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Press Releases

Renowned Pianist Ian Hobson To Continue Robert Schumann Cycle With Program 'Love And Nature I' At Tenri Cultural Institute, New York, February 17, 202

January 24, 2023 | By Ellen Churui Li
Publicity Associate

 

The immensely versatile and internationally lauded pianist and conductor Ian Hobson, whose playing has been described by Gramophone as “intensely alive to expressive nuance, textural clarity and elastic shaping,” will present the fourth concert in his popular Robert Schumann recital series at New York’s Tenri Cultural Institute (43A W 13th St, New York, NY 10011). The program, entitled Love and Nature I, will take place Friday evening, February 17, 2023, at 7:30 p.m.

 

Love and Nature I  
Arabeske in C major, Op. 18
Blumenstück in D-flat, Op. 19
  1. Novelletten op. 21
  2. Markiert und kräftig in F
  3. äusserst rasch und mit Bravour in D
  4. Leicht und mit Humor in D
~ Intermission ~
  1. Ballmässig. Sehr munter in D
  2. Rauschen und festlich in D
  3. Sehr lebhaft mit vielem Humor in A
  4. Äusserst rasch in E
  5. Sehr lebhaft in D

 

Tickets at $40 will be available online through Eventbrite, and on February 17, 2023 at Tenri Cultural Institute.

 

Reviewing Mr. Hobson’s previous Schumann recital, Sonata Forms, Frank Daykin of the New York Concert Review wrote:: “As someone who uses words to describe music, I find myself at something of a loss how adequately to respond to Ian Hobson’s superb Schumann recital last night.” He simply concluded his review: “There are two more Schumann/Hobson events this season in February and April. A word to the wise: Don’t miss them.” (December 2022)

 

On Carnaval Jests, the second concert in the Schumann Cycle, David Wright of New York Classical Review wrote: “Hobson brought the whirl of personalities to energetic life.” (March, 2022)

 

Pianist and conductor Ian Hobson—called “powerful and persuasive” by The New York Times— is recognized internationally for his command of an extraordinarily comprehensive repertoire, his consummate performances of the Romantic masters, his deft and idiomatic readings of neglected piano music old and new, and his assured conducting from both the piano and the podium. 

 

In addition to being a celebrated performer, Mr. Hobson is a dedicated scholar and educator who has pioneered renewed interest in the music of such lesser known masters as Ignaz Moscheles, Johann Hummel, and Richard Stöhr. He has also been an effective advocate of works written expressly for him by a number of today’s noted composers, including Robert Chumbley, Benjamin Lees, John Gardner, David Liptak, Alan Ridout, and Yehudi Wyner.

 

Mr. Hobson is known for artfully programming recital series showcasing the complete piano works of noted composers, matching the subtleties of the composer’s works for each concert. He has currently embarked on an all-Schumann cycle.  Reviewing the third recital in the December 17, 2022 edition of New York Classical Review, David Wright had this to say:

The variations movement swelled with Schumann’s love for Clara, and Hobson let it unfold broadly, with natural accelerations and pullbacks asfeelings dictated. The amorous meaning of the impassioned dialogue between the hands in the final variation was unmistakable. The whirling finale, marked Prestissimo possible, was a model of clearly-etched themes in a bracingly fast yet transparent texture.

 

Ian Hobson performed Sound Impressions at SubCulture, a six-concert series featuring the complete solo piano repertoire of Ravel and Debussy. Similar endeavors include Mr. Hobson’s 2015 Uptown/Downtown: Preludes, Etudes, and Variations series—focusing on outstanding examples of each genre by Fauré, Schumann, Rachmaninoff, Debussy, and Szymanowski, with world premieres by Yehudi Wyner (Preludes), Robert Chumbley (Etudes), and Stephen Taylor (Variations)—and his performance of the complete solo piano works and chamber music with piano of Johannes Brahms, series entitled Johannes Brahms: Classical Inclinations in a Romantic Age.

 

Mr. Hobson has to date amassed a discography of some 60 releases, including the complete piano sonatas of Beethoven and Schumann and a complete edition of Brahms’s variations for piano. Recently, Mr. Hobson has been recording the solo and orchestral works of Polish composer Moritz Moszkowski; the first volume of orchestral works was awarded a 2020 ‘Diapason d’or – Découverte’ by the French magazine Diapason.

 

Reviewing the second volume of Moszkowski’s solo piano compositions, Henry Fogel wrote in the January/February 2023 edition of Fanfare:

In addition to technical virtuosity, the other components necessary for successful performances of Moszkowski’s music are warmth, charm, and a gift for employing meaningful degrees of rubato without losing the music’s pulse. Hobson has long demonstrated that he has all of those qualities, resulting in a very enjoyable recital of Romantic pianism.

 

Mr. Hobson continues his concerts as music director of the Sinfonia da Camera, a professional chamber orchestra affiliated with the Krannert Center for the Performing Arts and College of Fine and Applied Arts of the University of Illinois at Urbana-Champaign, where Mr. Hobson is the Swanlund Emeritus Professor of Music. He is also Professor of Music at Florida State University.

 

As guest soloist, Ian Hobson has appeared with many of the world’s major orchestras; in the United States these include the Chicago Symphony Orchestra and the Philadelphia Orchestra, the symphony orchestras of Baltimore, Florida, Houston, Indianapolis, Pittsburgh, St. Louis, and the American Symphony Orchestra and Orquesta Sinfónica de Puerto Rico. Abroad, he has been heard with Great Britain’s Royal Philharmonic Orchestra, the London Philharmonic Orchestra, Scottish National Orchestra, Royal Liverpool Philharmonic Orchestra, and Hallé Orchestra, ORF-Vienna, Orchester der Beethovenhalle, Moscow Chopin Orchestra, Israeli Sinfonietta, and New Zealand Symphony Orchestra.

 

Since his debut in the double role of conductor and soloist with the Stuttgart Chamber Orchestra in 1996, Maestro Hobson has been invited to lead the English Chamber Orchestra, the Sinfonia Varsovia (including an appearance at Carnegie Hall), the Pomeranian Philharmonic (Poland), the Fort Worth Chamber Orchestra (Bass Hall), and the Kibbutz Chamber Orchestra of Israel, among others.

 

In addition, Mr. Hobson is a much sought-after judge for national and international competitions and has been invited to join numerous juries, among them the Van Cliburn International Piano Competition (at the specific request of Mr. Cliburn), the Arthur Rubinstein Competition in Poland, the Chopin Competition in Florida, the Leeds Piano Competition in the U.K., and the Schumann International Competition in Germany.  In 2005 Hobson served as Chairman of the Jury for the Cleveland International Competition and the Kosciuszko Competition in New York; in 2008 he was Chairman of Jury of the New York Piano Competition; and in 2010 he again served in that capacity of the newly renamed New York International Piano Competition.

 

One of the youngest ever graduates of the Royal Academy of Music, Mr. Hobson began his international career in 1981 when he won First Prize at the Leeds International Piano Competition, after having earned silver medals at both the Arthur Rubinstein and Vienna-Beethoven competitions. Born in Wolverhampton, England, he studied at Cambridge University (England), and at Yale University, in addition to his earlier studies at the Royal Academy of Music.

 

For further information, please contact Hemsing Associates at 212-772-1132 or visit www.hemsingpr.com.

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