The Boston Modern Orchestra Project (BMOP) Presents the 21st Annual Boston ConNECtion Concert Spotlighting Pulitzer Prize-Winning Composer Joseph Schw

BMOP in Concert: Boston ConNECtion

When: Saturday, March 28, 2020, at 8:00 p.m. (Pre-concert talk at 7:00 p.m.)

Where: NEC’s Jordan Hall, 30 Gainsborough Street, Boston, MA, T: Green to Symphony

Tickets: $22 and Up/Students $15/Children Under 8 are Free. To purchase, contact BMOP at BMOP.org or by telephone 718.324.0396. Also available from the Jordan Hall box office in person or online.

Boston, MA (For Release 02.12.20) — As New England Conservatory’s (NEC) affiliate orchestra for new music, the Boston Modern Orchestra Project (BMOP) presents the 21^st annual Boston ConNECtion concert featuring music by NEC students, alumni, and collaborators. This year’s program includes the world premiere of Effleurage by 2020 BMOP/NEC Composition Competition winner Lavell Blackwell, three works by NEC’s Malcolm Peyton Composer Artist-in-Residence Joseph Schwantner, as well as a solo violin performance by the 2020 BMOP/NEC Concerto Competition winner Ilana Zaks.

BMOP has a history of performing and promoting works by Boston-based composers, and once a year honors the conservatory's prestigious composition department. “Our 21-year partnership with NEC is built on a mutual commitment to provide a platform for NEC students, faculty and alumni to stage and perform new music,” says Gil Rose, Artistic Director and Conductor of BMOP. “Together, we’re helping shape the future of young artists.”

Opening the concert is the world premiere of Effleurage by Lavell Blackwell, winner of the annual BMOP/NEC Composition Competition. Blackwell is well known as a composer, singer, lyricist, and music director, and is currently pursuing a Doctorate in Composition at New England Conservatory of Music, studying with Dr. Kati Agócs. He has had the honor of winning NEC’s Honor’s Ensemble Composition Competition twice—for Paces, written for oboe, clarinet, and bassoon, as well as for his string quartet Discarded Vernacular. Both chamber pieces were given world premieres in Jordan Hall.

The program continues with a composer portrait of NEC’s Malcolm Peyton Composer Artist-in-Residence Joseph Schwantner (b.1943), one of the most prominent and prestigious American composers today. Known for his dramatic and unique style and as a gifted orchestral colorist, he holds degrees from the Chicago Conservatory and Northwestern University and previously served on the Juilliard, Eastman and Yale faculties. According to American Record Guide, “Schwantner has a canny theatrical sense—his music is always at some level dramatic, never abstract—and that his characteristic idiom, a blending of modal melody with both enriched triadic and highly chromatic harmonies, minimalist ostinatos, and prismatic, floridly ornamented scorings, is used with so much skill and resourcefulness that the listener never notices how disparate are the elements thus unified. Everything works to create the desired sensuous and emotional effusion.”

BMOP presents a trio of Schwanter’s works: Angelfire (2002) for amplified violin and orchestra featuring the 2020 BMOP/NEC Concerto Competition winner Ilana Zaks (violin); Percussion Concerto #2 (2011) for percussion section, timpani, and orchestra; and the Pulitzer Prize-winning Aftertones of Infinity (1978). The latter is a large orchestral work that includes unusual tone colors coming from, for example, tuned crystal glasses and gentle wordless vocalizing by the members of the orchestra. It is a perfect example of Schwantner’s post-1970s abandonment of high-serialist training in favor of a distinctly coloristic, harmonically rich, but solidly tonal sound.

About BMOP           

The Boston Modern Orchestra Project (BMOP) is the premier orchestra in the United States dedicated exclusively to commissioning, performing, and recording music of the twentieth and twenty-first centuries. A unique institution of crucial artistic importance to today’s musical world, BMOP exists to disseminate exceptional orchestral music of the present and recent past via performances and recordings of the highest caliber. Founded by Artistic Director Gil Rose in 1996, BMOP has championed composers whose careers span nine decades.

Each season, Rose brings BMOP’s award-winning orchestra, renowned soloists, and influential composers to the stage of New England Conservatory’s historic Jordan Hall in a series that offers orchestral programming of unmatched diversity. Named Musical America’s 2016 Ensemble of the Year, the musicians of BMOP are consistently lauded for the energy, imagination, and passion with which they infuse the music of the present era. BMOP recently won the 2020 Grammy Award for Best Opera Recording for its BMOP/sound release of Tobias Picker: Fantastic Mr. Fox. Launched in 2019, BMOP’s digital radio station, BMOP/radio, streams BMOP/sound’s entire catalog and airs special programming. For more information, please visit BMOP.org.

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