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Odyssey Opera Launches its 2018-19 Season with the American Premiere of Charles Gounod's La Reine de Saba

August 8, 2018 | By April Thibeault | AMT PR


 Sheba-Twitter-Header---1500x500-D1.jpeg
 
What: La reine de Saba by Charles Gounod
 
When: Saturday, September 22, 2018, at 7:30 p.m.
 
Where: New England Conservatory’s Jordan Hall, 30 Gainsborough Street, Boston, MA | T: Green to Symphony, Orange to Mass Ave
 
Tickets: $25 and Up. To purchase, visit odysseyopera.org or call 617.826.1626.

BOSTON, MA (For Release 08.08.18) — One of the nation’s most adventurous opera companies, Odyssey Opera, begins its sixth season with the U.S. premiere of La reine de Saba by French composer Charles Gounod (1818-1893). This powerful love story of the famed Queen of Sheba will be presented as a concert performance in French with English subtitles marking the Boston debut of singers Kara Shay Thomson (Queen of Sheba) and Dominick Chenes (Adoniram), and the return of Kevin Thompson (King Solomon). This kick-starts the company’s 2018-19 season: a two-part journey with the first in Fall 2018 memorializing the 200th anniversary of Gounod’s birth (as well as the 125th death anniversary), and the second in Winter/Spring 2019 inspired by one of the most enigmatic figures in ancient history, Helen of Troy.

"If you enjoy classic French opera, then this is a must-see show for you,” exclaims Gil Rose, Odyssey Opera’s Artistic and General Director. “We are thrilled to be heralding the Boston classical music season with the resurrection of this forgotten masterpiece by the Father of French grand opera.”

Gounod is most famous for his beloved operas, Faust and Romeo et Juliette. His unmistakable melodic gift is at its best in his 12 operas. Inspired by Gérard de Nerval's book Le voyage en Orient, La reine de Saba is a grand opera composed by Gounod in 1862 to a libretto by Jules Barbier and Michel Carré. Balkis, the famed Queen of Sheba, arrives in Jerusalem to meet her betrothed, King Solomon, but the beautiful and powerful Queen instead finds herself drawn to Solomon’s master architect Adoniram. What follows is a dramatic struggle between love and obligation, filled with intrigue, jealousy, and betrayal.

The 2018-19 season includes another work by Gounod, Le médecin malgré lui, (November 9 11, 2018) followed by three operas inspired by Helen of Troy: a fully staged production of Paride ed Elena (Paris and Helen) by Christoph Willibald Gluck (February 15 17, 2019); a concert performance of Die ägyptische Helena (The Egyptian Helen) by Richard Strauss (April 19, 2019); and a season-ending, fully staged production of the hilarious La belle Hélène (The Beautiful Helen) by Jacques Offenbach (June 14 16, 2019).

About Odyssey Opera       
Founded in 2013 by artistic director/conductor Gil Rose, Odyssey Opera presents adventurous and eclectic works that affirm opera as a powerful expression of the human experience. Its world-class artists perform the operatic repertoire from its historic beginnings through lesser-known masterpieces to contemporary new works and commissions in varied formats and venues. Odyssey Opera sets standards of high musical and theatrical excellence and innovative programming to advance the operatic genre beyond the familiar and into undiscovered territory. Odyssey Opera takes its audience on a journey to places they’ve never been before. odysseyopera.org

Gounod: Le reine de Saba
 
Queen of Sheba: Kara Shay Thomson (soprano)*
Adoniram: Dominick Chenes (tenor)*
King Solomon: Kevin Thompson (bass) 
Bénoni: Michelle Trainor (soprano)
Amrou: Matthew DiBatistta (tenor)
Phanor: David Kravitz (baritone)
Méthousaël/Sadoc: David Salsbury Fry (bass)
Conductor: Gil Rose
Odyssey Opera Orchestra and Chorus
 
*Boston debut
 
 
 
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