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Press Releases

Cantus & Canadian Brass Perform Together in Concert on February 25 at the Ordway Center for the Performing Arts in St. Paul

January 11, 2024 | By Rebecca Davis
Rebecca Davis Public Relations

Cantus & Canadian Brass

The Twin Cities-based low-voice ensemble announces a collaborative concert with Canadian Brass on Sunday, February 25 at the Ordway Center for the Performing Arts.
 
The concert will also be made available to stream on-demand from February 25 – March 3.
“They are, simply put, the pinnacle of artistry and excellence in chamber music. With over 50 years of delighting audiences between our two ensembles, we wanted to join forces to see what this unique musical combination was capable of.” Samuel Bohlander-Green of Cantus
 
MINNEAPOLIS, MN – January 11, 2024 – On Sunday, February 25 at 3 pm, Minnesota’s vocal ensemble Cantus will welcome the celebrated Canadian Brass for a single performance at the Ordway Concert Hall in St. Paul that highlights the energy, warmth, and sheer versatility of chamber music. The performance will also be streamed live and available on-demand through March 3.
 
Dubbed “one of the most popular brass ensembles in the world” by The Washington Post, Canadian Brass is the latest in a long line of acclaimed ensembles to share the stage with Cantus for such a concert. Recent collaborators have included the award-winning Norwegian women’s choir Cantus, and vocal ensembles ChanticleerSweet Honey in the Rock and the Lorelei Ensemble.
 
Cantus tenor Alex Nishibun explains in a concert preview that “brass and voices have been a natural pairing for centuries,” and that the repertoire will encompass “a range from early music to modern pop. The expanded tonal color palette is going to be exciting in a program of repertoire by modern stars like Joni Mitchell and Laura Mvula and classical giants like Gustav Holst and J.S. Bach…along with audience favorites from each ensemble.”  
 
“I was introduced to the music of Canadian Brass when I was an aspiring trombonist in high school, and I saw them perform live for the first time while I was in my undergraduate studies at the Conservatory in Kansas City,” says Cantus bass Samuel Bohlander-Green. “They are, simply put, the pinnacle of artistry and excellence in chamber music. With over 50 years of delighting audiences between our two ensembles, we wanted to join forces to see what this unique musical combination was capable of.”
Cantus & Canadian Brass in Concert
Sunday, February 25, 2024 at 3 PM
Ordway Concert Hall
345 Washington Street
Saint Paul, MN 55102
Performance tickets starting at $38;
Online streaming pay-what-you-can starting at $5
Visit www.cantussings.org or call the Ordway Box Office at 651-224-4222

 

About Cantus

Now in its 29th season, the “engaging” (New Yorker) low-voice ensemble Cantus is widely known for its trademark warmth and blend, innovative programming and riveting performances of music ranging from the Renaissance to the 21st century. The Washington Post has hailed the Cantus sound as having both “exalting finesse” and “expressive power” and refers to the “spontaneous grace” of its music making. The Philadelphia Inquirer called the group nothing short of “exquisite.”

As one of the nation’s few full-time vocal ensembles, Cantus has come to prominence with its distinctive approach to creating music. Working without a conductor, the members of Cantus rehearse and perform as chamber musicians, each contributing to the entirety of the artistic process, creating programs that give voice to shared human experiences. As the Star Tribune has written, “The main hallmark of the Cantus sound has always been sheer quality and an unbroken belief in the special way that vocal music has of warming and invigorating the human spirit.”

Cantus enjoys a vigorous schedule of national and international touring, in addition to home concerts in Minneapolis-St. Paul, Minnesota. Cantus has performed at Lincoln Center, Kennedy Center, UCLA, San Francisco Performances, Tanglewood and Bravo! Vail Valley Music Festival. Cantus also makes all of its home concerts available online. This pandemic-prompted innovation has brought the ensemble’s programs to audiences spanning 50 states and ten countries.

Cantus records for the UK-based Signum Classics label which has released the popular COVID-19 SessionsManifesto, and – in the fall of 2022 – Into the Light, the first new Holiday album from Cantus in over a decade.  Cantus also has a deep catalog of recordings released on the group’s eponymous label.

Committed to the expansion of the vocal music repertoire, Cantus actively commissions new music and seeks to unearth rarely performed repertoire for low voices. Cantus has received commissioning grants from New Music USA, the National Endowment for the Arts, Chorus America, American Composers Forum and Chamber Music America. In line with Cantus’ ongoing commitment to fostering new works for tenors, baritones, and basses, the ensemble has partnered with composer and former Cantus bass Timothy C. Takach and Graphite Publishing on the Cantus Choral Series, distributing Cantus’ signature arrangements and compositions for ensembles everywhere to perform and enjoy.

Cantus has a rich history of collaborations with other performing arts organizations, including the Minnesota Orchestra, Saint Paul Chamber Orchestra, the Boston Pops, Chanticleer, Sweet Honey in the Rock, Lorelei Ensemble, Theater Latté Da and the James Sewell Ballet. The ensemble is heard frequently on both classical public radio nationwide and on SiriusXM Satellite Radio.

Integral to the Cantus mission is its commitment to preserve and deepen music education in the schools. Cantus works with more than 5,000 students each year in masterclass and workshop settings across the country and has visited 31 Minnesota high schools throughout the 15-year history of its award-winning High School Residency program. Cantus also presents a Young and Emerging Composers’ Competition, to encourage the creation of new repertoire through cash prizes, a performance, recording and potential publication of winning compositions.

 

About Canadian Brass

The original challenge was to develop an audience for an ensemble of brass players that, at the time, had no standing in the concert world. What set Canadian Brass apart from all other performing artists in 1970 was the relentless search for repertoire that was both loved by its performers and embraced by a growing brass audience. 

The musical experiences of the members along with the interests and wishes of audiences informed the programs that the group created ranging from Bach, Handel, Vivaldi, Joplin, Gershwin and Ellington, to ballet, opera and Schickele. The ensemble never ignored an opportunity to relate to its audience which brought the Brass to international attention. They were at first criticized for talking to audiences and now take pride in seeing the entire concert world embracing engagement as a fundamental element of performance.

The Brass has averaged two and a half full length recordings per year of its 52 years of existence for a total of 138 recordings. They have received a combined total of 24 Grammy and Juno nominations and won the German Echo Award for Goldberg Variations. A North American group taking Bach back to Europe and winning approval at the highest level was a crowning achievement! Most recently during the Covid era the Brass created another award-winning recording, Canadiana. The album features unique arrangements of many Canadian superstars including Joni Mitchell, k.d. lang, Bruce Cockburn, Drake and DeadMau5.

Education continues to be at the forefront of Canadian Brass’ yearly activities. There are over one million Canadian Brass quintet repertoire books in the hands of students in every country with a strong brass tradition. Between Hal Leonard Music Publishing distributing its 800 unique individual brass titles and SmartMusic now making available some 76 titles for mixed ensemble use, the Brass continues to shape the future of chamber music ventures.

For a comprehensive Canadian Brass biography, blend together the complete history of any random five musician ensemble and it will yield a year in the world of Canadian Brass. “We’ve created ballets, played Carnegie Hall, toured China during its 1977 reopening, and performed in front of five prime ministers, but most importantly performed for more than ten million friends, family and audiences worldwide so far. We did all this so we could play Bach,” says tubaist & founder Chuck Daellenbach. 

Joe Burgstaller and Ashley Hall-Tighe, trumpets | Jeff Nelsen, horn | Achilles Liarmakopoulos, trombone | Chuck Daellenbach, tuba

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For more information, photos and press tickets to Cantus & Canadian Brass, please contact:
Rebecca Davis
Rebecca Davis Public Relations
Rebecca@rebeccadavispr.com
347-432-8832

 

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