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Press Releases

Kate Soper, Arooj Aftab, Anthony Roth Costanzo, Charmaine Lee among Featured Artists of 7th Resonant Bodies Festival

May 29, 2019 | By Beth Stewart
Press Contact

“A Festival Suffused with Purpose and Ambition”
– The New York Times

Kate Soper, Arooj Aftab, Anthony Roth Costanzo, Charmaine Lee
among Featured Artists of 7th Resonant Bodies Festival
with Conrad Tao, Vijay Iyer, Wet Ink Ensemble, Ashley Bathgate

“The Paragon of Charismatic, Diverse, and Meaningful Programming”
– I Care if You Listen
Returns to Brooklyn’s Roulette Intermedium September 3-5, 2019


NEW YORK, NY – May 29, 2019 – “In equal measures intelligent, playful, ambitious and moving, the program illuminated the shape-shifting power of the human voice.” That intoxicating New York Times review of the inaugural Resonant Bodies Festival in 2013 marked its arrival as an immediately valuable contributor to the city’s music scene. The festival has since evolved into something akin to New York Fashion Week for the new music set, offering a chance for buck-the-trendsetters to experience the high-energy epicenter of experimental vocal music. The flagship festival returns to Roulette this September 3-5, kicking off the concert season with three fast-paced nights of vocal luminaries and artistic renegades converging in the best “see and be seen creative energy New York has to offer.

“We bring together people who light each other up,” said festival founder Lucy Dhegrae. “The palpable camaraderie among the nine featured artists – many of whom have never met – creates an incredible energy, and that transfers to the audience. The level of artistry, the distinctive projects, the flow between pools of sound – audiences can expect an unforgettable concert experience, unlike anything else in the world.”

As improbable as it may seem, Dhegrae tends not to speak in hyperbole. The festival’s unique value is built around its artist-driven programming, in which vocalists are given carte blanche to program adventurous music about which they are truly passionate. This artistic license means audiences have the chance to see such wildly disparate aesthetics as an operatic legend performing in drag, a duo weaving ASMR and 80s power ballads, and a mysterious vocalist Dhegrae described as “an ineffable arctic fox.”

“For audiences, ResBods provides a snapshot of the most innovative, compelling, and original work happening in the contemporary vocal world,” said Dhegrae. “For singers, who are so often ‘hired guns’ selected to embody the creative aesthetic of a director or conductor, it’s a chance to be seen as an artist with a vision of their own, and not just as a conduit for the music of others.”

This curatorial control leads to committed and inspired performances across an array of stylistic atmospheres. The 2019 festival will feature three compact 30-minute sets each night, intended to serve as an intriguing aural tasting menu. 
Night1

Charmaine Lee, Anthony Roth Costanzo, Jane Sheldon
 

On Tuesday, September 3, the “lyrical, brutal, and funny” Charmaine Lee (Bomb Magazine) joins longtime collaborator Conrad Tao to present a new work employing site-specific spatialization, live signal processing, and fixed media to explore a variety of sonic environments – each a meditation on both the mechanical and human qualities of vocal and electronic sound. Their collaboration is a celebration of hybridity, weaving together diverse influences from ASMR, drone, free improvisation, ambient, and the 80s power ballad. Charismatic countertenor Anthony Roth Costanzo, whose “Glass Handel” interdisciplinary installation was praised by Opera News for its “joyous hoopla and questing innovation,” will turn his gift for spectacle inward, featuring his operatic collaborations in an intimate set for voice and piano. Jane Sheldon, known for her “command of pure and profane vocal sounds” (Audrey Journal), will bring experimental stagecraft developed through her work with Sydney Chamber Opera to an original monodrama, poem for a dried up river, based on poetry by Alice Oswald.

 
Night2

Anaïs Maviel, Kate Soper, Ted Hearne
 

The festival continues on Wednesday, September 4, with transportive vocalist Anaïs Maviel, presenting this year’s only completely solo set, with multi-layered stories woven among threads of the subconscious and vocal improvisation, told with her custom-made 14-string kamale n’goni. Pulitzer Prize finalist Kate Soper, who has been hailed by The Boston Globe as "a composer of trenchant, sometimes discomfiting, power" and by The New Yorker for her "limpid, exacting vocalism, impetuous theatricality, and mastery of modernist style,” will return to the festival to share her new “Fragments of Parmenides” and explore “Musical Dialogues,” improvisations with Wet Ink ensemble member Sam Pluta. Ted Hearne, whose work has been praised by Pitchfork as “some of the most expressive socially engaged music in recent memory – from any genre” will preview a new song cycle commissioned by Carnegie Hall, which sets Dorothea Lasky’s fearlessly frank yet seductively prophetic poetry collection AWE, and will be accompanied by Bang on a Can All-Stars member Ashley Bathgate.

 
Night3

Stephanie Blythe as Blythely Oratonio, Arooj Aftab, Erin Gee

 
The festival’s closing night on Thursday, September 5, will feature world-renowned mezzo-soprano Stephanie Blythe, whose bearded drag persona Blythely Oratonio will deliver a “bold and bawdy” (Opera News) musical mash-up of disco, rock, and opera. Arooj Aftab, presented by NPR as one of the best composers under 40, will meld liquid vocals with the dreamscapes of collaborators Vijay Iyer and Shahzad Ismaily in an improvised journey that blends jazz, indie rock, and Sufi minimalism. Erin Gee, cited by The New Yorker’s Alex Ross as one of the most influential composer-vocalists of the 21st century, will close out the 2019 festival with a new multimedia collaboration with the Argento Ensemble, plus solo pieces from her legendary series “Mouthpieces,” which uses intricate and subtle vocal sounds to create a haunting breath-based landscape.
 
“Resonant Bodies audiences tend to be curious, eclectic, and open to the voice as this intangible, all-encompassing expression of our humanity,” said Dhegrae. “They could find themselves riveted, challenged, ecstatic, and transported over the course of a single set. They might leave with a new obsession. The only emotional state they’re genuinely unlikely to experience is boredom.”
 

www.resonantbodiesfestival.org
Facebook | YouTube: @resonantbodiesfest
Instagram | Twitter | Vimeo | Soundcloud: @resonantbodies

High-resolution photos and performer biographies can be downloaded here.

 

NYC 2019 RESONANT BODIES FESTIVAL
Roulette  |  509 Atlantic Ave  |  Brooklyn, NY 11217

FESTIVAL PRICING
$50 Festival Pass for all three nights
$75 Superfan Festival Pass includes VIP seating drink ticket

PER NIGHT PRICING
Presale tickets: $20 standard; $30 Superfan presale with VIP seating drink ticket
Door tickets: $20 student; $25 general

• • •

September 3, 2019 @ 7:30pm
Charmaine Lee  •  Anthony Roth Costanzo  •  Jane Sheldon
https://roulette.org/event/resonant-bodies-festival-2019-1/

September 4, 2019 @ 7:30pm
Anaïs Maviel  •  Kate Soper  •  Ted Hearne
https://roulette.org/event/resonant-bodies-festival-2019-2/ 

September 5, 2019 @ 7:30pm
Stephanie Blythe  •  Arooj Aftab  •  Erin Gee
https://roulette.org/event/resonant-bodies-festival-2019-3/

About Resonant Bodies Festival

Since 2013, the "indispensable" Resonant Bodies Festival (New York Times) has presented dozens of vocal artists at venues across New York City: Shapeshifter Lab (2013), JACK (2014), Merkin Concert Hall (2015), Abrons Arts Center (2015), and Roulette (2015-18). With the generous support of the Ellis L. Phillips Foundation, Resonant Bodies had its international debut in May 2017, presenting a sold-out concert at the Melbourne Recital Centre in Australia. Since then, the festival expanded to include a Chicago Festival (April 2018 at Constellation) and a Sydney Festival (August 2018 at Carriageworks, co-presented with Sydney Chamber Opera), as well as two artist residencies (Mount Tremper Arts and Bundanon Trust) and its first-ever educational residency program (August 2018 at Banff Centre in Canada). Resonant Bodies Festival also reaches audience members worldwide through MRMR, a vast, freely accessible online archive including audio andvideo recordings of past festival performances, the Resonant Bodies Podcast, and theContemporary Vocal Music Database.
 
Press Contact: Beth Stewart
Verismo Communications

Tel: 618.444.3183 | Email: beth@verismocommunications.com
 

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