Mar 22: Oregon Symphony Presents Curtis Stewart’s GRAMMY-Nominated of Love

FOR IMMEDIATE RELEASE 
Contact: Katy Salomon | Primo Artists | VP, Public Relations 
katy@primoartists.com | 212.837.8466 

Oregon Symphony Presents 
Composer and Violinist Curtis Stewart’s of Love

Performing Selections from his Latest GRAMMY®-Nominated Album
alongside works by Gesualdo, Missy Mazzoli, and inti figgis-vizueta

Friday, March 22, 2024 at 7:30pm
Patricia Reser Center for the Arts | Beaverton, OR

Watch the Trailer for of Love.

"his solo violin playing was brilliant and passionate" – The Strad

“Awake to all that is happening around him, he gravitates to the stories of humanity,
and tells them through his music.” – The Boston Music Intelligencer

www.curtisjstewart.com
 

Portland, OR (March 8, 2024) – On Friday, March 22, 2024 at 7:30pm at Patricia Reser Center for the Arts, the Oregon Symphony Orchestra presents composer and violinist Curtis Stewart’s “of Love” – A Personal Requiem. Called “capable of practically anything” by Downbeat, Stewart performs selections from his latest GRAMMY® Award-nominated album  of Love, a musical essay on grief and a tender tribute to his late mother, Elektra Kurtis-Stewart, a composer and violinist herself. 

Conducted by Deanna Tham, the concert program also includes Grieg's buoyant yet nostalgic Holberg Suite, Gesualdo’s Resta di darmi noia, Inti Figgis-Vizueta’s Coradh, and Missy Mazzoli’s GRAMMY® Award-nominated violin concerto Dark with Excessive Bright, also featuring Stewart.

As a full album, of Love. was composed and recorded in the childhood apartment Stewart inherited after his mother’s passing. Stewart’s original compositions for strings, electronics and voice weave between a single poem of prayer and songs the composer learned from his mother: meditative recompositions of Alice Coltrane, Johannes Brahms, Duke Ellington, Karol Szymanowski and Henry Purcell, as well as selected jazz standards and the Greek traditional song Thalassaki Mou. The album’s 20 tracks chart a course of grieving and coming to grips with loss.

As his mother’s illness advanced, Stewart turned to music for a path through his grief – and through the strange and unsettling maze of emotions evoked by her all-too-familiar apartment. He discusses the work in depth in an audio essay, A Life Cycle of Grief, recently featured in WQXR’s Artist Propulsion Lab Podcast Articles. 

By exposing and navigating the composer’s own vulnerability, of Love. represents an offering of comfort for those who are grieving, and a call to reject the shame around the perceived weakness that can accompany grief: “to realize that in our ‘weakness,’ we are made strong,” Stewart said. “of Love. is a form of musical caretaking. These works flow directly out of a visceral sensation of holding and loss – a sonic grappling with grief. Our world is in a permanent state of loss and hope and hardship and joy and struggle. That is a reality worth making music about.”

Program Details
Oregon Symphony Presents of Love. – A Personal Requiem
Friday, March 22, 2024 at 7:30pm
Patricia Reser Center for the Arts | Beaverton, OR
Tickets: $33-$43
Link: www.orsymphony.org/concerts-tickets/2324/of-love-a-personal-requiem/

Program:
Curtis Stewart –  Selections from of Love.
Grieg – Holberg Suite
Gesualdo – “Resta di darmi noi” (arr. J. Posthuma)
Missy Mazzoli – Dark With Excessive Bright
inti figgis-vizueta  – Coradh

Curtis Stewart, composer and violin
Deanna Tham, conductor
Musicians from the Oregon Symphony

About Curtis Stewart
Praised for “combining omnivory and brilliance” (The New York Times), three-time GRAMMY Award-nominated violinist and composer Curtis Stewart translates stories of self determination to the concert stage. Tearing down the facade of “classical violinist,” Stewart is in constant pursuit of his musical authenticity, treating art as a battery for realizing citizenship. As a solo violinist, composer, Artistic Director of the American Composers Orchestra, professor at The Juilliard School, and member of award-winning ensembles PUBLIQuartet and The Mighty Third Rail, he realizes a vision to find personal and powerful connections between styles, cultures and musics. JazzTimes raves, “he shows his audience the colors inside of himself—color(s) not yet invented. Far from self-indulgent, it is self-revelatory. It is vulnerable. It is creation.”

As a soloist, Curtis Stewart has been presented by Carnegie Hall, Lincoln Center, The Kennedy Center, Cal Performances, Washington Performing Arts, Virginia Arts Festival, The Juilliard School, and the 2022 GRAMMY Awards, among many others. He has made special appearances with Los Angeles Opera and singer-songwriter Tamar Kali; as curator and guest soloist with Anthony Roth Costanzo and the New York Philharmonic “Bandwagon,” touring performance installations from NYC’s Whitney Museum, Guggenheim Museum, and Museum of Modern Art; to MTV specials with Wyclef Jean; and sold-out shows at Madison Square Garden with Stevie Wonder, Bruce Springsteen, and Seal. Stewart’s 2021 album of quarantined song cycles and art videos, Of Power (Bright Shiny Things), was nominated for a GRAMMY Award for Best Classical Instrumental Solo.

Stewart has been commissioned to compose new solo, chamber, and orchestral works by the Seattle Symphony, Virginia Symphony Orchestra, Carnegie Hall’s Play/USA, countertenor Anthony Roth Costanzo and members of the New York Philharmonic, The Knights, La Jolla Music Society, Sybarite5, the New York Festival of Song, Newport Classical Festival, the Royal Conservatory of Music, the Eastman Cello Institute, and more. In 2022, he was named Artistic Director of the American Composers Orchestra, a national organization dedicated to the creation, celebration, performance, and promotion of orchestral music by diverse and innovative American composers.

Curtis Stewart is a member of award-winning ensembles, PUBLIQuartet (Chamber Music America Visionary award, winner Concert Artist Guild, 2023 Grammy Award Nomination) and The Mighty Third Rail (Best Music, Edinburgh Fringe Festival, Comic Book Theater Festival). PUBLIQuartet’s album What Is American (Bright Shiny Things) was nominated for a 2023 GRAMMY Award. He has held chamber music residencies at the Metropolitan Museum of Art, National Sawdust, and made return appearances at the Newport, Detroit, Vision, NYC Winter Jazz Festivals. Curtis Stewart has worked with many of today's forward-thinking musicians, including Henry Threadgill, SilkRoad Ensemble, Jessie Montgomery, Alicia Hall-Moran and Jason Moran, Mark O’Connor, Julia Bullock, members of the International Contemporary Ensemble, Billy Childs, Alarm Will Sound, Linda Oh, JACK Quartet, members of Snarky Puppy, Don Byron, Matt Wilson, among many others.

An avid teacher, Curtis Stewart teaches Chamber Music, Improvised Chamber Music, and “Cultural Equity and Performance Practice” at The Juilliard School; directs the Contemporary Chamber Music program at the Perlman Music Program; served on the board of Concert Artist Guild; conducted several orchestras and opera pit orchestras; and for 10 years led all levels of music theory and string orchestra at the Laguardia High School for Music & Art and Performing Arts in New York City. 

Stewart was born into a musical family – his father is avant jazz tuba pioneer Bob Stewart and mother Elektra Kurtis, a soulful Greek jazz violinist – who formed the framework of his sound world through daring improvisation, rigorous western classical training, and conceptual composition. Learn more at www.curtisjstewart.com.

*Photo Credit: Titilayo Ayangade

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