Fred Cohn, Musical America
The title of So Percussion’s January 23 Zankel Hall program, “American Flow (Vol. 1),” came from hip-hop, where the word “flow” describes the interaction of rapped, percussive lyrics with their musical backing. In … » Read
 

Reviews

Mark Morris's New Moon Is Very Pale Indeed

January 29, 2026 | Steven Winn, Musical America
SAN FRANCISCO—Mark Morris is one of, if not the single most prolific modern dance maker on earth, so it was probably only a matter of time before he sought other worlds to conquer. Moon , which had its West Coast premiere January 23-25 at … » Read
 

Reviews

Enjoying & Destroying the Earth in One Concert Program

January 29, 2026 | Clive Paget, Musical America
LONDON—On paper, this January 23 BBC Symphony Orchestra concert at London’s Barbican Centre was a smart piece of programming. Aaron Copland’s Appalachian Spring , located at the verdant heart of an American idyll soon to be … » Read
 

Reviews

SFSymphony Ravished by Finns

January 28, 2026 | Steven Winn, Musical America
SAN FRANCISCO—With Finnish conductor John Storgårds making his San Francisco Symphony debut on January 22 and a work by Finnish composer Outi Tarkiainen on the Davies Symphony Hall program, it was hard not to think of the Finn who got … » Read
 

Reviews

An Intriguingly Dark Evening at the NY Phil

January 28, 2026 | Thomas May, Musical America
NEW YORK—Thomas Adès was 28 when the New York Philharmonic first programmed his music on a major subscription concert. Commissioned by the orchestra as part of a series marking the threshold of a new millennium, America: A Prophecy … » Read
 

Reviews

Riot (Ensemble) at the Barbican

January 27, 2026 | Clive Paget, Musical America
LONDON—The U.K. is well served when it comes to contemporary music, but any list of the most stimulating practitioners would have to put Riot Ensemble pretty near the top. Winners of the 2020 Ernst von Siemens Ensemble Prize, its … » Read
 

Reviews

Riveting Variations at the Keyboard

January 27, 2026 | Fred Cohn, Musical America
The intrepid Igor Levit offered two mammoth sets of piano variations in his January 22 Carnegie Hall recital. It was a physically ambitious program: both Beethoven’s Diabelli Variations and Frederic Rzewski’s The People United Will … » Read
 
 

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