NEXT IN THIS TOPIC

Special Reports

MA 30 Movers & Shapers: Sarah Burman

December 5, 2017 | By John Fleming

Director of Operations and Education
South Dakota Symphony Orchestra

As director of operations and education for the South Dakota Symphony Orchestra, Sarah Burman does the jobs held by multiple people at other orchestras: stage manager, personnel manager, equipment manager, and tour coordinator. She also oversees educational programming, said to serve more than 15,000 people annually.

Burman is key to the orchestra’s Lakota Music Project, an innovative community engagement program. Now in its eighth year, LMP was developed under Music Director Delta David Gier to cultivate understanding between whites and Native Americans, who have often been divided by racial tension in South Dakota. Concerts at Lakota Sioux reservations such as Rosebud and Pine Ridge and at the Crazy Horse Memorial have featured the SDSO
in collaboration with Native American composers and performers like the Creekside Singers, a Lakota drum group, and Bryan Akipa, a cedar flute soloist from the Sisseton Wahpeton Oyate tribe.

“I’ve learned a lot from our native partners,” says Burman, who studied voice and oboe at Valparaiso University, where she got a bachelor’s degree in music business in 2005. “When I first heard their music, I thought, ‘Wow! This is really different,’ but now that I’ve listened to it for several years, I’m more familiar with how it works as an art form. It’s an oral tradition, so it’s always a challenge to bring the orchestra players, who read notes from a page, together with Native American musicians who are trained orally.”

Burman, who previously worked in production for the St. Paul Chamber Orchestra and the New World Symphony, has been instrumental in the success of other SDSO community engagement programs, such as the Retirement Series of chamber music concerts at nursing and retirement homes and Music as Medicine, with ensembles from the orchestra performing at healthcare facilities.

“The biggest thing we try to avoid with our programs is one-offs,” she said. “You know, you go into a community, do your thing, it’s really awesome, and then you leave. We don’t want to be that organization. We want to have ongoing, sustainable relationships with these communities.”


WHO'S BLOGGING

 

WHO ELSE IS BLOGGING

Law and Disorder by GG Arts Law

Career Advice by Legendary Manager Edna Landau

Munich Times by Andrew Powell

An American in Paris by Frank Cadenhead

NOTED ENDEAVORS
Interviews with musicians who have successfully created their own opportunities.

Read more about this video

 
 

PROFESSIONAL
   GROWTH

ADVERTISEMENT

»

NETWORK

ADVERTISEMENT

»

Updates to artist manager rosters

»

RENT A PHOTO

Search Musical America's archive of photos from 1900-1992.

 

»BROWSE & SEARCH ARCHIVE