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Press Releases

Inon Barnatan announces new album, Rachmaninoff Reflections, set to release on November 10 through Pentatone

October 6, 2023 | By Jonathan Yap
Unison Media

Inon Barnatan announces new album, Rachmaninoff Reflections, set to release on November 10 through Pentatone

The album features Rachmaninoff's most cherished piano works, including Barnatan's own new solo piano arrangement of Rachmaninoff's Symphonic Dances

“One of the one of the most admired pianists of his generation"
– The New York Times

 
Inon Barnatan presents: Rachmaninoff Reflections Video Trailer

For Immediate release - Inon Barnatan presents Rachmaninoff Reflections, offering some of the composer’s most cherished piano works, including his Moments musicauxPrelude in G-Sharp Minor and Barnatan’s own arrangement of the Vocalise. The centerpiece of this project is Barnatan’s breathtaking new piano arrangement of the Symphonic Dances. You can find a press kit with hi-res audio files HERE.

His other Pentatone discography consists of Time Traveler’s Suite (2021), Beethoven’s complete cello sonatas with Alisa Weilerstein (2022), as well as complete recordings of Beethoven’s piano concertos together with the Academy of St Martin in the Fields and Alan Gilbert (2019 and 2020).

Inon said about the project, “A few years ago I came across an unforgettable recording from 1940, in which Sergei Rachmaninoff plays through his Symphonic Dances on the piano for conductor Eugene Ormandy, before Ormandy led the Philadelphia Orchestra in the premiere performance of the orchestral version of the work. While it’s not clear Rachmaninoff knew he was being recorded (he did not allow any other live recordings of his playing), this private performance offers a rare and intimate glimpse into the powers of one of history’s great pianists, and an extraordinary insight into the way he intended the piece to be performed. It also got me thinking...

Since childhood, I had been moved by the power, beauty, and complexity of the orchestral version of Symphonic Dances. Later, I loved collaborating with other pianists to perform the two-piano version (which Rachmaninoff created before the orchestral version) alongside other pianists, but hearing the composer play it alone on a single piano, I got a tantalizing new perspective on how the score must have been conceived, and how a solo piano version could promise a new dimension of spontaneity and flexibility. All I had to do was create it.”

 

Rachmaninoff Reflections Track List

 
Sergei Rachmaninoff (1873-1943)

Symphonic Dances Op. 45 (arr. I. Barnatan for Piano)

1 - No. 1, Non Allegro
2 - No. 2, Andante con moto. Tempo di valse
3 - No. 3, Lento assai - Allegro vivace

Moments musicaux, Op. 16

4 - No. 1, Andantino in B-Flat Minor
5 - No. 2, Allegretto in E-Flat Minor
6 - No. 3, Andante cantabile in B Minor
7 - No. 4, Presto in E Minor
       * available as single and instant gratification track, October 13th
8 - No. 5, Andante sostenuto in D-Flat Major
       * available as single and instant gratification track, October 27th
9 - No. 6, Maestoso in C Major


14 Romances, Op. 34

10 - No. 16, Vocalise (arr. I. Barnatan for Piano)
       * available as single and instant gratification track, October 6th
 

Preludes, Op. 32

11 - No. 12, Prelude in G-Sharp Minor

 

About Inon Barnatan

 

“One of the most admired pianists of his generation” (New York Times), Inon Barnatan has received universal acclaim for his “uncommon sensitivity” (The New Yorker), “impeccable musicality and phrasing” (Le Figaro), and his stature as “a true poet of the keyboard: refined, searching, unfailingly communicative” (The Evening Standard). A multifaceted musician, Barnatan is equally celebrated as soloist, curator and collaborator. 

As a soloist, Barnatan is a regular performer with many of the world’s foremost orchestras and conductors. He was the inaugural Artist-in-Association of the New York Philharmonic from 2014-17, and has played with the BBC Symphony for the BBC Proms, the Los Angeles Philharmonic at the Hollywood Bowl, the symphony orchestras of Chicago, Cleveland, Boston and most major orchestras in the US, as well as the Leipzig Gewandhaus Orchestra, Tokyo Metropolitan Orchestra Symphony and the London, Helsinki, Hong Kong, and Royal Stockholm Philharmonics. He performed a complete Beethoven concerto cycle in Marseilles; Copland’s Piano Concerto with the San Francisco Symphony and Michael Tilson Thomas in San Francisco and at Carnegie Hall; and multiple U.S. tours with the Academy of St Martin in the Fields, playing and conducting from the keyboard. With the Minnesota Orchestra and Osmo Vänskä, Barnatan played Tchaikovsky’s First Piano Concerto on New Year’s Eve, followed by a Midwest tour that culminated in Chicago, and a return to the BBC Proms in summer 2018.

Equally at home as a curator and chamber musician, Barnatan is Music Director of La Jolla Music Society Summerfest in California, one of leading music festivals in the country. He regularly collaborates with world-class partners such as Renée Fleming and Alisa Weilerstein, and plays at major chamber music festivals including, Seattle, Santa Fe, and Spoleto USA. Barnatan was a member of the Chamber Music Society of Lincoln Center’s Bowers Program (formerly CMS Two) from 2006 to 2009, and continues to perform with CMS in New York and on tour. His passion for contemporary music has resulted in commissions and performances of many living composers, including premieres of new works by Thomas Adès, Sebastian Currier, Avner Dorman, Alan Fletcher, Joseph Hallman, Alasdair Nicolson, Andrew Norman and Matthias Pintscher, among others.

Barnatan's 2023-24 season highlights include concerto performances in the U.S. with the Colorado Symphony, Detroit Symphony Orchestra, Cincinnati Symphony Orchestra, and internationally with the Tokyo Metropolitan Symphony Orchestra, Netherlands Radio Philharmonic Orchestra, and London Philharmonic Orchestra. Barnatan will give solo recitals presented at Spivey Hall, The Phillips Collection, Leeds International Piano Series, Wigmore Hall, The Norwegian Opera and Ballet, and The 92nd Street Y. Barnatan will also have collaborations throughout the season with Renée Fleming at the University of Michigan's University Music Society, Boston Celebrity Series, McCallum Theatre, and La Jolla Music Society, as well as with Alisa Weilerstein at Modlin Center for the Arts, Seattle Chamber Music Society, Wigmore Hall, and Barcelona Obertura, among many other collaborations with other artists this season. Barnatan will also have a residency at the University of Michigan's University Musical Society which will include performances with Renée Fleming, the Jerusalem Quartet, as well as various masterclasses, coachings, and more.

In November 2023, Barnatan releases his album, Rachmaninoff Reflections, offering some of the composer's most cherished piano works, including his Moments musicaux, Prelude in G-Sharp Minor, and Barnatan's own arrangement of the Vocalise. The centerpiece of this project is Barnatan's breathtaking new piano arrangement of the Symphonic Dances. The album is Barnatan's sixth album with Pentatone, following Beethoven Cello Sonatas with Alisa Weilerstein in 2022, Time Traveler's Suite in 2021, and two Beethoven Piano Concertos albums, Part 1 and 2, in 2019 and 2020, respectively, among other projects with the label.

Barnatan’s 2022-23 season included concerto performances in the U.S. with the Los Angeles Philharmonic, Philadelphia Orchestra, Boston Symphony Orchestra, Atlanta Symphony, San Diego Symphony, Orlando Philharmonic Orchestra, Milwaukee Symphony Orchestra, Princeton Symphony, Rochester Philharmonic Orchestra, Sioux City Symphony Orchestra, Ann Arbor Symphony Orchestra, and internationally with the Royal Liverpool Philharmonic, Royal Stockholm Philharmonic, Auckland Philharmonia, and Philharmonie Zuidnederland. Barnatan gave solo recitals in London, Kansas City, Aspen and Santa Fe, and played chamber music at festivals through the USA. Barnatan also toured North America with Les Violons du Roy, performing concertos by CPE Bach and Shostakovich.

Other highlights include return performances with the Los Angeles Philharmonic, the Chicago Symphony and the London Philharmonic, debuts with the Liverpool Philharmonic and Montreal Symphony orchestras, and a recreation of Beethoven’s legendary 1808 concert, which featured the world premieres of his Fourth Piano Concerto, Choral Fantasy, and Fifth and Sixth Symphonies, with Louis Langrée and the Cincinnati Symphony. Barnatan gave solo recitals at Boston’s Celebrity Series, Seattle’s Benaroya Hall, and London’s Southbank Centre, and made his debut at Carnegie’s Zankel Hall. Chamber music highlights included tours with Renée Fleming, cellist Alisa Weilerstein, the Calidore Quartet, violinist Sergey Khachatryan, and percussionist Colin Currie. As Artistic Director of the La Jolla Music Society SummerFest, Barnatan has collaborated with Grammy-winning jazz vocalist Cécile McLorin Salvant, visionary director and visual artist Doug Fitch, the Mark Morris Dance Group, Garrick Ohlsson, Augustin Hadelich, Caroline Shaw, Carter Brey, Anthony Roth Costanzo, and more.

Barnatan’s acclaimed discography also includes a two-volume set of Beethoven’s complete piano concertos, recorded with Alan Gilbert and the Academy of St Martin in the Fields on Pentatone. In its review, BBC Music Magazine wrote “The central strength of this first installment of Inon Barnatan’s piano concertos cycle is that, time and again, it puts you in touch with that feeling of ongoing wonderment.”  In 2021 he released his Time-Traveler Suite album on Pentatone, a program that merged Baroque movements by Bach, Handel, Rameau and Couperin with movements by Ravel, Ligeti, Barber and Thomas Adès, culminating in Brahms’ Variations on a theme by Handel. He has also released a live recording of Messiaen’s 90-minute masterpiece Des canyons aux étoiles (“From the Canyons to the Stars”), in which he played the exceptionally challenging solo piano part at the Santa Fe Chamber Music Festival. In 2015 he released Rachmaninov & Chopin: Cello Sonatas on Decca Classics with Alisa Weilerstein, earning rave reviews on both sides of the Atlantic. His solo recording of Schubert’s late piano sonatas on Avie won praise from such publications as Gramophone and BBC Music, while his account of the great A-major Sonata (D. 959) was chosen by BBC Radio 3 as one of the all-time best recordings of the piece. His 2012 album, Darknesse Visible, debuted in the Top 25 on the Billboard Traditional Classical chart, and was named BBC Music’s “Instrumentalist CD of the Month” and won a coveted place on the New York Times’ “Best of 2012” list. He made his solo recording debut with a Schubert album, released by Bridge Records in 2006, that prompted Gramophone to hail him as “a born Schubertian”.

Born in Tel Aviv in 1979, Inon Barnatan started playing the piano at the age of three, when his parents discovered his perfect pitch, and made his orchestral debut at eleven. His musical education connects him to some of the 20th century’s most illustrious pianists and teachers: he studied first with Professor Victor Derevianko, a student of the Russian master Heinrich Neuhaus, before moving to London in 1997 to study at the Royal Academy of Music with Christopher Elton and Maria Curcio, a student of the legendary Artur Schnabel. The late Leon Fleisher was also an influential teacher and mentor. For more information, visit www.inonbarnatan.com.

 

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